[Song] Su Shi
On March 7th, it was raining on Shahu Road, and all the servants with rain gear left. The same people felt embarrassed, but I didn't think so. The rain gear went first, and the peers were all in a mess. I couldn't feel it alone. It has cleared up, so I made this word.
Don't listen to the sound of beating leaves in the Woods. Why not sing and walk slowly? Bamboo poles and shoes are lighter than horses. Who's scared? A raincoat and hemp fiber, despite the wind and rain, still live my life. The cold spring breeze woke me up. Slightly cold. The hillside is sloping, but it is pleasant. Looking back on the bleak land. Go home. No rain or shine.
About misty rain's life
Mr. Hu's "Selected Songs of the Song Dynasty" notes: "A misty rain lasts a lifetime-if you live in the rain of hemp fiber, you will be calm. This means that you can bear a hard life. ) "(Shanghai Ancient Books Publishing House, 1978, page 7 1)
The second part of Selected Poems and Songs of China in Past Dynasties, edited by Mr. and Mr. Feng, notes: "The sentence of' one meter': there is always rain in the smoke cage." (People's Literature Publishing House, 1979, p. 639)
In the second volume of "Selected Literary Works of China in Past Dynasties" edited by Mr. Zhu Dongrun, there is such a sentence: "In a word, I have always been very calm about my coir life." (Shanghai Ancient Books Publishing House, 1980, p. 30)
Notes in Selected Poems of Tang and Song Dynasties by Mr. Xia and Mr. Sheng: I have been used to wind and rain all my life, so I can only listen to nature. "(China Youth Publishing House 198 1 Edition, p. 64).
A: None of the above explanations seems to be accurate. In Song Ci, "a misty rain" is a symbol of fishing and seclusion. For example, Hui Hong's "Eight Prides of Fishermen" describes Goode's legacy as a fisherman's word, and the eighth "Boat" says: "Misty rain falls on Wu." Zhang's Yang Liuzhi Zeng said: "I always go to a misty rain and catch blue waves." Ge's "Water Swimming on the Hanging Platform Left" said: "On the side of Qili River, there is misty rain at the source of cormorants." Ge Yong's "The Fairy Song of the Cave Before the Moon Appreciation on the 13th Night" said: "Blow the horn and blow down the' Little Plum Blossom', and you will never dream of a fisherman's misty rain." Lu You's "The Pearl Curtain" said: "As early as the river, there must be misty rain." Another "Queqiaoxian" said: "A romantic pole, a misty rain, who lives in the West Diaoyutai." Fan Chengda's "Three Deng Yue" said: "Alas, I have been alone for many years, and it has been misty and rainy." Hua Yue's Nian Nujiao said: "Ten-mile pineapple, a misty rain, what a Yangzhou crane." It's all evidence, almost without exception. Therefore, the author thinks that the literal meaning of the word Su Shi means that I have been a fisherman all my life, and it is a fisherman's family style that "there is no need to return to the rain in the oblique wind": how can I be afraid of the rain in front of me? The implication is that I am indifferent to fame and fortune and aim to live in seclusion, because I have nothing to ask for and am fearless. What are the ups and downs on the road of life?
A butterfly in love with flowers
[Song] Lu You
Chen Fei at night. Go to Qiu Guang, the dark Chang 'an Road. Suddenly, I remembered that the horse was in the right place, and it should be the same as before. Jianghai canoe is now on the market. A roll of art, sighing no one pays. I believe I will never meet you in my life, and I regret growing up with Yang Fu.
About "Tour Qiu Guang, Hidden Chang 'an Road" and this year.
