Poetry about saliva 1. Poetry about saliva
The "drooling" of poetry is caused by some poets' improper use of mixed components in daily oral language-refers to abuse, plagiarism, misuse, misuse rather than use.
According to what I said earlier, "saliva poems" can be roughly divided into four types: "nonsense oral poems", "cliche oral poems", "crazy oral poems" and "swearing (including yellow words and dirty words) oral poems". Let me choose some of the most prominent "saliva poems" and talk about how far they are from "creation".
One of its outstanding manifestations is the abuse of colloquial style, typical of which is Yang Li's "Wulitou Writing" which appeared in the middle and late 1980s, and the "Pear Style" which appeared at the end of the first 10 in the new century and can be called "Wulitou Writing" (a descendant of Wulitou Writing). "Wulitou Writing" is a branch of "non-non-non-non-non-non-non-doctrine", which advocates "restoration of emotion, consciousness and language" and "anti-culture, anti-sublimity and anti-meaning". It was born in the early days, and it corrected the shortcomings of "false, big, empty and foreign" popular in China poetry circles in the 1980s and 1990s, and made poetry itself return to daily life and poetry language. However, times have changed. Today, the fatal shortcomings of "nonsense writing" such as shallowness, greasy, childish and boring are undoubtedly exposed. It can be said that "nonsense writing" and its aesthetic taste have become a disease of contemporary poetry.
For example, Yang Li wrote in "Radish": "1am/ I went to Yanfeng Shopping Mall/bought 5 Jin of radish/came home/I cut the radish into small pieces/cooked it in a big pot/cooked it in less than half an hour/I served it/ate it/ate it quickly/only took a few bites. If there are poems in it, it's like saying that the emperor wears new clothes.
"Spoken nonsense" is a little better than "spoken cliche", which I will talk about later in terms of using fewer idioms and adjectives. Far from the literal language, it hollows out the stale meanings attached to words and images, and restores poetic language to the original ecology of oral language. It was indeed of pioneering value at that time, but after "emptying" the "value" and "meaning", how to write and what to write became "nonsense writing". This kind of work is just a shell with spoken words or symbols, just a collection or display of some spoken raw materials, and the truth of "existence" is submerged and dissolved in the running account and the appearance of weightlessness.
Coincidentally, you, Yang Li, talk nonsense when eating radishes, and I, Zhao Lihua, came to eat navel oranges (2003) and said, "I got off work/I bought some navel oranges/I love eating navel oranges/I wrapped them up like you wrapped grapefruit/I ate them one by one/I also bought some Coprinus comatus and chicken fir/they actually have nothing to do with chickens". In other words, this kind of writing, which only pursues a certain superficial oral effect, copies, repeats, extracts and imitates the cliché words in spoken language-abusing the sense of spoken language, not to mention the variation of daily spoken language and the subversion of its routines, not to mention poetic, decadent and magical artistic creation. On the surface, it is eloquent, but in essence, it is shallow, boring and vague, dull and single, lacking depth and strength, with more words and less poems.
Sometimes I think that the so-called mysterious things, such as "nonsense writing", are just one kind of "image writing" or "photographic writing". A poet doesn't need any activity of sensory organs, but only needs to write down what he saw, heard and did in a certain place immediately in popular language. This kind of mechanical and objective realism is really not a groundbreaking thing now. An independent language is to "never talk nonsense", "never talk platitudes" and "abandon the normative and normal language paradigm in the language system". When we have something to say, it is time to start writing. We should say what we want to say, not what we don't need to say.
Since 2000, some poets who followed the trend (many of them were born in 1980s) copied a lot of nonsense poems, only to create a lot of junk branches on pages and webpages, which soon rotted away. The second outstanding performance is "formulization of spoken language", that is, when some poets write in spoken language, they rely too much on the rhetoric in spoken language and imitate and apply idioms too much, resulting in the negative oral effect of "speaking outside and doing inside".
Sha Yi, like Yang Li and Yu Jian I will mention later, is a poet whom I respect and treat. With his prolific writing, he promoted the popularization of oral poetry with daily life as the theme in the late 1990s and the beginning of this century. He wrote some good works and some "bad" things. Because of his one-sided pursuit of output and followers' "learning from the East", Sha Yi-style spoken language has evolved into "formulaic spoken language".
This kind of spoken poetry always puts on a gentleman's face, writes personal experiences and personal life trivia in a tone of benevolence, righteousness and morality, and uses cliches and idioms to preach, show off and admonish. For example, Sha Yi wrote in Passing by (2005): "It's fun to fight with heaven/earth/man/that man/wants to borrow the times/trends and strength/will have no hatred for it/just look at me a little unhappy/kill my immediate boss with one knife/because of economic problems/unclean hands and feet/just fall from a height/.
He and his imitators often use ready-made proverbs, cliches and Mandarin to talk about things. Their written language is blunt and clumsy, general and boring, and sometimes there are ancient songs mixed with literary and vernacular. After rapid processing, some vivid oral language elements have become rough and mediocre branch products on the assembly line. I can't imagine the good poet who wrote Cars Crossing the Yellow River and the poet who wrote Spring Water Rippling/On My Shore ... I know that I have drawn my sword/I have drawn my dagger, and I have peeped in vain at No.4 Road (Always My Robbery, 2002), A single spark/Can start a prairie fire/... This is a big accident/... I can hide/.
