Appreciate Shan Gui from the aspects of ideological content, characters and artistic techniques.

Shan Gui used Shan Gui's inner monologue to create a beautiful, frank and infatuated girl image. The plot of the poem is simple: the heroine and her lover agreed to meet at a place one day. Although the road was difficult, she arrived happily, but her lover did not arrive as scheduled; When the storm came, she waited for her lover and forgot to go home, but her lover didn't come at last; It was getting late, and she returned to her residence, feeling sad and sad in the stormy weather and the singing of apes. This poem interweaves fantasy with reality and has a strong romantic color. Through the combination of man and God, the author created a beautiful image of Shan Gui: she wore banyan, Nuluo, Shi Lan and Du Heng, and knitted cassia twigs on the Xinyi car of Hongbaola. Accompanied by a flower cat with patterns ... its clothing, food, shelter and transportation all have strong divinity and wildness, which is compatible with Shan Gui's position. However, Shan Gui's appearance, posture and emotional changes are all manifestations of normal people. She lamented that youth can't last forever, expecting her lover to come as soon as possible. If she doesn't come, she will feel sad and lonely ... This image creation of the unity of man and god is a consistent appreciation method in Qu Yuan's poems: "Shan Gui" comes from the ninth song of "Nine Songs", which is a group of music songs offering sacrifices to gods. It is said that it was modified on the basis of folk music songs offering sacrifices to gods. There are many chapters describing the love life of ghosts and gods in Nine Songs, such as, Mrs. Xiang, and Shaosi. It is still called [Shan Gui] because it was not officially conferred by the Emperor of Heaven. Shan Gui used the inner monologue of [Shan Gui] to create a beautiful, frank and infatuated girl image. The plot of the whole poem is simple: the heroine and her lover agreed to meet at a place one day, and although the journey was difficult, she arrived happily, but her lover did not arrive as scheduled; When the storm came, she waited for her lover and forgot to go home, but her lover didn't come at last; It was getting late, and she returned to her residence, feeling sad and sad in the stormy weather and the singing of apes. The first part of this appreciation poem mainly depicts the beauty of [Shan Gui] from various aspects. The word "if someone" accurately conveys the sense of wandering and wandering that [Shan Gui] gives people. It not only vividly depicts the image of [Shan Gui] as the natural daughter of the mountain god and the forest god, but also implies the beauty of her appearance and soul, which is also the embodiment of [Qu Yuan]' s skill of using herbs to compare morality. "Laughing is awkward and appropriate, and I want to be gentle and lovely." [Shan Gui] suddenly boasted, like an actor. Here, Shan Gui's appearance is not described carefully, but the beauty of her expression is praised by her lover. This can not help but remind people of the description of the beauty of Shuo in the Book of Songs: "Hands are soft, skin is fat, collar is like dragonfly, teeth are like rhinoceros, teeth are like dragonfly." The poem "Beautiful Eyes Looking for Xi" won unanimous praise from everyone because it can see the modality and vitality of the daughter of "Shuo Ren". This poem in "Shan Gui" has the same effect, what's more, it was written by the lover of [Shan Gui]! We seem to see that [Shan Gui] was filled with joy when he remembered his lover's praise on the way to the appointment. At this time, she couldn't wait to see her lover at once. In order to meet her lover, she also specially prepared a gift: "broken incense." In the second section, she wrote [Shan Gui] anxiously waiting for her lover on a date, showing her gentle and spoony character. The sky changed and it began to rain, because it was still raining. [Shan Gui] Don't want to go home at this point. "It's a phrase" I'm happy when I'm old ". Write the psychology of women in ancient and modern times: the only thing that can make them feel gratified and relieved is the appreciation and love of their lover; What if my lover is not around? Naturally, the face is dim and has no luster. This psychological description makes the image of [Shan Gui] more ordinary and makes people feel that she is kind and lovely. Similar expressions are also common in later poems, such as "Nineteen Lines of Ancient Poems", which says that "thinking of a gentleman is old, and the years are getting late". In the long wait, "I am not idle" is not only an excuse for my lover, but also a sentence of self-forgiveness. In the third part, I wrote that my lover didn't come, and Shan Gui became suspicious and afraid. With the complete failure of hope, [Shan Gui] can't help but resent his lover. " The men on the mountain like Du Ruo, drinking rocks and springs. The reason why pine and cypress "praise the beauty and nobility of [Shan Gui]" and you think I'm suspicious comes from "you think I can't be idle". At this time, [Shan Gui's patience has reached the extreme, and she can't help but think the worst; It was dark, thunder rumbled, it rained heavily, apes screamed, and the wind rustled in the Woods. All these make [Shan Gui] feel lonely and desolate. How can she not complain? "Thinking about you will only make me sad in vain!" The emotional clues of this poem are clear, and accordingly, the poet is good at setting off and rendering the heroine's emotional changes with the help of scenery description, which is particularly obvious in the second and third sections. In the second quarter, seeing that his lover didn't arrive as scheduled, Shan Gui's happy mood was cast a shadow. The weather was "gloomy, the east wind fell, and the gods rained"; In the third season, the lover finally didn't arrive, and when [Shan Gui] was infinitely sad, the wind and rain became more violent, mixed with the cries of apes. This is a song dedicated to Shan Gui. There is