In the face of the ever-changing reform and opening up of our motherland in the 1980 s, how can he not be heartbroken? How can he not rejoice in this? This situation is transformed into what Liu Chengzhang realized day after day, that is, "Ansai waist drum", which presents a complex of reason and emotion at that moment. He must use the concrete image of "Ansai waist drum" to convey his aesthetic feelings about life and the times and his poetic understanding of life!
Excerpts from the original text
Ansai waist drum
Look! ——
I made a determined effort as soon as I hit it, and I was driven out of my mind! Hundreds of young people with oblique drums, such as hundreds of stones hit by strong earthquakes, dance wildly in front of you. Like a shower, it is a rapid drum sound; Like a whirlwind, it is a flying tassel; Like a frog, it is a jumping step; Like a spark, it is a flashing pupil; Fighting tigers is a powerful charm. What a magnificent, bold and vigorous dance broke out on the Loess Plateau-Ansai waist drum!
This waist drum makes the cold air heat up immediately, makes the quiet sunshine splash immediately, and makes the sleeping world excited immediately.
Remind people that the flag of sunshine is falling and the wind in A?vagho?a is rustling!
Remind people: Thunder thousands of miles away, the flash of Wan Li!
Remind people: dark and clear, clear and dark, and then clear forever! No fetters, no fetters, no obstacles. It is the power to break free, break through and break open!
What an Ansai waist drum!
The heavy sound of hundreds of waist drums collided with wild jujube trees in the field on the cliff, and the cliff suddenly turned into a cowhide drum face, only to be heard rumbling, rumbling, rumbling.
The heavy sound made by hundreds of waist drums collided with the hearts of the audience who forgot all other thoughts, and the hearts of the audience suddenly turned into cowhide drums, which were also rumbling, rumbling and rumbling.
Rumbling grand lyric, rumbling serious thinking, rumbling earth waves mixed with grass roots between plows, rumbling pain occurs and disappears. ...
What an Ansai waist drum!
The arms, legs and whole body of the younger generation are fighting vigorously, fighting quickly and fighting ups and downs. It shocks you, burns you and threatens you. It makes you feel the existence, activity and prosperity of life more clearly than ever before. It makes you marvel at the body wrapped in the farmer's clothes. Digesting the old pumpkin with red beans can release such magnificent energy!
On the Loess Plateau, you raised these young people who are full of vigor and vitality. Only you can bear such a thrilling battle!
Extended data:
Author Liu Chengzhang, 1937 was born in Yan 'an, Shaanxi Province. 196 1 graduated from the Chinese Department of Shaanxi Normal University. Vice Chairman of Shaanxi Writers Association and Executive Director of China Prose Society. Seven collections of essays have been published, among which "Sheep Think of Clouds" won the first Lu Xun Literature Award.
Ansai waist drum has a long history of thousands of years. Drumming reached its peak in the Spring and Autumn Period and the Warring States Period, especially in Qin Wei. Later generations were mostly used for frontier defense, warning and commanding attacks, and war support. In the Song Dynasty, it was mostly used for border clearance. Today's Ansai County is the border between the Northern Song Dynasty and Xixia Kingdom (now Ningxia), and the "Ansai County" and "Ansai Waist Drum" designed to stabilize the frontier fortress are also named after this.
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