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The Millennium is frost. The so-called Iraqis are on the water side.
Tracing back and forth, the road is blocked and long. Swim back from it, in the middle of the water
Sadly, the Millennium is still there. The so-called Iraqis are in the water.
Tracing back and forth from it, the road is blocked and broken. Swim back from the inside and swim in the water.
Jia Cai, peace and prosperity have not passed. The so-called Iraqis are in the water.
Go back and follow, the road is blocked and turn right. Swim back from the inside and swim in the water.
[Introduction]
The Book of Songs is the earliest collection of poems in China, and * * * contains 305 poems of the Zhou Dynasty. Originally called "Poetry" or "Poetry 300", Confucian scholars in the Han Dynasty began to call "The Book of Songs". The existing Book of Songs was handed down by Mao Heng in the Han Dynasty, so it is also called Mao Shi.
Jian Jia is an article in The Book of Songs Qin Feng. This is a love song for my lover. The object that the author yearns for is out of reach, and there are thousands of difficulties and dangers in the middle, so the poet lingers and can't restrain infinite melancholy.
This poem has been praised by all previous dynasties as a good poem with deep feelings and deep feelings. This poem consists of three chapters, each with eight sentences. The first two sentences describe the scenery, and the last six sentences describe things lyrically. As the beginning of the poem, landscape sentences such as "Wan Jian Cang" write a prosperous and noble frost dew, which sets off the passionate pursuit and pure love of the lyric hero and has the function of landscape narration. It is an indispensable part of the whole poem, because this is what the protagonist sees and feels. The author also relates the deep affection of people who miss him to the description of Qiu Shui. Autumn water is deep, which seems to be the deep affection between lovers; Shui Yue is the right person in her eyes. Autumn waters affect feelings. On the water side, it is the deep feeling in a specific environment and the unique feeling of spoony people.
This poem takes the form of a heavy chapter, singing and sighing. Poets are full of emotions, and unless they recite them repeatedly, they can't express their unattainable feelings and deepen their lyricism. Due to the change of individual words in repetition, the process from condensation to frost, to melting into water and gradually drying up in the Millennium is written, which shows the passage of time. In the course of this period of time, the poet is searching up and down, wandering, looking forward, and the overlapping of rules and regulations is also showing the deepening of emotions step by step.
[Notes]
Jiān jiā: reed.
Pale: lush and dark.
Iraqi: That man.
Fang: The other side is just one side.
Backwater: upstream.
From: pursuing, exploring.
Resistance: danger and resistance; Strong and durable.
Upstream: downstream.
Wan: It seems, it seems.
Sad: same, lush.
M: fuck.
Mae: the junction of water and grass, that is, the shore.
Jump (jí): Get up high and climb high.
Chí: A small sandbar in the water.
Mining: numerous occurrences.
Has: stopped.
By the water.
Right: Turn right and the road will bend.
Zh(zhǐ): Small beach in water, slightly larger than the beach.
[translation]
The reeds are dense and gloomy, and the dew is crystal clear and frosty. The good man in my heart is standing by the river. It's too long to find her upstream. Look for her downstream, as if in the middle of the water.
The reeds are lush and dense, and the crystal dew is still wet. The good man in my heart is standing by the river. Going upstream to find her, the road is rugged and difficult to climb. Go down the river to find her, as if on a beach.
The reeds take root piece by piece, glittering and translucent like dew and tears. The good man in my heart is standing by the river. Sail against the current to find her, and the journey is dangerous. Go down to the river to find her, as if she were in the water.
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Three kingdoms Cao Cao
Jieshi ② Looking at the sea in the East ③. What are water (4) and mountain island (5)?
There are many trees and many herbs.
The autumn wind is bleak (7), and Hongbo surges (8).
The journey of the sun and the moon, if out of it (9).
Xinghan is brilliant (10), if you go out.
Fortunately, it is an even number (1 1), and the song is dedicated to Zhi.
