Linjiang Immortal - Yang Shen (Author) The rolling waters of the Yangtze River pass eastward, and the waves wash away the heroes. Right or wrong, success or failure is gone, the green hills are still there, and the sunset is red several times. The white-haired fisherman and woodcutter on the Nagisa River is used to watching the autumn moon and spring breeze. We are happy to meet each other over a pot of turbid wine, and many things in ancient and modern times are discussed with laughter. Translation: The rolling Yangtze River flows eastward, never looking back. How many heroes disappear like flying waves. The struggle over what is right and wrong, success and failure, is short-lived and short-lived. Only the green mountains still exist, and the sun still rises and sets. The white-haired fisherman on the river has long been accustomed to the changes in the four seasons. He rarely meets his friends and enjoys a glass of wine. The troubles of the past and present have become the material for chatting over drinks. There are many different theories about the origin of Linjiang Immortal. According to Ren Erbei's Dunhuang poem, there is a sentence that goes "the bank is broad and you can see the sand at the bottom of the river", which means that the meaning of the poem involves Linjiang; "Tang Ci Ji" compiled by Dong Fengyuan of the Ming Dynasty said that this tune is "mostly attributed to Shuiyuan Jiangfei", hence the name; Huang Sheng's "Hua" Volume 1 of "An's Selected Poems" says, "Tang poetry has many related topics, and the poem "Linjiang Immortal" is about immortal things..." Tang Jiaofang song is used as the tone of the lyrics. Also known as "Xie Xin'en", "The Return of the Wild Goose", "Painting Spring", "Deep Courtyard", "Back to Picking Lotus", "Thinking of Pingting", "Ruihe Xianling", "Mandarin Duck's Dream", "Jade Link" 》. There are two Dunhuang tunes, which were named "Linjiang Immortal" in Ren Erbei's "Dunhuang Tune Collection" and "Linjiang Immortal" in Wang Chongmin's "Dunhuang Tune and Lyrics Collection". The "Linjiang Immortal" that has had the greatest influence so far is the theme of "The Romance of the Three Kingdoms" written by Yang Shen. It was later used as the opening theme of the TV series "Romance of the Three Kingdoms". Supplement: A brief introduction to the life of Yang Shen Yang Shen (1488~1559), courtesy name Yongxiu, nicknamed Sheng'an, the son of Yang Tinghe, is recognized as one of the three great talents of the Ming Dynasty, a writer of the Ming Dynasty, and a native of Xindu (now Sichuan). He was smart as a boy, could write poems at the age of 11, and planned to write "Ancient Battle Essays" at the age of 12, which amazed everyone. He went to Beijing and wrote the poem "Yellow Leaves", which was praised by Li Dongyang. In the sixth year of Zhengde (1511), he ranked first in the palace examination and was awarded the title of editor by the Hanlin Academy. Yu compiled the "Records of Wuzong". He had an upright nature and would write everything down straightly. Wuzong went out from Juyongguan in Wei and went to Shangshu to resist admonishment. Shizong succeeded to the throne and was appointed as the lecturer of Jingyan. In the third year of Jiajing's reign (1524), the ministers received imperial cudgels against Shizong's wishes because of the "big discussion of etiquette". Yang Shen was relegated to Yongchang Guards in Yunnan. He lived in Yunnan for more than 30 years and died in the garrison. Yang Shen has about 2,300 poems, covering a wide range of topics. Because he has lived in Yunnan for more than 30 years, his poems about "homesickness" and "returning to home" account for a large proportion. When he was banished to Yunnan, his wife Huang E accompanied him to Jiangling to say goodbye. The poem "Jianling Farewell" expresses his farewell thoughts, which is profound and sad. "Staying on the Jinsha River" describes the emotions on the way to and from Sichuan and Yunnan: "Unexpectedly, the miasma of the sea is drifting, Jialing looks back for a long time, the sound of the river and the moonlight are incredible, and the heart is broken by the Jinsha Wanli Tower." The travel thoughts of the past and the present are compared to express the sorrow of separation. pain of. Before his death, he wrote the poem "Feelings of Sickness on June 14th": "After more than seventy years of life, he has become old, and the law clearly allows him to retire. When he retires, he has become a Bajiang old man, and he has become a prisoner of the Dianhai Sea." Narrate himself The regret of returning to Shu due to illness, but being recovered on the way, is deeply touching. He also has some poems that express his concern for the sufferings of the people. "A Journey to Haikou" and "A Journey to Hou Haikou" revealed that the wealthy gentry and landlords colluded with local officials to occupy land and enrich themselves by dredging Haikou. In his poem, he pointed out that "the dredging of Haikou is worth a hundred thousand dollars, and the officials are happy but the husband is resentful" and called on "the benevolent people of An De to stop this banquet and sing and dance with billions like rebirth." In his Proverbs about Rice Cutting, he relied on the words of an old farmer and said, "There is no singing in a happy land, but there are also songs in good years. But I am worried about the urgent military pay, and the pine trees are in full bloom." It shows the poor life of farmers who encounter a good year but still have no food and clothing due to heavy military pay and taxes. Others such as "Baojing Pian" and "Drying up of Dianchi Lake" are also works of this type. Yang Shen also wrote many landscape poems. He describes the scenery of Yunnan and describes the mountains and rivers of the motherland, which is quite distinctive. "Hai Feng Xing" wrote about the wind in Xiaguan: "Cangshan Gorge is the mouth of the Cangjiang