Yu Guangzhong's Poetic Style

This paper discusses the characteristics of Yu Guangzhong's poems from the emotion contained in his poems: Yu Guangzhong's poems, whether about love, scenery or nostalgia for his hometown, are full of sentimental and beautiful colors, such as "The moon is a nightmare, so can't you go back tonight?" "In the lotus fragrance, I miss you for a long time, but I don't know that the frog is silent and the stars are low" ("Mid-Autumn Night"), a few words, quiet night, deep thinking is just around the corner. In addition to love, "homesickness" is another theme that often appears in his poems, and the thoughts of home and country are looming in the whole "homesickness". No matter Gone with the Wind to Qu Yuan, Night Reading or Homesickness, they all show the poet's tragic emotional course. In the poet's poems, there is a dual relationship between individual and country, and between individual and destiny. From the form of expression, his poetic style is not the rhyme of sentences, but the mutual infiltration of emotions, and the whole process of emotional flow can be found in his poems. "There is wind in the air, faint in the wind, bells ringing, nowhere to come, nowhere to go, no beginning and no end. Standing in the lee, the bell surges, like the tide in the sea, like memories. The bell is silent. " (Sheng), this poem uses four sentences, three words and five sentences, and the rhythm is light. In addition, ending with "memory" and "silence" not only rhymes well, but also gives people a distant and ethereal sense of nothingness, thus making the literal meaning fit the thoughts and feelings contained. Literally, Mr. Yu Guangzhong's poems are concise and easy to understand. Concise and fluent words contain rich feelings, and at the same time have the characteristics of western symbolism and the aesthetic feeling of China classical culture, which is also the success of the poet in writing poems. Mr. Yu Guangzhong's ci can be said to be handy. Under the organization of the poet, it has become a lyric poem with rich emotions and profound meanings, which has to be admired. The characteristics of Xi Murong's poems: 1. Perfection, purity, tranquility and calmness: Xi Murong's poetry embodies the spiritual connotation of innocence, tolerance and kindness. The poet pursues absolute love and eternal love, which is reflected in many love poems such as Qilixiang and A Flowering Tree. Whether it is love, work or life, simplicity and sincerity are easy to suffer painful torture in complex events. Especially in the tide of industrial society and commerce, the estrangement and self-division between people have become a chronic disease of modern people. The poet explained to her the causes of poetry: I tried to adjust my pace to join the ranks all morning, but no one noticed my joining. I walked out of the crowd all afternoon looking for my original self, but no one cared about me. In the face of social illness, the poet expressed her philosophical thinking and caring attitude towards life with a poem The Value of Poetry: "I am like a goldsmith/beating day and night/just to extend my pain into a gold ornament as thin as a cicada's wing", "turn the source of sadness into/shiny and soft words", and at the same time express the broad sense of the past days and nature "faint sunshine and faint flowers". In the representative works such as Andante to Song, expressing the wisdom and understanding of life in a leisurely, comfortable and leisurely way and words is not only enlightening to readers but also pleasing to the eye. For readers in Chinese mainland and Taiwan Province, which are in the economic tide in the 1980s, it is tantamount to spring breeze and sunshine. 2. Popular and simple, with China charm: Xi Murong's poems have no difficult sentences at all, and the language is simple but fresh and elegant, which is closer to the aesthetic quality of ordinary readers. Being good at classical poetry, the poet is also good at bringing classical images familiar to readers into his own poems, which makes his poems full of China charm. Lotus heart, origin, homesickness, etc. Just like a cup of China tea, which is light and sweet, it is memorable. Among the representatives of Taiwan Province's modern poetry, Love's poetry has classical beauty, Yu Guangzhong is melancholy, and Zheng Chouyu is a genius writer. Compared with the cosmopolitanism, transcendence and purity of the modern poetry tide in Taiwan Province Province, Xi Murong's poems have more universal human feelings. This kind of "human feelings" can be called "secular feelings", which is not only a realistic concern for the spiritual loss of modern people, but also a close concern for the aesthetic quality of the public. Whether the poet himself has such writing consciousness or not, the result of the fact has been made like this. Although the poet's creation is personal, it reflects the average poetic level of the whole era, so it can be widely recognized. At the same time, as one of the works of art in poetry, the poet still maintains the true color of poetry, which is close to the exploration of rewriting classical themes or developing ancient poetry images in modern poetry in Taiwan Province Province in the late 1970s, and also reflects the concern of the new generation for reality. Of course, this is a kind of macro care. The poet achieved great success unintentionally between personality description, realistic interpretation and artistic carving. In this regard, Xi Murong once said modestly at the 2006 Shanghai Book Fair: "I write books for myself, and I am my first reader. I think writing poetry is the most free in my life, free from human interference ... from 198 1 to 2004, from the publication of my first book of poetry to the present (2006-author's quotation). If I have to ask about the feeling of selling well, I can only say that this is my luck. " Thirdly, there are pictures in the poems, which are catchy: Xi Murong is an excellent painter first, so her poems always reveal a sense of painting. Combining Chinese and western painting techniques, she expressed her longing for eternal love, her long meditation on beautiful youth, and her helplessness and sadness over the fleeting years with sensitive and delicate pens. There are many poems and paintings in the collection of poems "Qi Li Xiang" and "Youth without Complaints", among which "Mountain Moon-One of the Old Works" is the representative. At midnight in the deep mountains, the outline of pine forest is like waves/moonlight/you say with a smile that it is not a pine tree/whatever it is, it is deep black and transparent blue/a little light blue and silvery white/and that faint green reflects you in the forest/in your forest. Poets use color, tone, light and shade, light and other painting techniques to visualize poetry.