[Author's Brief Introduction] Cao Cao (155-220), whose real name was Meng De and Pei (pèi) was born in Qixian County (now Bo County, Anhui Province), and was a famous politician, strategist and poet in the Three Kingdoms period.
Cao Cao worked hard all his life and fought in the north and south, but he couldn't put it down and loved literature. His poems inherited the Book of Songs and the fine realistic tradition of Yuefu in Han Dynasty, wrote current events and expressed his feelings in Yuefu, which reflected the thoughts and feelings of a politician.
Cao Cao's poetic style is generous and sad, gloomy and vigorous, heroic and magnificent; Language is simple and vigorous, make good use of it. Cao Cao's prose is mainly a practical document with preface, which is rarely bound by tradition in content and form. It has a free, smooth and unpretentious style and is praised by Lu Xun as "the founder of transforming articles".
[Notes]
(1) Cang (cāng) Sea: the sea. Pale, water is green. Because it is deep and turquoise, it is also called the sea.
(2) Pro: Come. Jié Stone: The name of the mountain, in the southwest of Laoting County, Hebei Province, has now sunk into the sea.
(3) With: auxiliary word, which has no practical significance.
(4) He: How about it? Dàn: the turbulent appearance of water waves.
(5) Mountain Island: refers to Jieshi Mountain. S ǒ n zhiì: A tall and straight figure. With "shrug", high.
(6) lush: lush, lush.
(7) Bleak: the sound of autumn wind blowing trees.
(8) Hongbo: big waves.
(9) if: it seems.
(10) Han: Yinhe.
(1 1) Lucky: Lucky, lucky. To: extremely. Alas: interjections. The sentence "OK" was originally added at the concert, and has nothing to do with the text. However, there is a harmonious connection between this poem and the text.
[translation]
Crusaders climbed Jieshi Mountain just to see the vast Bohai Sea. The sea is blown by the breeze, and the water is so turbulent; The seaside mountain island stands tall and straight. The forest grows layer by layer, and the weeds all over the mountains are full and lush. How powerful the cold autumn wind is, and the waves are surging. The sun and the moon rise and fall, as if in and out of the embrace of the sea; The brilliant brilliance of the Milky Way seems to radiate from the center of the ocean. Fortunately, it was great, so I wrote a song to sing my ambition.
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Appreciation of Tao Yuanming's drinking
Drink wine/alcohol
Building a house is human, and there are no horses and chariots.
What can you do? The heart is far from being self-centered.
Picking chrysanthemums under the east fence, you can see Nanshan leisurely.
The mountains are getting better and better, and the birds are back.
That makes sense. I forgot what I wanted to say.
Tao Yuanming's Drinking has 20 poems. This group of poems was not written after drinking, but the poet's dissatisfaction with reality and love for rural life on the topic of drinking, in order to escape persecution through drunkenness in a very sinister environment at that time. In the twentieth "Drinking", he wrote that "it is more fallacious to hate, so be lenient", which shows his good intentions. This is the fifth one. This poem is based on emotion and melts into the scenery, writing the carefree mood of the poet after retiring to the countryside.
The artistic conception of this poem can be divided into two layers, and the first four sentences are one layer. The poet's mood after getting rid of secular troubles shows his thoughts and feelings of despising officialdom and not colluding with the rulers. The last six sentences are on the first floor, which describes the beautiful night scene of Nanshan and the infinite fun that poets get from it. It shows the poet's true feelings and noble personality of loving rural life.
"Building a house is on earth, but there are no horses and chariots." Although the poet lives in a dirty world, he is not troubled by the secular world. The noise of horses and chariots is a portrayal of all kinds of ugliness in officialdom, such as fighting with each other and trying to get an official position. However, Tao Yuanming's "building a house" is not a very distant place. How can he not hear the sound of horses and chariots? The poet seems to understand the reader's psychology very well, so he used a rhetorical question "Ask what you can do" and then replied "I am far from my heart". As long as you stay away from the noise of those dignitaries, other aspects will naturally not entangle with them. These four sentences contain incisive philosophy of life, telling us that people's spiritual world can be self-purified. Under certain conditions, as long as we give full play to our subjective initiative, we can change the influence of the objective environment on ourselves and find the joy of life everywhere. The word "far" reflects the poet's spiritual world, extraordinary and free from vulgarity, and has no thoughts of fame and fortune.