River, and the sky beams are broken and clear thunder roars. There is a long and constant wind, breaking through the moving forest, sand and stone. The cliffs are so close that they are indistinguishable, and the marching horses are long and neighing. The guest bowed his head. "The momentum is majestic and has the power of thunder. And "Longguan Song": "Shuang'er's smoke waves are like Wujin, and fishing lanterns are dotted with sparkling water. In the middle of the moon, wine is passed to the shadows in the distance, and no one can be seen in the trees while listening to the songs." It writes about the night scene of Erhai Lake, the lights of fishing boats, and the moon reflecting the water waves, delicately Fresh. In addition, Yang Shen also wrote poems describing and praising historical heroes, loyal ministers and righteous men, as well as farmers and woodcutters, among which there are many excellent works. Yang Shen advocated in the first seven sons that "literature must be based on the Qin and Han Dynasties, and poetry must be based on the prosperous Tang Dynasty". When the retro style was more popular, he could not set up barriers. He extensively absorbed some of the strengths of the poetry of the Six Dynasties and the early Tang Dynasty, forming his "rich and graceful" poetry style. For example, the 12 poems of "Dianhai Song" and the 9 poems of "Bamboo Branch Poems" of the Three Gorges depict the scenery of mountains and rivers, and are quite worthy of the Yuefu legacy. His "Weeping Willow Pian" has the style of the early Tang Dynasty. "Returning to Banqiao in Yuyijiang Township": "The long march of thousands of miles is not afraid of the distance. I will untie my saddle and ask to return to the radius tomorrow. It is really like Xie Xuancheng Road, Nanpu Xinlin passing Banqiao." It expresses the tired and painful feelings of the soldier, and the emotion is delicate. , don’t go out to a new place. Yang Shen also widely adopted the strengths of the folk songs of "Sang Jian Pu Shang" to enrich his own poetry. For example, "Send Off the Returned Academic Officer to Luojiang" is entirely composed of Mianzhou folk songs, with four lines of farewell suffixed by it. The idea is novel, unique and fresh. Yang Shen is involved in prose, poetry, fu, sanqu, drama, and tanci. His lyrics and prose are fresh and beautiful. For example, the poem "Spring Dreams Are Like Yanghua" in [Lang Tao Sha] has a delicate description and gorgeous and fluent words. The Sanqu [Zhuma Ting] "Ode to a Boat Trip with Wang Shunqing" describes the secluded scene of boating under the moonlight, with the river and sky the same color, the moonlight is like water, and the imagination of sailing into the Milky Way in the sky. The artistic conception is beautiful and the narrative is subtle. His long piece of historical narration, "Twenty-One Historical Tanci", narrates the history of the three dynasties to the Yuan and Ming Dynasties. His writing style is fluent and the diction is fluent, and it is widely read.
His prose is simple, elegant and unrestrained. "Han Miscellaneous Things □ Xin" Everything is obscene and the words are elegant, without any despicableness. In his early works, "Ding Chou's Fengshi", he exhorted Emperor Zhengde to "listen to the consequences of life and lead chaos alone", admonishing him with the words "the ancient sages must seek help from others". He was sincere and sincere, sometimes tactful and sometimes passionate. . His "Illustrated Notes of the Eight Formations of Xindu County" and "The Notes of Bi□ Jingshe" are also excellent works of narrative prose. In addition, he also wrote miscellaneous dramas such as "Yanqingdu Cave Tianxuan Ji", "Taihe Ji", "Cut the Flesh Yixi Jun" and other dramas. Yang Shen examined classics and history, poetry, calligraphy and painting, as well as miscellaneous works on exegesis, literature, phonology, and famous objects. They are numerous and cover a wide range of topics. Such as "General Record of Dan and Lead", "Tan Yuan Daigo", "Yilin Cutting Mountains", "Sheng'an Poetry", "Ci Pin", "Book Pin", "Painting Pin", "Big Book Index", "Inscriptions on Gold and Stone" ", "Feng Ya Yi Pian", "Ancient and Modern Folk Ballads", "Rhymes of Strange Characters", "Records of Xi Xing", "Stone Drum Pronunciation", etc., as well as "Shu Art and Literature Chronicles", "Yunnan Mountains and Rivers Chronicles", "Yunnan" Records" and other local chronicles and historical materials. These writings often have unique insights, may fill in historical gaps, or provide clues, and are of considerable academic value. However, because he has lived in Yunnan for a long time, it is not easy to find books and check them. Sometimes he only writes from memory, so there are some misquotes and conjectures. Yang Shen has written many works. According to the "History of the Ming Dynasty", in the Ming Dynasty, Tuishen ranked first in terms of extensive memorization and rich writings. In addition to poems and essays, there are more than 100 kinds of miscellaneous works. The "Catalogue of Yang Sheng'an's Writings" compiled by the Sichuan Provincial Library has 298 categories. His main works are included in "Sheng'an Collection" (81 volumes, also known as "Sheng'an Complete Works"). This collection was compiled by Zhang Shipei, the governor of Sichuan during the Wanli period. It was taken from Yang Shen's "Dan Qian Lu" and other books, deleted duplications, classified and sorted, and appended to the poems. It includes 11 volumes of poems and essays, 29 volumes of poetry, and 41 volumes of miscellaneous works. His collection of miscellaneous works includes 100 volumes of "Sheng'an Waiji" edited by Ming Jiao and 26 volumes of "Sheng'an Yiji" compiled by Ming Yang Jinwu. Separate collections of Ci, Sanqu and Tanci include "Sheng'an Long and Short Sentences" in 3 volumes, "Tao Qing Yuefu" in 4 volumes, "Twenty-One History Tanci" in 12 volumes, etc.