Author Liu Chenweng, Song Dynasty.
Iron horse felt, silver flowers shed tears, and spring entered the city of sorrow.
Playing the flute, playing drums in the street, not singing.
This is a green lantern that never returns, missing the old country and the high platform.
The scenery under the mountain, the years in the mountain, and the mood at sea.
Interpretation of vernacular:
Mongolian cavalry in blankets can be seen everywhere. After the national subjugation, people went to see the Lantern Festival, and the lanterns seemed to be accompanied by tears. Spring has come to this miserable city.
The Yuan army played drums and tricks in the street, and the flute played a Mongolian accent. Where is a little spring scenery? Seeing and hearing, I feel very bad.
Sighing in the dim light, sad and boring life torments people. In this bright moon hanging in the lantern market of Shangyuan, I miss those fallen buildings.
The nostalgic scenery of the capital of Lin 'an, the lonely years of seclusion in the mountains, and the princes and ministers of the small court who fled to the seaside, how can they resist the enemy and revive the motherland? I can't be calm for a long time.
Extended data:
Appreciate:
Liu Chenweng's ci belongs to the bold style, which is deeply influenced by Su Dongpo and Xin Qiji. Chen Weng's ci not only inherits and innovates Su Xin's ci school, but also integrates Su Xin's and Yang Su Xin's strengths, making his ci style with Su Xin's color, not frivolous, and forming his own unique air of emptiness. Compared with Zhou Bangyan School, Liu Chenweng's ci works are not affected by affectation and pursue truth, which has a great influence on the creation of Yuan and Ming Ci works. This moaning style was very valuable in medieval China where personality was suppressed.