My family lives in Jiangnan, another Qingming Cold Food Festival. After a storm, there was a messy falling flower on the road among the flowers. The falling red flowers quietly went away with the running water. The garden gradually feels lush with green leaves. I calculated: every year when the Erythrina flowers are all gone, the power of cold weather is gone. The yard was quiet, and I thought of her in the empty place. I'm too worried about my country, but I have nowhere to talk about it, because those prostitutes and swallows are terrible. If they know the news, they will set me up again. Now I don't know where those letters are, and my missing friend is still missing. Please teach me to go upstairs. Going upstairs so many times, I really have no face to go up again. Even if I go upstairs, I can't see the person I miss, only a young plant on the vilen outside the building.
Pay attention to Qingming cold food: these are two festivals in spring. Cold food, about the solstice after winter 105, one or two days before Tomb-Sweeping Day. There are three sentences in the flower path: solve the former sentence for a while and solve the latter sentence for a while. Confused and scattered. Ouyang Xiu wrote in the poem "West Lake is good after picking mulberry seeds and flowers": "The wolf is still red, and the birds are wild. Pink: describes the falling of red flowers. Clear shade and dense green leaves. This means: less red flowers and more green leaves. The author uses "Do you know" in Li Qingzhao's Dream, Last Night's Storm? Do you know that?/You know what? It should be green, fat, red and thin Erythrina flowers: plants, beans. A pittosporum. Deciduous trees bloom in spring, with yellow, red, purple and other colors. Grew up in the south. Quanzhou, Fujian, also known as Erythrina City. Leisure: worrying about the country and the people. On many occasions, the author refers to the national worries as leisure worries. Ru Yan: A traitor. They are full of words and gossip. Geometer: letters. " The ancient poem said, "The guest came from afar and left me a pair of carp. Tell the boy to open the wooden box and write a letter with a ruler. "Cai Yun, refers to the person you miss. I don't know where those letters are now, and the people I miss are nowhere to be found. " Caiyun is also called Lv Yun, which means the same thing. It didn't teach me anything, but I really don't have the face to go to tall buildings again. There is only a green crop on the plain outside the building. . , empty, ACTS. Shame: I have no face, which means that I have been on high-rise buildings too many times, and I am embarrassed to go up again. Floor: Tall building. Pingwu: Plain, Yuan Ye.
The background of Manjianghong's creation in late spring In the Song Dynasty, a large number of Erythrina trees were planted around the city in Quanzhou. In Yuan Dynasty, Kyle Polo called Quanzhou Erythrina City. Xin Qiji worked in Fujian from the third year (1 192) to the fifth year (1 194). This word was written at this time.
Man Jianghong appreciates Man Jianghong's "Late Spring", which is a very euphemistic and lingering lovesickness word, describing an empty girl's emotional state of missing her lover and being shy and unspeakable, and approaching the style of graceful poet Qin Guan. An author who is good at writing heroic and gloomy words can write women's lovesickness and resentment with gentle feelings, which shows the author's demeanor.
This word is divided into two parts: the first part focuses on scenery, and the second part focuses on lyricism, which is also the most commonly used long tune composition. It is very common and commonly used, so it is easy to stick to the rules, but if you appreciate the word carefully, it is not conventional, has new characteristics, euphemistic, but not soft; Good, but uneven. It's all because of bone strength that we have achieved this step. Specifically, every sentence has its "bone", which is a literal with profound meaning and heavy weight, enough to attract attention; The innate "strength" in the bones is enough to support every sentence and mobilize the whole article.
