Who knows everything about Gu Cheng?

Gu Cheng: Making Poetry Perfect Love and Death Gu Cheng (1956-1993) "Abnormal death" falls on poets, which is often easier to accept and understand than ordinary people, whether it is Pushkin who died in a duel, Xu Zhimo who died in a plane crash because of "kissing fire" or Haizi who put his head on the cold rail. But it seems that there has never been a poet like Gu Cheng, and his "poet's death" has the fatalistic meaning of "crime and punishment". This year marks the anniversary of Gu Cheng's death 10. He left behind so many poems and stories that continue to touch us. His poem-Gu Cheng, like Xu Zhimo, is also a poet living in a dream and a teenager with big eyes. At the age of ten, he read The Story of Insects by Fabres, a French entomologist, and began to think naively about the fate of mankind. The insect world told him that every tiny life has its own life. Gradually, he found that he could hear the sound of everything changing and growing between heaven and earth, which was the sound of his own life changing and growing. This is the same sound. What first made him feel poetic was raindrops. "The world shining in raindrops is purer and better than the world we live in." In nature, he "felt countless lifeless and lifeless histories." But it's hard to write this feeling into poetry! The shock of the great beauty of nature made his body "full of a subtle trembling". He wanted to write it all down. "Light shakes like a flame on a cloud." In the era of "misty poetry", Gu Cheng was a special existence. His famous poem Generation, written on 1979 in only two sentences, became the spiritual motto of the "generation" who just woke up from the disaster: "The night gave me black eyes/I used it to find light". After that, a young and childish poet, in the starry sky of new poetry, crossed a short decade. If I were to choose the fairy tale poets in China in the 20th century, I think only Xu Zhimo in the 20th century and Gu Cheng in the 1980s are qualified. On the issue of love, they all regard it as the whole meaning of life. Whoever has love will have happiness. The success of love is the success of life, and the failure of love is the failure of life; They are wayward children who don't grow up, and they all have simple life beliefs. The ideal life that Xu Zhimo wants to pursue is all contained in his "simple belief", one is "love", the other is "freedom" and the other is "beauty". While "Gu Cheng" indulged in his own illusion. "True childlike innocence is still a valuable artistic spirit". Comparatively speaking, perhaps Gu Cheng is more melancholy and paranoid in temperament. Gu Cheng believes that "the poet's job is to collect broken life and restore its natural integrity." He revered Andersen, who, like him, was a clumsy carpenter in cold northern Europe. "You take a kingdom of heaven/balloons with flowers and dreams/all innocent childishness/all your ports." Childlike heart has no desire. Most of Gu Cheng's early poems reveal childish humor in the transparency of intention. Although the intention of the world is complex, it is far less difficult to decipher than later poems. Gu Cheng, like Xu Zhimo, is also a poet living in a dream. Dreams are far from reality, which is a question of distance. Poetry is faint, and poetry is indifferent. Honesty between people is far and near, and he would rather choose "cloud" than "you". "Cloud" is far and near, "You" is near and far. Dream is another intention of "distance". "I saw/poetry rested/on the green pillow towel/on the smiling grass/like a silent waterfall ..." This "coral-like city" was "covered" by the dark siltation. The dream is "far away", but it is "I am a fish or a bird/covered with scales and feathers of pure silver/sending strings to the river bank/sending honey to the lover of flowers near dusk". Think about the poet's final tragedy, not because of the love between "far" and "near". He has a "fantasy beyond reality" and strives to pursue a simple and isolated world. He only has her/himself, and the trembling Arctic Ocean. The distant "Rapids Island" is no less than his "Arctic Ocean". He wants to be an Eskimo, "in the igloo/with whale lights on" and "thinking about life". The "sleepy slurry" swaying in the shadow of whale lights is the fatigue of reality oppression; Only by relying on the "self-made god" to support the belief of survival. As a result, there has been a "struggle for survival, the life of death." In this vast and bright world/people walk around/they surround themselves/like a horse/around a stake. He used poetry to show that in this world where dandelions occasionally fly, people live like prisoners of life and are stuck by that "stake". The tragic fate of life is that "all life heated by the sun" will