You Guoen and Yi Lee pointed out in Selected Poems of Lu You: "[Dark sentences] are gloomy and depressed. Chang 'an Road refers to Hanzhong Road. " (People's Literature Publishing House, 1957, p. 253)
Notes in Selected Works of Mr. Zhu Dongrun's Lu You: "[Chang 'an Road] is the road to Chang 'an. When Lu You was under the curtain of Special Envoy Fu Xuan, their main goal was to recover Chang 'an. Darkness is a dark landscape, which strengthens the atmosphere of pessimism and disappointment. " He also said, "In October of the eighth year of Dalu, Lu You got the news that Wang Yan had transferred to Lin 'an and Chengdu during the inspection and immediately rushed back to Nanzheng; 1 1 On February 2nd, I left for Chengdu from Nanzheng. This word may be a work of this period. The word Qiu Guang should be more active. He recalled the meeting between Wei Qing and Brother Ma Panheng, but he saw that everything was in vain. On Chang 'an Road, he was just pointing out his disappointment. " (Shanghai Ancient Books Publishing House, 1979, p. 185- 186)
Mr. Xia and Mr. Wu commented on "Chronology of Poems of Releasing Weng": "In five years, I will go home from eastern Sichuan and arrive in autumn. The word' Cecilia Yip Chen night trip'. I thought of Qiu Guang and the words' Chang 'an Road', and I immediately thought of it at this time. " (Shanghai Ancient Books Publishing House 198 1 Edition, p. 78)
According to "gloomy", it is not only "thinking about traveling", but also "Qiu Guang", "gloomy mood during the journey" and "gloomy autumn colors". Only from the "artistic conception" or "scenery", it seems that it is not comprehensive.
Chang 'an is the ancient capital of Han and Tang Dynasties, so it is often synonymous with Beijing in poems after Song Dynasty. If you use this meaning, "Chang 'an Road" means "the road to Beijing". As for the word Lu You, Xia and Wu have a more accurate understanding when referring to "Lin 'an Road". In Xiaoxiang, Zhang Song, a touch of crimson lips and a touch of Gong Liu's father, the text says: "Chang 'an has no reply." The monk's "Sailing at Night, Xunze, Wang Cao, Chengdu" says: "Fly to the sky and make a road. Chang 'an is near, and there is no journey. "Lu Shengji's poem" butterfly lovers, Changsha sent officials to Shaowu first "says:" The road is long and its Xiu Yuan is awkward, and the road is filled with saddles and goes to Chang' an Road. " "I'm going to Japan and Huayuan, and I'm looking forward to Chang 'an," said Beijing's boring "Water Tune, Two Wang Yun". I stayed in Shu for four years, and then I dreamed of gold. "Xin Qiji's" Climbing the Tower and Drunk Four Seasons Singers for Fu "says:" Chang 'an Road, cast you to swim home in your later years. " Zhao's "Han Gong Chun Ren Zi Ming Lu Banquet" says: "Blue ribbon, reed whip, steed, Chang 'an traveled all over Tianjie. Yang's "Water Tune" said: "I bought a voyage and walked out of Chang 'an drunk." Liu Guo wrote in the poem "Liu Zhou Song sent to Xinjiaxuan": "Chang 'an Road, there is no Liu Biao in the world, and RoyceWong depends on each other. "Han Peishi's poem" The bright moon is a few solitary boats, and the children in the guest building of Qinghefang are like drinking "says:" Idle leaning on the sunny building is the first scratch. "Liu Kezhuang's" Yulouchun Xilin Festival Pushes My Hometown Brother "says:" Leap into Chang 'an every year, and be like a guest house. " The "Chang 'an" here refers to Lin 'an, which can be used for reference.
Mr. You Guoen and Mr. Yi Lee think that the Lu Ci "Chang 'an Road" is "borrowing Hanzhong Road", which seems untenable. There must be a corresponding relationship between the two parties involved in "borrowing fingers", but there is no such relationship between "Chang 'an" and "Hanzhong". Mr. Zhu Dongrun thinks that "Lu You's main goal is to recover Chang 'an in the scene of envoy", so Lu Ci actually refers to "the road to Chang 'an". This statement is also difficult to establish. Because what is written here is not the imaginary marching route, but the actual itinerary of the poet at the moment. What's more, he made it clear that "traveling to Qiu Guang" can only refer to July, August and September of the lunar calendar, and it can't be accommodated to October and November in any case.
There are also some questions about the chronology of the word by Mr. Xia and Mr. Wu. Lu Ci Xia Kun said that "the river and the sea can be canoed today" and that "I believe that I will never meet again in this life, and I regret the" Changyang Fu ",which is obviously political dissatisfaction and intends to resign and retire. In the fifth year of filial piety (1 178), the poet returned to Lin 'an Bookstore from Sichuan for the sake of "official sword traveling south, composing songs and poems, all of which wanted to recover", or made filial piety in two places and went to Lu "(Biography of Four Dynasties and Young Weng) for a long time, and appealed to the East" (Song In the eighth year of Shu, he was suddenly recalled by Xiaozong. When the poet went to Lin 'an this time, he still had hope for his political future. So, this word was not coined this year.