"Picking chrysanthemums under the east fence and seeing Nanshan leisurely" is a famous sentence that has been circulated for thousands of years. Because of the spiritual realm of "my heart is far away from myself", I will leisurely pick chrysanthemums under the east fence and look up at the mountains. It is so comfortable and extraordinary! These two sentences set off the poet's leisurely mood with the description of objective scenery. The word "carefree" is used beautifully, indicating that what the poet saw and felt was not intended to seek, but met unexpectedly. Su Dongpo was full of praise for these two sentences: "The second time I picked chrysanthemums, I happened to see the mountains. I didn't mean it at first, but I enjoyed it." The word "see" is also used strangely, and "see" happens by accident. The beautiful scenery of Nanshan just set off the carefree mood when picking chrysanthemums, and synthesized the "land without me" I forgot. If you use the word "hope", you will have Nanshan in your mind before you look at it. As a result, you will lose your naive interest in forgetting the plane. What is the beauty of Nanshan, which makes poets admire it so much? Then there is "the weather is getting better every day, and the birds are coming back", which is also the scenery that the poet inadvertently saw. In the beautiful evening scenery of Nanshan, birds fly back to the mountain together, and everything is free and adaptive, just like a poet who got rid of the shackles of officialdom and was carefree, and the poet realized the true meaning of nature and life here. "That makes sense. I forgot what I wanted to say." What did the poet realize from the birds of nature, Nanshan, sunset and autumn chrysanthemum? Is it a natural law that everything moves in its place? Is it a yearning for an ideal society of simple self-sufficiency in ancient times? Is letting nature take its course a philosophy of life? Is it a straightforward and sincere character? The poet didn't express it clearly, but asked questions implicitly for readers to think about, while he "wanted to identify himself and forget his words." If combined with the previous "building a house is human, but there are no horses and chariots", "true meaning" can be understood as the real meaning of life, that is, life should not be squandered on fame and fortune, should not be defiled by the filth of officialdom, but should return to nature and appreciate its infinite freshness and vitality! Of course, this "true meaning" has a great connotation, and the author has not said it all, and there is no need to say it. These two philosophical summaries give readers endless imagination and are memorable.
The whole poem is written in plain and simple language, and the form and content are highly unified. Whether it is writing about the beautiful scenery of Nanshan in the evening, expressing the leisure of seclusion, telling the fun of rural life, or telling the true meaning of life, it is full of fun. For example, "Picking chrysanthemums under the east fence, leisurely seeing Nanshan" and "The mountains are getting better every day, and the birds are coming back every day", and the famous sentences that combine scenery, emotion and reason are self-evident as "What can I ask you?" Sentences such as "My heart is far away from self-prejudice" and "I have forgotten what I want to say" are plain, simple and natural, but they also have profound meaning, lofty, meaningful, chewy and endless truth and interest.
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Don
Across the wall of Sanqin, across a layer of fog, across a river.
We said goodbye sadly, and our two officials went in opposite directions.
After all, the world is just a small place.
Why are you wandering at the fork in the road? The child is holding a towel.
[Introduction to the author]
Wang Bo, Zi 'an, was born in Longmen, Jiangzhou (now Hejin County, Shanxi Province) and was one of the four outstanding figures in the early Tang Dynasty. Wang Bo was the grandson of Wang Tong, a great scholar in the late Sui Dynasty. Wang is the second son. His name is Fu Jiao, and his second name is Fu Zhi. Fuxi is Wang Bo's father. He used to be Doctor Taichang, Yongzhou Secretariat, Jiaozhi County Order, Liuhe County Order and Governor of Qi State. It can be seen that Wang Bo grew up in a scholarly family.