Shang Kun wrote about the late spring in this woman's eyes. This kind of writing not only paves the way for the next lyric, but also hides the sadness that the beauty is hard to last and the years are wasted. Rhyme points out the time and place, and rhyme contains hidden feelings. For example, Living in Jiangnan seems to highlight the sadness of a Jiangnan woman who is more delicate than a Saibei woman without pointing out the location. For example, when writing about Tomb-Sweeping Day's cold food, we only talk about the specific time of lyricism first, focusing on the following scenery, but the word "you" is vivid, indicating that the loneliness and sadness in late spring have been spent alone more than once, so that the mood in late spring in previous years has been mobilized by it. The following is a coherent picture of dying spring, which is also affectionate in the scene. The sentence pattern of "once" ... once ... ". This is a lyrical rewrite that shows that after many storms. Now the flower path is a mess. The word "red powder" comes from the previous storm, which truly describes the scene of the last spring, the growing greenery and the lonely scenery of the garden. One of the words "dark" and "gradual", such as cutting meat with a blunt knife, prolongs the feeling time and makes people think that she has suffered for a long time. In addition to writing the passage of time, in the traditional context of classical poetry, there is a certain symbolic significance, symbolizing the passing of the youthful appearance of the Qiang people. Especially when the author uses the word "red powder", the meaning of beauty, aging and dullness implied by falling flowers is more obvious. The following words "number of years", pick out a Erythrina flower as a supplement, and turn it into truth. The word "calculate" is used to summarize the scenery in late spring, and the Erythrina flower in late spring, which is rarely used in words, is cited to indicate that spring is no longer and the weather is getting warmer. The word "cold weakness" is a fairly new thing, and it is where the "bone" lies. Cold makes flowers thin. So I can't attach branches, so I have to fall with the wind, and I won't clear the lush shade and green leaves, if I can shine on the branches. The contrast between cold flowers and dense leaves can also make people think that if we can combine the author's situation and mood, it is not absurd to say that it implies a metaphor that a gentleman is frustrated and a villain is successful. Such a scene of last spring was cleared up in some of his comprehensive descriptions, and the feelings of this Jiangnan woman who was hurt by spring were also reflected. As far as composition is concerned, the implied metaphor here is the transition from describing the scenery with an upward shovel to expressing feelings with a downward shovel, which is particularly intriguing, because it can be hidden only by content.
On the basis of this description, Xia Kun described her loneliness and depression, shyness and reserve, and described the lovesickness of a shy and affectionate young woman in a thoughtful and beautiful way. The "serenity" of head change is a connecting link between the preceding and the following, which not only refers to the silence after the fragrant flowers wither, but also describes the loneliness when the lover is away. Unable to stand the excessive silence, she remembered the wanderer in the distance. But at the beginning, she felt the futility of remembering each other-the word "empty" proved that, just like the rhyming word "you", the word "empty" here can also convey hatred implicitly. The following feeling of "remembering each other" is not only "emptiness", but also "nowhere to say", which makes her depressed and bitter, so she feels "extremely carefree". However, this endless leisure. This kind of bitter acacia is still "nowhere to say". The following is a paraphrase of the author's shyness and persistence. This full of leisure can only be deeply hidden in my heart, not only can't tell Iraqis. Tell others, I'm afraid that Ruying in Ru Yan will know. Here, in her extreme shyness and reserve, there seems to be a hint that this relationship is invisible to outsiders and extraordinary. Therefore, she had to endure and soak in the bitter juice of her feelings. Under the "ruler element", I felt the difficulties in front of me and turned to wait for the infatuation of the wanderer. It is said that he has not received a letter from the Iraqi people, and he does not know where the Iraqi people are now. Calling each other with the beautiful title of "Cai Yun" shows that her obsession has not diminished, and she complains about the misfortune of the tramp with "still" and never tells her her whereabouts. This kind of delusion and complaint, like the last one, shows that her heart is full of doubts and contradictions, and she can't stop loving. Although rhyme turns her inner feelings into a full image, the feelings conveyed are also so full of contradictions: I am ashamed to die upstairs, afraid to see Pingwu, but I can't help but look up from a distance. The author writes about women's lovesickness, which is so touching and delicate that it is really fascinating and sighing.
For such a poem written by women, people often try to give it a "final explanation", that is, to connect it with the author's own emotional state and make it a political sustenance. For example, "The Decline of Spring" pinned the significance of the decline of the current situation, the hope of hearing from the wanderer, the hope of hearing from the Northern Expedition, the fear of driving away the swallows, and the fear of ridicule. In other words, the lonely Jiangnan woman in the poem is the author's aesthetic and soft creation of her political image. Since China's poems have the original lyrical way of "Beauty Vanilla". It is not impossible to explain the word from this angle. Just holding back every word. But also a little loss. It is more reasonable to adopt the cognitive attitude of "putting in, not letting out".
It is a tradition of * * * to trust each other. Song people mostly inherited this tradition when writing lyrics, and so did Ci. However, the meticulous brushwork of the lyricist has its own meaning, which makes his works "fuzzy".
This ambiguity not only does not damage the artistry of poetry, but sometimes becomes a factor that constitutes the artistic charm of poetry. The more vague and uncertain, the more intriguing. This seemingly strange phenomenon is a major feature of poetry art. As far as reader search is concerned, if you can get a general idea, enough is enough; If you think too deeply and seek too much truth and refuse to let go of every word, you will think that there are graves everywhere and it is inevitable to catch shadows.
Poetry: Man Jianghong Late Spring Poetry Author: Song Dynasty Xin Qiji Poetry Classification: Jiangnan, Late Spring, Huairen