The stone path at the top of the mountain is crooked and oblique, and there are several families in the white clouds. I stopped the carriage only because I like the night view of Fenglin. Frosted maple leaves are better than bright February flowers.
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Xiang Si Shandong Airlines
original text
There are also people in the green forest, and a canal has several tributaries. In the afternoon, the mountain returned to the peak shadow, and the grass was covered with mud marks on the deer. Steam tea out of the hut and listen to the sound of silk through the bamboo fence. Every time I come back from selling medicine, I will not hesitate to go to Daoyun.
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Xiang Si has lived in the wild for a long time, and is very familiar with the scenery in Shan Ye. This song "Hiking" is about the wild interest in mountain villages. Thanks to the poet's careful observation and profound experience, this poem is fresh, delicate, appropriate and realistic. It is fascinating to read. "There are also people in the green forest, and they are a little bit." Start to show the beautiful scenery in the mountains-there are scenery, people and villages. The words "one" and "one" are very vivid. The word "Yi" means that although it has grown into a deep forest, it is not uninhabited, but "occupied". There must be a village for some people, but the poet did not directly say "there is also a village", but said that a stream was shared by several families, which made his speech extraordinary. Here, a forest, a stream, several families and a beautiful mountain village map are all made by fourteen big calligraphy and painting. The second couplet is more detailed. The poet chose two ordinary things, "noon on the mountain" and "grass with mud marks" by stippling, and wrote a very unusual poetic picture. At first glance, Noon on the Mountain seems unremarkable, but once it is rendered by Shadow of the Peak, the flowing water, the reflection of Qifeng and the swaying beauty immediately appear in front of you. Similarly, "grass with mud marks" is also very common, but once the "deer herd" is rendered, it can immediately reflect the gratifying scene of the deer running and the hooves falling behind the grass. "Dot dyeing" is originally a technique of Chinese painting. It is dyed bit by bit, with different shades, distances and shades, and the scene on paper is more vivid. The wonderful use of "stippling" in poetry also has the same effect. It sees strangeness in the ordinary, and strangeness comes from the ordinary. The two are mutually causal and complementary. Imagine, of course, saying "Mountain Morning" and "Mud Trace Grass" is boring, even if it is just "Back to the Peak Shadow" and "Crossing the Deer". Only when the word "dot" is used first, then the word "dye" is added with the word "three", then the two pictures in this couplet suddenly show the readers a dynamic realm of beauty. In the third part, the poet accurately grasped the most distinctive thing in the mountain village in late spring-baking tea and pulling out cocoons, which opened up the artistic conception of the poem. Cleverly, the poet did not directly tell how the farmers in the mountain village were busy picking tea, distributing tea, frying tea to cook cocoons, returning pupae and spinning silk, but only said that they smelled the fragrance of steamed tea in the smoke rising from the hut. Through the bamboo fence, I heard the voice of reeling, so that readers can enjoy the harvest of farming themselves. Here, the artistic conception created by the poet makes readers feel more cordial through synaesthesia. According to the poetic development, it seems that the tail couplet should write the poet into the mountain village. But otherwise, "whoever sells medicine will not hesitate to follow him into the island cloud." The poet walked and met an old man who came back from selling medicinal materials. He walked into the misty mountain island cloud with the old medicine farmer. This collection of pens is meaningful and the essence of poetry. Why didn't the poet devote himself to the steaming mountain village where he made silk for tea, but hid in the empty Yunshan? The word "casually" vaguely revealed his difficulties. Xiang Si was born in the troubled times at the end of the Tang Dynasty. He felt incompetent and ambitious. In another poem, he wrote: "It's no use giving gifts, and you are not ashamed to return them when you have gone home" ("Returning to the Mountain"). The "return without shame" mentioned here also shows the poet's state of mind of refusing his official career and being willing to live in seclusion in the mountains. "I don't hesitate to follow the island cloud", such as the last sentence seems to be closed but not closed, and the aftertaste still exists. The characteristics of this poem are ingenious conception, changeable shape, sightseeing and clearly writing the author's experience inside and outside the village. Write scenery, beautiful scenery; Lyric and meaningful; Creating a profound realm is really a masterpiece.
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Xing Shan Ye Yin (modern poet)
Qingshan doesn't know my last name, and I don't know Qingshan's name. Flying to Bai Niao seems to get to know each other. It makes me feel familiar with these mountains.
translate
Qingshan doesn't know who I am, and I don't know the name of Qingshan. Bai Niao flew by deja vu, and she called me and the mountain.