* * * Sleep for Agger to listen to the autumn rain, and the small basket is light and cold.
-Zhu Yizun.
This word was once highly praised by Kuang Zhouyi, a poet in the late Qing Dynasty and the early Republic of China. In his "A thorn in the wind", it is recorded: "Or ask the poets in the early days of the founding of the People's Republic who should be crowned. After careful consideration, it is right for me to recommend Goldwind Tingchang (Zhu Yizun). Ask Jia Gou if Xi Ruo, cite Lianzi, etc. " (According to Lian Zi, namely Gui Dian Qiu, Xiao Zi was mistakenly quoted as Xiao Zhen) According to Shi Kuang's theory, this word has become the representative work of a generation of Qing Ci, but Shi Kuang failed to clearly explain its benefits.
This small print should be closely related to Zhu's ability to love his wife and sister Feng Shouchang. Zhu Yizun entered the Feng family at the age of seventeen, and his wife and sister Feng Shouchang were only ten years old. Nine years later, Feng got married. At the age of 24, she came back to live with her parents. I really had a relationship with Zhu Yizun. But she died at the age of 33. Zhu Yizun's collection of ci "Quiet in the Quzhong" and the long poem "Wind with Two White Clouds" in his later years' collection of poetry "Jieshuting" were both written after Feng's death, from which we can see Zhu Yizun's unforgettable feelings for Feng.
Zhu Shi and Shi Feng had several chances to help each other in the same boat, which left many related accounts in Zhu Shi's poems. Judging from these poems, there are several situations in which Zhu Chenggong and Feng Chenggong helped each other in the same boat: on one occasion, shortly after Zhu went to the Feng family for adoption, there was a mutiny in Jiangnan, and Zhu and Feng family took refuge in the boat. This is the first time they are in the same boat. At that time, Feng's daughter was over ten years old, but her eyes were unusually beautiful, which left a deep impression on Zhu. Secondly, after Zhu's adoption, he took a boat trip with the Feng family several times, and on the way to visit the Buddhist temple, he was mistaken for husband and wife by tourists. Therefore, his words include "Everyone is clear and respectful", "Try to compete with each other" and "Winning the Watou people, paying attention to Dong Lang in autumn". These scenes must have left many beautiful and touching memories for Zhu. The third is that when Zhu moved to Meili, he was in the same boat as Feng Nv. Boat will be the most important means of transportation in Jiangnan water town. However, between Zhu and Feng Nv, there are few opportunities for public face-to-face due to the dispute of propriety and righteousness. But when going out by boat, the family must be in a tent hut, so Zhu and Feng can face each other openly for a long time, and the love between them will grow bigger and bigger, and they will be together. For example, Que Qiaoxian, Cold can't reach the awning window, and gradually sit near the partition skirt, the fisherman is proud, and the boat window leans together to see the drowning person, which has shown thousands of dollars at that time, etc., which can be used as evidence. Gui Dian Qiu is a word written by Zhu after several years, which is used to recall the past when he was in the same boat with that beautiful woman.
Ding's Listening to Autumn Sound and Observing Ci once compared Zhu Ci with Yan, the great poet of the Southern Song Dynasty. It is considered that Zhu's ci is "more meaningful than Meixi's ci" Although Zhu's love poems only focus on love, there is nothing hidden. However, because what he wrote belongs to the secret love affair which is not allowed by traditional ethics and cannot be made public, there is a self-restraint attitude in the conflict between his inner desire and external limitations, which makes his love poems very implicit and easy to give people secret associations. Moreover, because he cherishes this love and respects the phoenix girl, his poems are more precious and solemn than ordinary love words, with a kind of dignity and noble quality. More importantly, in addition to a dignified and noble quality, the word seems to contain rich connotations.