2. What is a "saliva poem"
Definition: words written casually like drooling, or words spoken casually, are called saliva poems.
Koushui poetry
Dismembered the freshness of words.
Castrated the creativity of language.
Words diluted by saliva
Throw up all over the floor
Is it a poem?
If so
Poetry must be more popular than nine-year compulsory education.
if
The existence of such poems is reasonable.
Toilet or
telegraph pole
Must be its base.
If the toilet is the garden of this poem,
The topic must be
"Male" or "Female"
The content is nothing more than
"Pay attention to flushing after defecation"
The telephone pole should be
"All sexually transmitted diseases.
Including doctors. "
Three words to describe drooling
Drooling with greed
Explanation: Saliva: Saliva. I am so greedy that my mouth is watering. Describe the appearance of extreme greed And described it as jealous.
Source: Tang Zongyuan's "Zhao Hai Wen Jia": "I am greedy for words and squander the afternoon." Su Song's poem "Jiang Hu Zhou" says: "I am thin and want to fly, and my mouth is watering before I go."
The saliva flowed down three feet from the lips.
Explanation: Saliva: Saliva. The saliva hangs three feet long. Describe the appearance of extreme greed Also described as very hot eyes.
Source: Lao She's "Zhao Ziyue" Chapter 3: "There is a black and white puppy sitting opposite, blinking, hoping to eat some sweet potato whiskers and skins."
Eagerly look forward to
Explanation: Saliva: Saliva. I am so greedy that my mouth is watering. Describe a very greedy look.
Source: Tang Zongyuan's "Zhao Hai Wen Jia": "I am greedy for words and squander the afternoon."
greedy
Explanation: described as eager to snatch, very greedy. Drooling, drooling.
Source: The Biography of Hao Jing in the Yuan Dynasty: "The sick people and traitors are watching from both ends, and they all want to get their hands on the artifacts in the North."
4. What is the idiom of drooling?
Drooling: Drooling.
I am so greedy that my mouth is watering. Describe the appearance of extreme greed
And described it as jealous. Source: Tang Zongyuan's "Zhao Hai Wen Jia": "I am greedy for words and squander the afternoon."
Su Song's poem "Jiang Hu Zhou" says: "I am thin and want to fly, and my mouth is watering before I go." Drooling: Drooling.
The saliva hangs three feet long. Describe the appearance of extreme greed
Also described as very hot eyes. Source: Lao She's "Zhao Ziyue" Chapter 3: "There is a black and white puppy sitting opposite, blinking, hoping to eat some sweet potato whiskers and skins."
Drooling: Drooling. I am so greedy that my mouth is watering.
Describe a very greedy look. Source: Tang Zongyuan's "Zhao Hai Wen Jia": "I am greedy for words and squander the afternoon."
Drooling, describing eager to grab, very greedy. Drooling, drooling.
Source: The Biography of Hao Jing in the Yuan Dynasty: "The sick people and traitors are watching from both ends, and they are all open to the north.
5. Ask for a poem that can vomit people's faces after listening to it.
The online beauty turned around and the train drove to the cave head.
The online beauty turns three times, and the Yellow River flows in Jiangxi.
The beauty on the internet turns four times, and the comet will hit the earth.
The online beauty turns five times, and the monk washes his hair softly.
The online beauty turned six times and Ronaldo didn't score.
The online beauty turned seven times and laid a floor in Shenzhen.
The online beauty turned eight times, and Jordan played table tennis instead.
On-line beauty nine turns, Daqing Oilfield does not produce oil.
As soon as the online beauty turned around, Clinton jumped off the building in a hurry.
First-class beauty across the ocean,
Second-class beauty Shenzhen Zhuhai,
Third-rate beauty, Beijing and Shanghai,
The fourth-class beauty is waiting for the sea.
The ugly girl turned around and scared a cow to death; The ugly girl turns back, and the water in the Yellow River Waterfall flows backwards; The ugly girl turned three times, and Tai Sen went to play table tennis!
As soon as the girls in our school turned around, the secretary and dean jumped off the building. The girls in our school turn around twice, and the water in the Yangtze River will flow backwards. When the girls in our school turn three times, they don't have to worry about recovering Taiwan Province Province.
As soon as the handsome guy on the internet turned around, he was fascinated by a group of cows on the roadside! As soon as the handsome guy on the internet turned around, the Yangtze River water flowed on the shore!
Online beauty smiles, Bush hugs bin Laden, online beauty smiles, online computers are burned, online beauty smiles at San Xiao, and global nuclear weapons are reimbursed.
As soon as the online beauty spoke, Bush took bin Laden's hand. As soon as the online beauty spoke, the global bandits turned themselves in, the online beauty spoke three times, and the moon and the earth walked sideways.
The ugly girl turned around and scared three floors; The ugly girl turns back, and the Yellow River and the Yangtze River flow backwards; The ugly girl turned three times and Halley's comet hit the earth!
Big girl X turned around and scared a row of teaching buildings.
When Miss X turned around, the earth fell and the water flowed backwards.
Big girl x turned around three times, and the sun and the moon were dark and ghosts.
Big girl X turned around and Halley's comet hit the earth.
Big girl X turned five times, and Xiaoping went south and north.
Girl X turned six times, but Jordan couldn't play basketball.