eventually be harvested by "death". Gu Cheng's death consciousness and death complex are extremely strong. When he felt that the love used to fight death could not be "far away from the coming night", he dedicated himself as "an ear of barley" to death. At this time, the pain of despair makes the courage of existence seem so helpless in the face of death. His love-the desire to pay attention to the city-is obviously the poet's childlike desire. If the "love triangle" between Gu Cheng and Xie Ye, Ying Er or Gu Cheng and Ying Er happened today, it wouldn't be shocking. But in such an era of China, there are still earth-shattering things happening. According to the general understanding, their relationship is nothing more than the empathy of a man or a woman. But three of the quartet are "poets", which is not so common. I never doubt that the love of either side is sincere and unforgettable. As for whether Yinger lied, he invented the first night of rape; It doesn't matter whether it destroys a beautiful family. Although Gu Cheng is a poet, despite his childishness, he is still a man with secular desires. As a person, he is also a poet. Therefore, these two women are regarded as women of desire in his mind, and they are also artistic treasures of the world. His love for Xie Ye is real and poetic; Love for Yinger is also poetic and true. When he was a poet, he didn't cheat the feelings of two women. But his "Don Quixote idea" made him try his best to create an "Eden" where Adam and Eve ate the forbidden fruit but pretended not to eat it-New Zealand's "Riptide Island"; When he was a man, he "selfishly" wanted to possess the feelings and bodies of two people, thinking that eating the forbidden fruit would only put the blame on Satan. The poet's art and the man's physical desire coexist in The Ancient City. Love and hate are always interdependent. Hate without love is nameless hate and rootless pain; Love in hate is love for life and love for spirit. If the fault lies in desire, then the desire to attend to the city is obviously the poet's "childlike innocence" desire. His death-death, may be the best childlike innocence from Gu Cheng. Gu Cheng had a clear understanding of himself. "I am a paranoid person and like absoluteness." Finally, it is this "paranoia" and "absolutism" that makes him crazy and irrational, "killing" his wife and "killing" the mother of his children. 1993101On October 8th, a very happy wife who deeply loved her husband died under the axe of her husband who also deeply loved her. Xie Ye failed to survive and died; Gu Cheng is dead, too. Yinger left and survived. Gu Cheng said, "After the soul is quiet/blood will flow for many years." Many years later, if the soul gathers in "Riptide Island" again, when he knows that two women made him despair, he may say, "You are my wives, I loved you, and I still love you now ..." This is his simplicity. It's nobody's fault. The deceased took away the "sin", does it mean that the living left the "punishment"? He was killed by love. At the last minute, is he a neurotic crazy poet, completing a fairy tale for Andersen? In this bloody fairy tale, he is taking revenge on a woman who is about to leave him. I believe/everything is a seed/only after being buried/can we live. When I woke up, I found myself "burying" a life that still loved him, and only "ignorant smiles and tears" buried myself. I want to rest here/between flowers and dew/I will find my lost feelings again/when I was a child. "A ghost is as calm as water, but once disturbed, it will destroy everything." This "ghost" is Gu Cheng himself. When he was disturbed by love in "a quiet house, a place where he can dream undisturbed" and "calm as water", he really destroyed everything. Because he knew, "the dead didn't disappear. Ghosts dissolve in air, dusk, lights and everyone. " Death may be the best reward for Gu Cheng's childlike innocence. The mystery of his death disappeared at the moment of his death, and the understanding of future generations is often just to weave a bloody wreath in memory. He has two dreams in his life. One is the realistic dream of "having me" that once wanted to "change the world or change my delusion". When he gave up this dream and was no longer confused about it, he entered an artistic dream of "no self", that is, "something I don't know came into my life. It came and went, leaving some revelations and hints. " In his view, the first condition to become a great poet is the soul. "A soul that is always awake, smiling and in pain, a soul that looks at the reflection of the wine glass and everything and its own soul, a soul that looks at the blood, thoughts and emotions on the river bank, a soul that is loved and driven by the CD-ROM drive, moves forward in the illusion of layers of objects."