In my humble opinion, this word is considered as September of the sixth year of Xichun (1 179). The poet returned to Lin 'an last autumn and was summoned by Xiaozong. He may stay in the imperial court. However, because he always advocated the northern expedition to recover the Central Plains and the abolition of unified affairs at home, it was rejected by the then hot Zeng Yong Group (see the updated edition of Lu You Chronicle in Beishan, Shanghai Ancient Books Publishing House 1985), so he was sent to Jian 'an to promote the tea affair in Changping, Fujian Province. The poet was disappointed with the dispatch. His ten volumes and eleven volumes of Jiannan Poetry are collected in Jian 'an. There are 1 16 poems and more than 30 poems about homesickness and seclusion. Such as "Homesickness Mountain"; Another example is "sending money to Zhong Geng to write" and saying "I'm tired from my autumn outing in Mengjing Lake"; "Rain and Sunny in the Garden" says "homesick mountain"; "Summer" said, "Tell my son to drive back to Lu Lin"; "White Hair" says that "thinking about pottery in your hometown makes you return"; "Kesi" said, "I can't wander all the time in my life, I want to go to Dongxi to get a car"; Another song said, "The empty hall is full of dreams, and the dreams are in Yan Manchuria"; "Go to Fu 'an when you are sick" says "Be frightened when you are sick"; "You Nan Ta Yuan" said, "I don't accept it when I return to my heart"; "Long Songs" said, "Only the fishing boat is poor and easy to use, so I ask Jun Hu Wei not to return"; The guest talks about the righteousness in Wuchang, Zhu Jing, says: "Take off your clothes and hang your crown in SHEN WOO, and the drunkard's intention is not to drink, but to cry in the rainbow." Ye Ting Fu said that "dreams go around Cangzhou" and homesickness said, "If you go back to the mountain road, you must warm your seat"; Kehuai said that the dream of "returning home when the children of Judah are still alive" and Liu Shaomei's "Drinking at night is very enjoyable" said that "life experiences the early harvest of the lake", "Moonlight Night" said that "a leaf falls and remembers my hometown" and "Picking lotus" said that "looking back at my hometown for thousands of miles, I can't bear to listen to Wu Ge drunk"; Shu Huai "said" the package is finished, waiting to return to China "; I am pregnant with my illness ",saying," I will return to my heart this year and wait for the autumn wind "; "Late Rain" said, "An old friend has a hidden meaning, and every word is not contrary"; "Early Autumn Book" says that "homesickness is more lazy than paperwork", says Kesper. "If you go back to China, you can buy a fishing boat." : "The early autumn dream is made by mountains" and "I will return to life"; Another song says "It's not too late"; Another song says, "Don't be suspicious when you do it"; "Shuang Qing Tang Zui Wo" said that "I want to beg for ice and hide in the stream"; "Yi Tang An" said, "It seems feasible in the second year of this year, and I will go to the Yungen Formation thatched shed"; "Autumn Night Book Huai" said, "Fortunately, there are wonders this year, and we must strictly follow the beach"; Homesickness says, "You can smell your clothes, but don't make the old spring lick"; Rainy night says "it is appropriate to return to the farm late". In the summer of Xi Chun's sixth year, he also shipped his paintings back to his hometown to prepare for his resignation and retirement. In September, he was sent to Lin 'an by letter, and there was still a poem "Autumn wind is coming home" on the way. The poem "Woyu" said: "Bai Shou has been ploughing for a long time, and Fengcheng has been slow to return." When he arrived in Quzhou, he "played begging in the shrine" (that is, he applied to the court to resign from his official position, accepted the temple official position, and returned to his hometown to live in seclusion), and stayed at the local Huanghua Pavilion, waiting for the reply from the court. At this time, this word seems to be the most suitable.
