Zhao Meng _ The Best Screenplay

Zhao Mengfu's best running scripts are Qianchibi Fu and Houchibi Fu.

First, the content of Qianchibi Fu is as follows:

1, "Red Cliff Fu" was written by Su Shi, a writer of the Northern Song Dynasty, when he was relegated to Huangzhou (now Huanggang, Hubei) in the fifth year of Yuanfeng (1082). Based on the author's subjective feelings, this poem describes what the author and his friends saw and felt when they went boating in Chibi on a moonlit night.

2. This poem was written in the fifth year of Yuanfeng in the north (1082), and the author lived in Huangzhou (now Huanggang, Hubei). Because in the same year, there was also a poem "Post-Red Cliff Fu", which the world used to call "Former Red Cliff Fu".

3. The question-and-answer between the subject and the object reflects the author's transition from the ease of boating on a moonlit night to the sadness of recalling the past and hurting the present, and then to his philosophical liberation. Quan Fu embodies its unique artistic conception in layout and structural arrangement, with deep feelings and profound thoughts. It has a high literary position in the history of China literature and has a great influence on later Fu, prose and poetry.

Second, the content of Hou Chibi Fu is as follows:

1, Hou Chibi Fu is a fu created by Su Shi, a writer in the Northern Song Dynasty. Written in the fifth year of Song Shenzong Yuanfeng (1082), when Huangzhou (now Huanggang, Hubei) was relegated, it was a companion piece of Red Cliff Fu. Different from the previous article, which simply writes about boating on the river, the latter article focuses on landing and adventure, without discussing metaphysical reasoning.

2. Remember the true feelings in front of the article and give people a magnificent sense of beauty through natural and beautiful sentences without carving; The detailed description of standing on the rocks, climbing trees and roaring across the river truly expresses the author's interest in landing on a moonlit night. Finally, dreaming that a Taoist turned into a crane is a pure illusion, an ethereal fantasy and a confusing trance, which shows the author's inner anguish.