Year: Song Author: Ouyang Xiu
The waiting hall is full of plum blossoms, the bridges are thin with willows and the grass is warm and swaying. Sadness is getting farther and farther away, and the distance is like spring water.
Inch by inch, my heart is tender, my eyes are full of tears, and the height of the building is not close to the dangerous fence. Pingwu is full of spring mountains, and pedestrians are even outside.
Translation:
The plum blossoms in front of the guest house have withered, the new willows beside the stream bridge are hanging lightly, the spring breeze is stepping on the grass, and people are jumping and whipping. Going further and further, it is endless, just like an endless spring.
Every inch of my heart hurts, and I walk with tears. Don't climb the stairs, lean against the railing. At the end of the flat grassland is a heavy spring mountain, and pedestrians are still outside the mountain.
Appreciate:
This word is one of Ouyang Xiu's representative works. Among the poems written by graceful poets to express their feelings of parting, this is a masterpiece with deep feelings, tenderness and moving.
The first film describes what people who are far away from home see and feel on the journey. The first three sentences are a picture of a trip to the Western Hills filled with the breath of spring: the plum blossoms beside the hotel have already bloomed, leaving only a few remnants of English, and the willows beside the stream bridge have just pulled out delicate branches and leaves. The warm wind blew the fragrance of spring grass, and people from afar shook the reins and drove the horses in this beautiful environment. Prunes, willows, grass and warm wind indicate that this season is just mid-spring. This is the most emotional season. From the word "shake", we can imagine pedestrians riding horses and looking around.
Beautiful spring scenery makes people linger and admire, but it is easy to touch sadness. The first three sentences imply and contrast parting with real scenes, and the third and fourth sentences turn from beautiful scenery to parting description: "Farewell is getting farther and farther, and the distance is like spring water." Because the other person is the one you love deeply, this sadness of parting will accumulate with the time and distance, just like a spring water bringing you in front of you, and the journey is endless. These two sentences are figurative, that is, things give birth to feelings, and water is used to describe sadness. They are written naturally, aptly and euphemistically.
The next film is about the young women in the boudoir's deep yearning for strangers. "Inch tenderness, Ying Ying powder tears." After two sentences, the stranger turned to writing about women. Using "softhearted" instead of "inch by inch" and "pink tears" instead of "Ying Ying" shows the deep and lingering feelings of women. From Far-off Spring Water to Inch by Inch and Tears, there is a natural connection between them. The next sentence, "The building is leaning against the dangerous fence", is the pedestrian's deep thinking and exhortation to the tearful boudoir, and also the inner struggle of women who want to climb high and look far to think about the wandering sight but know it in vain.
The last two sentences describe the young woman's gaze and imagination, but the wanderer imagines that the person in the boudoir looks far away but doesn't see what he thinks: in front of the building is a lush vilen, and at the end of vilen is a faint spring mountain. The pedestrians he misses are far away from Chunshan. These two sentences not only describe the scene of the woman on the roof gazing into the distance and being fascinated by the sky, but also reveal her infatuation. She is crossing the barrier of Spring Mountain and flying to the end of the world with the wandering recruiter. The walker not only imagines that the residents are climbing and cherishing the distance, but also goes deep into each other's hearts to track themselves. So write down, affectionate and sad.
From the analysis of artistic characteristics alone, this word mainly uses the following four artistic techniques.
Write sadness with joy and express happiness with things. This technique is skillfully used. The first film of this poem shows a lonely pedestrian riding a horse out of the waiting hall. In this painting, the typical scenery of spring, such as residual plum, willow and lavender, is dotted in the waiting hall, creek bridge and journey, showing a harmonious atmosphere in early spring in the south. This word uses spring scenery to write a trip, and music scenery to write a farewell to sorrow, so as to get the effect of multiplying troubles.
Implication and association are also an artistic feature of this word. Plum, willow and grass, the combination of reality and reality, not only shows the beautiful scenery of spring, but also contains the parting feelings of pedestrians. The author expresses the sadness of parting from all angles, which is really intriguing and meaningful.
Turning emptiness into reality and skillfully using metaphor are also important artistic means in this paper. This is written: "parting from sorrow is getting farther and farther away, and the distance is like spring water." "Worry" is an invisible feeling. The "empty" parting sorrow turns into a "real" spring; Emotions without feelings are transformed into sensible images, thus greatly enhancing the artistic effect.
Step-by-step and compromise are the remarkable artistic features of this word. In the following whole film, different types of "by going up one flight of stairs" artistic techniques were used to show the deep sadness of parting in a delicate and touching way.
There are only fifty-eight words in the whole poem, but because of the clever use of artistic techniques such as writing sadness with joy, containing emptiness with reality, turning emptiness into reality, and by going up one flight of stairs, the sadness is vividly expressed and has great artistic charm, so it has become a famous article that people are willing to tell.
Walking on the beach, rain and night view
Year: Song Author: Ouyang Xiu
Rainy scenery, vernal equinox weather. Let a hundred flowers blossom. Draw a pair of Liang Xinyan, and the jade cage parrot sleeps alone.
Ficus pumila is against the wall, and strawberry moss is all over the floor. There are some beautiful songs in the brothel. Suddenly, old things came to my mind. I was silent and frowned.
Step on Tashabi Temple.
Year: Song Author: Ouyang Xiu
Bitai cloister, Qingyang deep courtyard. Stealing curtains at night is still a roll. According to people, there is no choice but to spend a lot of time on Hua Ming.
The secret agreement is as deep as a deep one. I used to have a bad life. Look at the arrow that threw away the golden pot. It shouldn't be knocked all over. The curtains are obviously smelly and cut.
Walking on the sand, the mica screen is very low.
Year: Song Author: Ouyang Xiu
The mica screen is low and the tassel is small. A low bed is thin, and autumn will dawn. When it's cold or not, I smell the birds outside the window.
Sleeping Liu Hua, fragrant grass. Ritual must be good for Zhu Yan. Mo Yan's illness is affectionate, and he is willing to grow old in love.
Take a slow walk on the beach
Year: Song Author: Ouyang Xiu
Alone in a lonely boat, depending on danger. I finally made a sunset rain, but it was gone. Cold leaves are messy. The crescent moon is bright and the clear waves are shallow. Tonight, it is hard to get rid of boredom and separation.
Strong to the pillow, lamp residue water leakage, acacia eyes. I clearly dreamed that I was like a flower. According to the former, the old hospital. New moon photo, curtain hanging, bead curtain rolling. Gradually dawn, pulse condition is Jue Yuan to the horizon.