Female Crown Zi Yuan West
[Song] Jie Jiang
These flowers smell good. The snow pool is picturesque. The spring breeze flies, Baochai is upstairs, and there is a flute and a glass lamp. Now the light is off. This is not dark dust and bright moon, this is January night. Over the years, I have been lazy and timid, ashamed to compete with moths. Jiangcheng people played relatively quietly at first. He who seeks prosperity can solve it and then borrow from God. Remove red residue. But in my dream, I was dizzy. I was driving a Ropa. Wu Jian silver powder. I will write the scenery of my hometown as gossip. Laugh at neighbors, sing by the window, and the sun sets.
About "It's not a dark dusty moon, it's a night"
Mr. Hu's Notes on Selected Poems of Song Dynasty: "Dark Dust-Li Bai's Ancient Style" (No.24): "The cart flies dust, and the pavilion is dark at noon. "This is a metaphor for the busy traffic scene." (Shanghai Ancient Books Publishing House, 1978, p. 429)
Press: "Dark dust and bright moon", Tang Su Weidao's poem "The fifteenth night of the first month" says: "Dark dust goes with the horse, and the bright moon comes." The "dark dust" in Su Shi's poems refers to the dust raised by horseshoes, which cannot be seen clearly at night. The word "darkness" is an adjective. Li Bai's poem says that the carriages of eunuchs and nobles are dusty, and even at noon when the light is strongest, the roads are dim. The word "darkness" is used as a verb. There is a big difference between the two. Therefore, it is inappropriate to use Li Bai's poems to prove Jie Jiang's ci.
Because these two poems by Su Weidao describe the scenery of the Lantern Festival in the prosperous Tang Dynasty vividly and stably, they have always been well known. They are often used by later generations to express the peaceful and peaceful atmosphere when chanting the Lantern Festival, and are also common in Song ci. For example, Zhou Bangyan's "Jieyu Flower Lantern Festival" said: "When Ropa meets a car, he has his own dark dust to follow the horse." Si Wanyong's "Drunken Penglai" (full of waves and silver) said: "The bright moon chases people, and the dark dust follows the horses, making the Five Tombs luxurious." Wang Tingxuan's "Dianjiang Lip Shangyuan Drum Ci" said: "Dark dust follows the horse, and the bright moon is priceless." Li Zhizheng's Moon Comes One by One (the Milky Way is bright and pale) said: "There is no joy in the street, and the dark dust is fragrant. Hao Yue is close and far from people. " Wang's poem "The Rhyme of the Ruler of Chengdu Shangyuan Seats" says: "Cars and horses smell dark dust." Anonymous "Cherish Nv Jiao" (frozen by the emperor in early spring) said: "Dark dust follows the horse, and the moon is boundless." Are examples. Jie Jiang wrote the word "Lantern Festival" under the rule of Yuan people after the death of Song Dynasty, so he said "it was not the dark moon, but the Lantern Festival at that time". The festival remains the same, but the world is completely different, implying the pain of national subjugation.
About "Wu Jian Yin Li Fen"
Mr. Hu's "Selected Songs of the Song Dynasty" notes: "Silver powder, shiny silver powder paper. Hey, it's smooth. " (Shanghai Ancient Books Publishing House, 1978, p. 429)
Press: Song, Chen, Peng Nian, etc. , Guang Yun, Volume 4, Qu Sheng 40, and said, "Difficult, difficult." Also, Ding Du and others said "Simi" in Volume 8 of Ji Yun Qusheng: "Easy, crush it." Then "one" naturally refers to the verb "run", not the adjective "shun"
In addition, Su Song's "Four Classics" Volume 4 "Papermaking Classics II" said: "Shu people make ten-color notes ... on the square edition, flowers and trees are hidden." Fan Chengda's Wu Junzhi (Volume 29) and Tu Wu said, "Five-color stationery is made in Wuzhong, and it is famous all over the country. Brush the paper with toner and glue, hide the ribs, and then polish the flowers. ..... Today, in the middle of Shu, I made a powder note and called it Wu Jian. " Yuan Fei wrote "On Paper", saying: "Everything made of paper must be smashed with a pestle, washed with a net, and then made with its width, narrowness and shortness. The grains are cloth, twill, figure flower, insect bird and tripod. " It can be seen that there was a process of making exquisite stationery with "flower ornaments" in ancient times. That is to say, the stationery paper is rolled on a special carved wood block, so that it vaguely presents various uneven patterns.
(Author: Nanjing Normal University College)