There is still controversy about Wang Bo's date of birth and death. Yang Jiong's Preface to Wang Bo said that he died in Tang Gaozong in the third year of Shang Yuan (676) at the age of 28. Accordingly, Wang Boying was born in the 23rd year of Zhenguan of Emperor Taizong (649). Wang Bo's "Ode to Spring Thoughts" contains: "The second year of Xianheng (67 1) was in the spring and autumn years." According to this calculation, he was born in the first year of Emperor Gaozong Yonghui (65O). This is Wang Bo's self-report, which should be believed. Therefore, most scholars now believe that Wang Bo was born in the first year of Yonghui (650), died in the third year of Shangyuan (676), and was born at the age of 27. Wang Bo was a very talented poet in the early Tang Dynasty. It's really a pity that he only lived for 27 years.
Wang Bo was smart and studious since childhood, which was recognized by people at that time. The Book of the Old Tang Dynasty originally said that Wang Bo: "At the age of six, he is a writer, and his thoughts are not stagnant. His words are ingram micro, similar to his brothers and talents. His father and friend Du often called him: "This is the three-bead tree of Wang." Another Yang Jiong's Preface to the Collection of Wang Bo said: "When I was nine years old, I read Yanshi's Hanshu, and my fingers were missing ten volumes. At the age of ten, I have mastered the Six Classics, and the moon is full. I will repay it with my own voice. It is a Millennium opportunity to learn from the past for a hundred years. " Too often Liu Bo called Wang Ji a prodigy. In the first year of Linde, Tang Gaozong (664), Wang Bo wrote to Liu Xiangdao, the right minister, and said in the letter, "Therefore, those who are generous to the monarch are angry with their hearts and ears", and asked Liu Xiangdao to recommend them. Liu was recommended to North Korea, and was awarded the post of North Korea Sanlang at Linde's request for a term of three years (666). At this time, Wang Bocai 14 years old was still a teenager.
When Pei Wang Li Xianwen heard about his name, he called it writing an article and loved him very much. Kings at that time often had fun fighting cocks. In order to have fun, they wrote "Chicken of Zhou Wang", which turned out to be a disaster. Tang Gaozong thinks this is to make the kings clash and drive Wang Bo out of Pei Wangmi. In fact, Wang Bo was hit this time, not really because of "chicken of Zhou Wang", but because of his talent, and he was jealous. Therefore, Yang Jiong's "Preface to Wang Bo" said, "Don't show your face in the play, look for it for the first time." After being driven out of Pei, he visited Shu, drank poetry wine with Yang Jiong and others, and fell in love. "Biography of Yang Jiong in Old Tang Dynasty" said: "Yang Jiong is as famous as Lu and Lu, and he is also called Luo, the king of the sea, also known as the four outstanding men."
Four outstanding writers in the early Tang Dynasty are a very famous group in the history of China literature. As a group, they opposed the decadent aesthetic atmosphere since the Six Dynasties, put forward some innovative ideas, and began to lead poetry from the court to the street, from the Taige to the Jiangshan and frontier fortress. The theme is expanded and the style is fresh and vigorous, which plays an important role in getting rid of the legacy of Qi and Liang Dynasties and creating a new atmosphere of Tang poetry. Talking about the history of literature in China, especially in the Tang Dynasty, there is no one who does not talk about Wang Yang and Luo Lu.
