Liu Chengzhang's Ansai waist drum has the same language style: the language style is changeable, various rhetorical devices are used, and the language is concise. The difference is as follows: 1. The language of Qinqiang Opera is totally composed of Qinqiang Opera, Qindiao and Qin Yun, permeating the Qin culture of Qin Feng, and it is a simple local language. Language is ethereal, verbs are practical, and there are many local languages. Second, Liu Chengzhang's Ansai Waist Drum is a prose with rich content, profound meaning and bold language. Through grand scenes, bold and unrestrained movements, sonorous rhythms, violent drums, repeated hymns and hearty praise, the author expressed his poetic feelings about life and strength. The artistic beauty of its language is mainly reflected in the following aspects. (1) Poetic Language This is a lyrical essay, but when we read it, we feel that it is not only an essay, but also a bold poem, a prose poem with both literary and aesthetic feeling. However, the author adopts poetic language form, which not only gives people a formal aesthetic feeling, but also increases the sense of rhythm, making the language more emotional and touching. .
Ansai waist drum uses a lot of rhetorical methods of parallelism and repetition, and the language is actually rich, with distinct rhythm and strong feelings. I wrote my plateau feelings and passion for life on the remote, poor, backward and occluded Loess Plateau. It can be summarized as these words: bold, wild, rough, fierce, calm and heavy. Watching Dance uses metaphor, parallelism and other rhetorical methods to describe the graceful dances of the Karama sisters. This paper describes the dance, costumes, manners, appearance and figure of the Karama sisters, and expresses the author's admiration and love for their dance.
* * * The same thing is that these two articles both write that the dancer's mind and body dance together, and the beauty of the dancer's mind is reflected through the description of the characters.