Poetry is like a picture scroll, beautiful.
Su Shi once said: "Poetry is like charm, and there are paintings in paintings; Painting is verve, and there is poetry in painting "(Dongpo Zhi Lin). Wang Wei is versatile. He brought the essence of painting into the world of poetry and painted vivid works for us with spiritual language and beautiful brushwork. His landscape poems, such as "Egrets fly on the still marsh, and the awning terrace sings on the trees in midsummer" ("I will stay in Wangchuan after a long rain") and "Grass in the Rain", are all about coloring and creating momentum.
The color is green, and the peach blossoms on the water are burning. "("Wangchuan Bie Ye ")" White water is outside the field, and the blue peak is behind the mountain "("New Sunny Wild Hope ")
Wang Wei's landscape poems pay attention to structural pictures, which make them rich in levels, even dynamic, beautiful in sound and tone, more dynamic and beautiful in music, such as "songs contain sound in the wind, flowers reflect the pool" ("Garden is a matter of mourning for my brother") and "trees touch the sky from a thousand valleys, and cuckoos crow on a thousand peaks". After a night in Shan Yu, hundreds of silky waterfalls will appear on every mountain top. "(Bao Zizhou made Li)" Where people live, it is like a wave in the far sky. " (Looking at the Han River) "Autumn grass rings, cicadas in the mountains are sad. (Working in the mountains in early autumn) Another example is an autumn night in the mountains: an empty mountain after the rain, standing in the autumn evening. The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time. Have a vision, look up and down, cold.
Wang Wei's poems are full of color, sound and emotion, which fully integrate the beauty of painting, music and poetry. Wang Shanshui's poems are characterized by quiet humanity. Ruzhulou: I am leaning alone in the dense bamboo, playing the pipa and humming a song. The voice is too low, and no one can hear me except my partner Mingyue. The quiet bamboo forest and the bright moonlight made the poet furious, screaming in the sky and depressed. But there are so many thoughts, only the bright moon knows each other.
The remoteness of verve is the soul of painting in Wang Wei's poems. Chai Lu said: "There seems to be no one on the empty mountain, but I think I heard a voice. The sun entered a forest and shone on me from the green moss." In the poem, the author deliberately describes that he was alone in an empty mountain and deep forest, and saw a beam of oblique rays of the sunset shining through the gap in the forest and sprinkled on the moss in the forest. The poet captured the most fascinating moment in the vast and complex natural scenery, and painted a quiet and peaceful picture with simple pen and ink, which was far-reaching and fascinating.
The scene blends into one, and it is natural.
Wang Wei's landscape poems are picturesque, and many of them are full of affection. Many of Wang Wei's landscape poems are full of strong local flavor and life interest, showing his leisurely life and quiet state of mind. For example, the sixth sentence of "Seven Fields of Music" says: "Peach red rain lingers, willow green is more smoky." The flowers fell at home, and the maid didn't clean them, but the guests in Ti Ying were still sleeping. "My message to Pei Di from my cabin in Wangchuan said," The mountain is cold and blue now, and the autumn water has been flowing all day. At the door of my thatched cottage, leaning on my cane, I listened to the cicadas singing in the evening breeze. Sunset lingers at the ferry, and the smoke from supper rises from the house. Oh, when will I make a wish to the great hermit again and sing a wild poem under five willows? . "Express your feelings of diluting idleness in the beautiful scenery and rich pastoral atmosphere. Another example is a farmhouse by the Wei River: "The sun shines obliquely in the countryside, and cattle and sheep go home along the path. A rugged old man in a thatched door leaned against a cane and thought about his son, the shepherd boy. There are whistling pheasants? Full ears of wheat, sleeping silkworms and peeled mulberry leaves. Jojo and Fu Tian greet each other cordially. "No wonder I yearned for a simple life and sang" Decline "in dismay. Write from the details, capture the typical plot and express infinite affection.