The second blow to Wang Bo was that when Zhou Guo joined the army and committed a crime, he killed a hidden official slave. In the second year of Xianheng (67 1), he returned to Chang 'an from Shu to participate in the topic selection. At that time, his friend Ling, a judge, said that there were abundant medicines and he knew herbs, so he got a small job in his army. When he was a soldier in Zhou State, a slave named Cao Da committed a crime. He hid the criminal, and later, for fear of leaking the news, he killed Cao Da and committed a capital crime. Fortunately, he was not executed under the amnesty. This is a strange thing. Why does Wang Bo want to protect the criminal Cao Da? He hid to protect him. How could he kill him? According to the old and new Records of the Tang Dynasty, Wang Bo's misfortune this time is due to his arrogance and being envied by his colleagues. Some people suspect that Cao Da, an official slave, designed and framed Wang Bo for his colleagues, or that it was simply framed, which makes sense. In short, Wang Bo suffered two blows, both related to his genius superman.
Although he didn't die in this disaster, he declared the end of his career and brought trouble to his father. Wang Fuzhi was exiled to the southern wilderness because his son Wang Bo committed a crime. Wang Bo went to Jiao Jiao to visit his father and drowned on the way, ending his young life. It is impossible to find out whether Wang Bo died or committed suicide while crossing the sea. After all, he died with a cavity of grief and indignation.
Wang Bo's poetry and prose are excellent, and he deserves to be the first of the four outstanding poets. He made great contributions to reversing the legacy of Qi and Liang Dynasties and creating Tang poems, leaving some immortal masterpieces for later generations. His five-character poem "Farewell to Vice Governor Du's Office in Shu" has become a masterpiece in the history of China's poetry, which has been passed down for a long time. "However, China holds our friendship, and heaven is still our neighbor" has become a famous sentence, which is often quoted by people throughout the ages. Wang Bo is most praised and told for thousands of years by his Preface to Tengwang Pavilion. About this matter, Tang Yanyan recorded it in the most detailed way.
In the autumn of the second year of Yuan Dynasty (675), Wang Bo went to Jiao Jiao to visit his father. When I passed by Nanchang, I was just catching up with Yan Xinjian Pavilion, the governor of Nanchang, where a banquet was held on the Double Ninth Festival. Wang Bo went to visit, and the satrap of Yan heard of his reputation and invited him to a banquet. Yan's party is to show off the talent of his son-in-law Meng. Let the son-in-law prepare a preface in advance and show it to everyone as an impromptu writing during the dinner. At the banquet, the governor of Yan asked people to take out paper and pen, pretending to let everyone preface this great event. Everyone knew his intention, so they refused to write, but Wang Bo, a young junior in his twenties, didn't refuse. He picked up a pen and paper and wrote in public. Yan's boss was unhappy, so he brushed his clothes and transferred them to his account to show people what Wang Bo had written. I heard that Wang Bo wrote at the beginning that "Nanchang is the old capital and Hongdu is the new house", and the Governor said, "This is just a cliche. I also heard that "the stars are divided into wings, and the ground meets Lu Heng", and I was thoughtful and silent. When he heard that "the sunset is lonely in Qi Fei, and the autumn waters are the same color," the governor had to gasp in admiration: "This is a genius, and it should be immortal!" . "Biography of Talented Talents in the Tang Dynasty" records: "Bo delightedly teased guests, and he did it in an instant. Without adding a word, the room was full of surprises."
What is recorded in Tang Yan and other books may be exaggerated, but Wang Bo's Preface to Wang Tengting is indeed an immortal masterpiece. Wang Bo prefaced "Wang Tengting" at the Yan DuDu banquet in Nanchang. This is the most touching story in the history of China literature. Wang Bo in The Legend of the New Tang Dynasty belongs to literature. At first, he didn't think it over carefully. First, I ground a few liters of ink, and then I drank so much that I was led on the ground and couldn't write a word. "Tang Duan also said:" Youyang Miscellaneous Language ":"Every time Wang Bo praises a monument, he first grinds a few liters of ink and leads him to lie on the surface. Suddenly, he began to count. At first, he didn't jump. People called it a draft. " It can be seen from this that Wang Bowen's wit is extraordinary, and Teng's improvisation is a masterpiece through the ages, which is not a false biography.
As a gifted writer in ancient times, Wang Bo died before he was 30 years old, which is really a great loss for China literature.