a legend of Wushan Goddess in Chu mythology, and this article may describe the image of Wushan Goddess that spread in the early days. She can only appear at night, and there is no god's dignity and other sacrifices in the nine songs. According to the records in Guoyu and Zuozhuan, the writers of Chu Ci before Song and Yuan Dynasties regarded Shan Gui as a "monster of wood and stone" and a "monster of shadow", but regarded him as a male mountain monster. However, painters in Yuan and Ming Dynasties painted him as "gentle" according to the description in their poems. Therefore, it is widely accepted. The appreciation of this article is based on this theory, and I think it is closer to the image of Shan Gui described in the poem [note 1]. After Su put forward the theory that "Nine Songs" expresses the love between man and god, most researchers explained the poem with the lovelorn love of "With the Son", but the author thought it was inappropriate. According to the ritual customs of the pre-Qin and Han dynasties, witches must first dress up as themselves. Only God is willing to "possess" and be sacrificed [Note 2]. However, because the mountains belong to the "gods of mountains and rivers", the ancients adopted the method of "watching sacrifices", so Shan Gui did not come to the sacrifice site. According to this feature, this poem shows the world's longing for a witch dressed as Shan Gui to meet the gods in the mountains. The first person such as "Yu", "I" and "Yu" refers to witches who go to the mountains to worship God. These two points show that readers may taste a kind of cultural connotation and charm different from the theory of "love between man and god" in this light and touching poem. You see, at the beginning of this poem, a witch dressed as Shan Gui is happily floating around the mountain to meet the gods. People Like a Mountain is a telephoto lens. The poet's next word "if" looks like her swaying figure in the mountains, giving people a sense of ethereal magic when writing. Zoom in, he is a fresh girl with a plum blossom waist, which is a unique style of mountain gods! At the moment, her eyes flow slightly, which contains deep affection; Smile, white teeth, rosy lips, let your smile shine! "Laughing is awkward and appropriate, and the focus is only on describing its eyes and smile, but it is more subtle and vivid than the arrangement of The Book of Songs, Feng Wei said people, such as" soft hands, skin like fat, collar like crickets ". Witches dress up like this to attract gods, so they are followed. Reveal a lively and cheerful attitude. This is a portrait of Shan Gui through the witch's dress and tone, which should be said to be extremely subtle. The poet still felt that the atmosphere was a little deserted, so he pushed the camera away and tried his best to render her driver and entourage: "Leading a red leopard to follow the raccoon of literature and art, and tying the Guiqi in faith ..." This is really a grand and cheerful trip to meet God! Flaming leopards, colorful flowers and raccoons, as well as nib-shaped flowers and fragrant cassia twigs, were used by the poet as chariots to meet the gods and witches, which not only matched the environment and identity of the gods to be met, but also set off her atmosphere of burning flowers and smiling forward, which was particularly cheerful and warm. Since I can't see the sky in the rest, the plot has been full of twists and turns, and poetry has changed from cheerful to cheerful. She was annoyed and sad, and at the same time, with a glimmer of hope, she began to look for it in the mountains. The poem vividly shows the witch's search process and her subtle psychology with changing pictures: she suddenly climbed to the top of the mountain to overlook the depths of the jungle, but the dissolved mountain fog obscured her anxious vision; She suddenly walked in the dark forest, but the old trees were dense and dark as night; The wind and showers in the mountains seem to be urged by God, but the girl Shan Gui just doesn't appear. People worship the mountain god only to get her blessing. Since I can't see the gods, who else can make me (the world represented by witches) young forever? In order to alleviate the feeling of losing time, she ate Ganoderma lucidum ("Sanxiu") in the mountains in order to prolong her life. Although these descriptions are written about the thoughts of wizards looking for gods, they just express the wishes and melancholy of the world. The poet also showed the wizard's psychology of meeting the gods skillfully: "complaining about the son and forgetting to return" is clearly a sorrow for the gods; You miss me, I can't be idle ",but in a blink of an eye, my resentment completely disappeared, and I was replaced by defending Shan Gui's absence." Literally, it is similar to the beginning of Zi Muyu's tenderness, seemingly boasting, but in fact it reveals the self-pity and self-pity of the gods I have never met. " You miss me. I'm suspicious. "But when I spoke, I said it was a god. The protagonist's psychology shown in these poems is complex and subtle. By the end of this poem, the absence of God is a foregone conclusion, and there is a sad voice in the poem. "Fill in the rain" three sentences, thunder and apes, wind and rain intertwined, showing a very bleak night view of the forest. It was in this boundless silence that the poet suddenly burst into a sad cry in his pen collection: "I miss my son! "This is the heartfelt cry of the witch who met God-she drove a red leopard with a flower branch and walked along the winding mountain road in such joy; However, at this time, I left in the wind and rain with a lot of sadness and sorrow, and finally disappeared in the thunder and the cry of apes. Generally speaking, the ancients "take sorrow as beauty", and it is expected that immortals will also like sorrow. The more they show their grief and sadness in life during the sacrifice, the more they can attract the mercy and care of the gods. I wonder if Shan Gui girl will be moved when she hears this sacrificial song.