Wang Wei's love writing also talks about the separation of lovesickness and the care and comfort between friends. In the poem "Qi Shang Farewell Zhao", I wrote: Laugh when we meet, and cry when we send each other. My grandfather confessed that I was already sad to leave, and I was more worried about the city. In the cold season, the distant mountains are clear and bright, and at dusk, the river inverts. Untie the rope. Go away and watch you. I'm still standing for a long time. Rich and affectionate, come to the front.
In Wang Wei's poems, scenery is used to express feelings, and scenery is used to set off feelings, which makes his scenery memorable and lyrical. For example, "Notes on Sending Li into Lingao Station": "What is the extreme of sending Li into Lingao Station?" At dusk, the birds return, but the pedestrians move on. "Write love without words, just copy the scenery. Send Yang Changshi to Zhou Guo: "A bird travels a thousand miles, and an ape crows at twelve o'clock. "It is not only a landscape language, but also a sentimental name. It combines the desolate scenery of the road with the sadness of travelers, which is natural and implicit and memorable.
In Wang Wei's poems, many people express their feelings directly, which often appears natural and smooth, with implicit meanings. Such as "Send Yuan 20 An Xi": Weicheng is rainy and dusty, and the guest house is green and willow. Sincerely advise friends to drink a glass of wine, and it is difficult to meet their relatives when they go out to the sun. Care and consideration are beyond words.
The beauty of Wang Wei's love writing lies in his simple and popular description of the real scene, which contains deep and graceful feelings. One of his "Acacia", with a small red bean, is a classic of "Acacia".
Wang Wei writes about love with many metaphors. Such as "Two Miscellaneous Poems": I live by the river, with my door facing my mouth. There are often Jiangnan ships, sending
Not at home. You have just come from our hometown, and we must understand the world. When you passed my window, did the plum blossom bloom its first cold flower? . I have seen cold plum hair and heard birds singing. Looking forward to the spring grass, I am afraid of my previous life. The whole article does not have the word "acacia", which seems handy, but in fact, every sentence is profound. With the metaphor of "cold plum" and "spring grass", the feeling of lovesickness is vividly on the paper.
Poetry is full of Zen, elegant and ethereal.
On the contrary, many of Wang Wei's poems are cold and quiet, far from the world, full of Zen, and the artistic conception of mountains and rivers has gone beyond the ordinary plain natural aesthetics and entered a religious realm, which is the inevitable embodiment of Wang Wei's Buddhist cultivation. Wang Wei lived in an era when Buddhism flourished. Scholar-officials learning Buddhism is very popular. Several times of political dissatisfaction and seclusion in his life made Wang Wei concentrate on studying Buddhism in order to despise fame and fortune and get rid of his troubles.
Some poems can be traced back, such as Crossing Ji Xiang Temple: I don't know the way to Jixiang Temple, but I wander under the mountains and clouds for miles. In the evening, come to the empty pool and meditate quietly to suppress the dragon. "Some poems are ethereal, not necessarily Zen, but also Zen. Like a gazelle, there is no trace. For example, I will walk until the river blocks my way, then sit down and look at the rising clouds. One day, I met an old woodcutter, laughing and never coming back (I was in the seclusion of Zhongnanshan), and the wind blew my belt, and my pipa was as bright as the mountains and the moon. You ask me good or bad luck? Listen, there is a fisherman singing on the lake! (Answer to Deputy Governor Yin Zhang) It is full of Zen machines that are close to nature, body, materialization and fate. Another example: there seems to be no one on the empty mountain, but I think I heard a voice. Sunlight enters the grove and reflects to me from the green moss (Chai Lu); The hibiscus flowers at the end of the wood are full of red calyx, and flowers bloom and fall one after another. (Wu Xinyi); People are idle, osmanthus flowers fall, and the night is quiet and empty. When the moon comes out, the birds are startled, and the sound enters the spring stream. Everything is silent and inactive, illusory and impermanent, with no purpose, no consciousness, no joy in life, no sorrow and joy in death, but everything is immortal and eternal, just as Hu Yinglin's poems and Yao's Tang Poetry "Expression" commented: people forget their life experiences when they read it, and all thoughts are silent, which does not mean that they have rhythm.