Although Wang Bo lived only 27 years, he still wrote a lot. He wrote ten volumes of Faults in Hanshu, five volumes of Zhouyi Drama, ten volumes of The Analects of Confucius, five volumes of Preface to Zhouzhong and several volumes of Chitose Calendar, but they were all lost. Today, only An Ji of Prince (16) is not a complete book. A new collection of new studies edited by Mr. Tian has been published by Shaanxi People's Publishing House, which contains some lost articles.
A berth at the foot of Beibao Mountain (1)
Wangwan
Under the blue mountain, my boat and I meandered along the green water. Until the river bank widens at low tide, and no wind blows my lonely sail.
... the night now gives way to the ocean of the sun, and the old year melts in freshness. Can I finally send my messenger once? Wild goose, return to Luoyang.
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Version 1
Plug (1)
I want to ask the side (2) when riding a bike, and it is a country (3) that has lived for a long time.
Zheng Peng went out (4) and returned to Yan Hu Tian (5).
The lonely smoke in the desert is straight [6], and the long river falls in yen [7].
Xiao Guan rides a horse (8) every time and is guarded by Ran Yan (9). [2]
Version 2
Go to the frontier to carry out tasks
If you want a bike, you will live in a country for a long time.
Pengpeng also floated out of Korea, and the geese heading north also flew into the sky.
The vast desert is lonely, and the Yellow River sets the yen.
When Xiao Guan met the waiting officials, he was protected by Ran Yan. [3]
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I heard that Wang Changling moved to Longbiao Kiln and sent this (1).
Tang Libai
Huayang fell to the ground and cried [2], and Wen Daolong crossed five streams [3].
I am worried about the bright moon (4) and go to the west with the wind (5).
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one
Jin Zun (zūn) a barrel of sake 1000 yuan, the jade plate is worth ten thousand yuan. (2)
If you don't drink, you can't eat. I pull out my dagger and I peek around for nothing. (3)
If you want to cross the Yellow River ice jam (Se), you will climb the snowy Taihang Mountain. (4)
I will sit on a fishing rod and lean lazily by the stream, but I suddenly dream of sailing a boat towards the sun. (5)
Hard journey, hard journey, the road of ambiguity (qí), where is Ann now? (6)
One day, I will ride the wind and waves to the Sea of Yun Fan. (7)[2]
Secondly,
The road of life is so broad, but I have no way out.
It's hard to go (2)
I have no face to follow those people who have no guts to bet on pears and chestnuts. (8)
Feng is going home, there is no fish to eat, and it is ungrateful to drag the king's door. (9)
At that time, people in Huaiyin laughed at the ministers of the Han Dynasty for their cowardice and incompetence, but they were jealous of Jia Yi's Excellence. ( 10)
If you didn't see the prince in "Eternal Dragon Slayer", you would be very happy. ( 1 1)
Juxin and Le Yi were grateful for their kindness. They tried their best to serve the monarch with their talents.
Wang Zhao Cooper won (won) the creeping weed, who will sweep the land of Jintai? ?
The road is hard, I must go back! ( 12)
third
There are also ears that don't wash glumes (yǐng) and rivers, and they don't starve to death like famous hermits on pike! (jué)。 ( 13)
Living in a mixed crowd has no reputation. Why should it be as lofty as the moon or clouds? ? ( 14)
Those who failed to retire in ancient times, if he succeeded, he would die (yǔn).)( 15)
Zixu abandoned Wujiang River and drowned the poet laureate. ( 16)
In vain, this talented scholar hopes that the inheritance tax (tuū) will not be early. ( 17)
Can Huating Crane (Li) smell it? Hunting with falcons like he craves? ( 18)
Have you noticed that Zhang Hans of Wuzhong is called Sheng Da and happily goes home to eat bass? ? ( 19)
Enjoy a glass of wine while you are alive! Don't care if your reputation will be passed down! ? [3]