Poetic nature of ancient poetry in spring

Zhu, spring day

On the surface, this poem looks like a landscape poem, depicting the beauty of spring; In fact, it is a philosophical poem, expressing the poet's good wish to pursue the way of being a saint in troubled times. The whole poem is full of reason and imagery, with interesting ideas.

spring

Beautiful spring outing in Surabaya, the endless scenery is new. Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere.

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(1) Victory Day: Originally meant to be a holiday or a day for friends and relatives to get together, here it refers to sunny days. Looking for fragrance: spring outing, hiking. Surabaya: The name of this river is in Shandong Province. Shore: water. ⑵ scenery: scenery. New: It is not only a spring return to the earth, but also a refreshing outing. (3) Idleness: relaxed, ordinary and casual. Dongfeng: borrowing refers to spring. East wind, spring breeze. ⑷ Colorful: It describes the spring scene with a hundred flowers blooming, and it is also used to describe colorful and prosperous scenes.

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When the weather is clear, you can visit the coast of Surabaya, and the endless scenery is refreshing. Anyone can see the face of spring, which is colorful and full of spring scenery.

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It is generally believed that this is a poem about spring. Judging from the scenery written in the poem, it is also very similar. The first sentence is "winning the sky and seeking the fragrance of Surabaya": "winning the sky" points to tomorrow; "Surabaya" indicates the location; "Looking for Incense", point out the theme. A sentence is described in three layers, especially with the "Surabaya" node, which is deliberately arranged by the author. The word "Xun" not only describes the author's calmness, but also adds a lot of interest to poetry. The second sentence, "boundless scenery is new for a while", describes the initial impression obtained by watching spring scenery. "Infinite scenery" is the reverse order of the first sentence "winning the sun and seeking fragrance", which means the result of seeking fragrance. Use "boundless" to describe all the scenery in front of you. "A Moment of Novelty" not only describes the return of spring to the earth, the natural scenery is brand-new, but also describes the refreshing joy of the author during his outing. Here, we don't elaborate, we don't cut and paste on every grass, tree and stone, but we put pen to paper from a vast space. The last two sentences describe the new situation in vivid language and express the gains from seeking fragrance. The word "knowledge" in the sentence inherits the word "search" in the first sentence. "You can easily know" means that the features and features of spring are easy to recognize. It means to win the day and find incense. I didn't expect endless income. Now that I have such a freshness, I can't help but rejoice. "Dongfeng Face" visualizes and personifies the breath and scenery of spring and puts the word "knowledge" into practice. The last sentence "colorful is always spring" means that this colorful scene is made up of spring, from which people know and feel the beauty of spring. This specifically answers why we can "wait for the east wind". The "colorful" in this sentence is close to the "east wind" and far from the "boundless scenery", with dual rhetoric and strong imagery. The poem ends with "always spring" and falls on "spring day". Literally, this poem seems to express the feelings of visiting spring, but the place to look for fragrance is the Surabaya coast occupied by Jin people when they crossed the Song Dynasty a long time ago. Zhu has never been to the north, and of course it is impossible to swim to Surabaya in spring. In fact, the word "Surabaya" in the poem alludes to Confucius, because in the Spring and Autumn Period, Confucius had sung a string of songs between Zhu and Si to teach his disciples. Therefore, the so-called "seeking incense" refers to the way of seeking saints. Boundless Scenery has a vast performance space, which reveals the poet's original intention of seeking the Holy Way through movies. "East wind" is a metaphor for enlightenment, and "colorful" is a metaphor for the richness of Confucianism. The poet compares the sage's way to the spring breeze that pushes the machine and ignites everything. This is actually a philosophical poem by the richest man, which combines reason with interest in the image. It is Zhu's genius to write philosophical poems without revealing traces.