Generally speaking, every word and sentence in a work is not necessarily full of emotional potential, but as long as one or two places in the whole article contain such potential, it is enough to cheer up the whole article. The first three sentences of Zhu's "Thinking about the past and thinking about the future, crossing the river and overlooking the mountain" are recalling that when they were in the same boat, the beauty was charming and the eyebrows were more beautiful against the green hills. The reason why Zhu's first poem is loved by so many people is that it is enough to arouse people's association. Because there are two sentences at the end of this word: "* * * sleeps in Agger and listens to the autumn rain, and the little scorpion is light and cold." In a narrow sense, these two sentences are naturally that Zhu and Feng are in the same boat, saying that they were in the same boat, and both of them couldn't sleep because of lovesickness, but they didn't even have a chance to tell the truth.
The word "* * * sleeps in" in the previous sentence describes the proximity of the place, and also implies a strong subjective inner desire for closeness in such a close-at-hand "Ge". The last sentence, "small and light, each cold", describes the insurmountable pain of isolation caused by the constraints of the external realistic environment. Moreover, the word "listening to autumn rain" implied in the last sentence is a strong satire on the word "sleeping" at the beginning. It is the ironic tension implied in his narrative and the strong contrast between subjective inner desire and objective external constraint that makes the individual events he wrote turn into a potential ability to show the whole world that "the desire of heaven is contrary to the flesh". What's more, some words used in these two sentences are also on the associative axis of linguistics, which has the function of attracting readers to enrich their associations. In other words, the image of "ship" implied by the word "ge" has a visual language code function in China cultural tradition. The image of a ship is usually associated with the course of life and the life world. Therefore, we say, to describe the hardships of life, we say "sailing against the current", to describe Qi Xin's cooperation, and we say "helping each other in the same boat", and we use boats to describe various situations in life. Even if we only talk about the image of the ship written in the poet's works, such as "The ship will die today, and the river and the sea will live for the rest of their lives" at the end of Su Shi's Linjiang Xian, it also shows a kind of mind that wants to drift away with the ship. And Xin Qiji's Qin Yuanchun, "On the Qiujiang River, watch the frightened geese avoid and the stormy waves ship back", expresses a fear of persecution from the external environment with the ship that can't move forward in the stormy waves.
As far as China's poetry tradition is concerned, the image of "listening to autumn rain" written by Zhu Ci under the condition of "* * * sleeping in Agger" has the function of metaphor. How do you feel in the autumn rain? How many feelings and associations did listening to the rain give us? In Jie Jiang's Yu Meiren, there are descriptions of "young people listening to the rain upstairs", "middle-aged people listening to the rain in the boat" and "old people listening to the rain in the house", which shows the life experience and mood in different environments with the image of "listening to the rain", while Ding Feng Su Shi's "Don't listen to the sound of beating leaves through the forest" is based on the following sentence: "Little people are indifferent to each other's indifference" The cover takes "Gui" as the sleeping mat and "Gui" as the quilt. The "Gui" under "Gui" is a metaphor for a person's most basic situation and possession in the world. The combination of the words "Xiaozi", "Xiao Yan", "Xiao" and "cool thin" makes people feel the most helpless and helpless state, followed by the word "respective coldness", which is an independent acceptance and commitment to the cold outside. So Zhu Yizun wrote these two words beautifully. He wrote about a love affair, but his two words gave us extremely rich life experiences and associations. If we expand the scope of this word, it means that in our country or our world, we are under one roof and a piece of sky, which can be said to be "* * * sleeping together", but each of us has the storms that everyone has experienced. what can I do for you? What can you do for me? The ancients said: "Good and evil are life and death, and father and son can't help each other." What can one person share for another? Can only bear their own pain and cold. Therefore, as far as the author's original intention is concerned, the sentence "* * * sleeps in Agger to listen to the autumn rain, and the villain is indifferent to the cold", although it is only a realistic recollection of the old love, its text has metaphorical potential enough to arouse people's feelings because of its unintentional grammatical structure and vocabulary. This is the beauty of Zhu Ci's carelessness.