Zhang Si Shi Ye
Wang Anshi
Suzhou's famous sentences are old, and Yuefu's witty remarks are continuous.
It seems to be the most extraordinary, but in fact it is easy and difficult.
The meaning of these two sentences is that Zhang Ji's poems seem ordinary, but the meaning is the most important.
Be clear and steep; Zhang Ji's poems seem easy to write, but in fact they have all experienced difficulties.
This is written with bitter thoughts.
Ji Zhang
The annual autumn wind blows to Luoyang city, and my wandering son doesn't know how his relatives in his hometown are; Writing a letter to peace has too much to say and I don't know where to start.
When the letter is written, I am worried that I have not finished what I want to say; When the messenger started, he opened the envelope and gave it to him.
In the prosperous Tang dynasty, quatrains were full of feelings and scenes, with less narrative elements; In the middle Tang Dynasty, narrative elements gradually increased, and daily life events often became the common theme of quatrains, and the style changed from vigorous romance to realism in the prosperous Tang Dynasty. Zhang Ji's "Qiu Si" is full of emotions. With the help of a pregnant episode in daily life-the details of thoughts and actions when sending a letter home, it truly and delicately expresses the deep nostalgia of people who are away from home for their loved ones in their hometown.
The first sentence says you live in Luoyang and watch the autumn wind. Plain narrative, not exaggerated, but meaningful. The autumn wind is invisible, audible, tangible and tangible, but it seems invisible. However, just as the earth can be dyed green and bring boundless spring colors, the cold air contained in the autumn wind can also make the leaves of trees turn yellow and the flowers wither, bringing a wide range of autumn colors, autumn capacity and autumn state to nature and human beings. It is invisible, but it can be seen everywhere. A wanderer in a foreign land, seeing all these bleak and crumbling scenes, will inevitably arouse the loneliness of staying in a foreign land and cause long-term thoughts of his hometown and relatives. This plain and meaningful word "see" gives readers rich hints and associations.
The second sentence is followed by "look at the autumn wind" and the word "think" is written on the front. Hans Zhang in the Jin Dynasty "thought of Wuzhong leek, soup, and lived because of the autumn wind, saying,' Life is expensive but you don't want it. Why do you stay thousands of miles and become famous?' Then I rode home (Biography of Hans Zhang in the Book of Jin). Zhang Jizu was born in Wujun and now lives in Luoyang. The situation is similar to that of Hans Zhang. When he was homesick, he thought about "Looking at the Autumn Wind", which may be associated with the story of Hans Zhang. However, due to various unspecified reasons, Hans Zhang could not "drive home" and had to write home to express his homesickness. This makes the homesickness already deep and strong, and adds the disappointment of wanting to return, and the thoughts become more complicated. The word "desire" is quite interesting. It expresses the poet's thoughts and modality when laying paper and stretching his pen: I have mixed feelings in my heart, and I feel that I have something to pour out, but I don't know where to start or how to express it at the moment. The original abstract "meaningful" is vivid and easy to imagine because of this "book for writers".
Three or four sentences, leaving aside the specific process and content of writing letters, just cut out a detail when the letter at home is about to be sent out-"I can't talk about it in a hurry, and pedestrians have to open it again." The poet felt unable to write because of his "heavy meaning", and he was too busy to think about it because of the messages from passers-by. His deep and rich feelings and unspeakable contradictions were "urged", making this letter containing thousands of words almost "I tried to read the note you urged, and I found the ink was too light" (Li Shangyin's Four Untitled Poems). The book is sealed, as if it had been said; But when passers-by were about to hit the road, they suddenly felt that they were in a hurry just now, for fear of missing anything important in the letter, so they hurriedly opened the envelope. The word "fear again" describes psychological nuances. This "imminent opening" action is not so much to add a few words that I haven't had time to say, but rather to verify my doubts and concerns. The results of Kaifeng test may prove that this kind of worry is purely neurotic. The uncertainty of this "fear" actually prompted the poet to make the decision of "unsealing again" without thinking, which shows that he attaches great importance to this "meaningful" letter from home and deeply misses his loved ones-there are thousands of words, for fear of missing a sentence. If you really think that the poet has remembered something and added something, it will turn the vivid details full of poetry into a dull record. This detail is rich.
It is on the psychological basis of "doubt" rather than "necessity" that pregnancy and chewing are tolerated. The phenomenon of "pedestrians come and go" in life is not all typical and worth writing in poetry. Only when it is associated with a specific background and a specific psychological state can it show its typical significance. Therefore, what we see now is that writing the details of "imminent unopened" under the circumstances of "watching the autumn wind", "meaningful" and "endless fear" itself contains the refinement and typification of life materials, rather than a simple description of life. Wang Anshi commented on the poem, saying that "it seems to be the most extraordinary, easy but difficult to achieve" ("On Zhang Shi"), which is a comment that has won the essence of excellent work and bitterness. This poem, which is extremely natural, extremely plain and as natural as life itself, seems to be a vivid example of Wang Anshi's meticulous comments.