"The Liang family's painting pavilion rises from the middle of the sky, and the golden stems of Emperor Han are straight outside." Why did Lu Zhaolin's poem anger Wu Sansi?

The Liang family in this sentence refers to the Liang Ji family, relatives of the Eastern Han Dynasty. Wu Sansi was also a relative and thought Lu Zhaolin was insinuating him.

The meaning of this sentence is: The carved beams and painted pavilions of the Liang family are towering, and the copper pillars of the Emperor Jianzhang Palace of the Han Dynasty point far away among the white clouds.

The Liang family refers to the Liang Ji family, relatives of the Eastern Han Dynasty. Liang Ji was the brother of Empress Liang, Emperor Shun of the Han Dynasty. He was famous for his luxury and luxury. He once built a large number of houses in Luoyang.

The golden stem refers to the copper pillar. Liu Che, Emperor Wu of the Han Dynasty, erected a copper pillar in the Jianzhang Palace, twenty feet high, with a copper plate on it, called a cactus, to catch the dew.

At that time, Wu Zetian's nephew Wu Sansi read it and was very offended, so he threw Lu Zhaolin into prison. His family's efforts to rescue him were unsuccessful, but he was saved by friends who rescued him.

Extended information:

Creative background:

The specific creation year of this poem is unknown. In ancient China, the next emperor was the representative of the gods, and it was he and his ministers who judged the previous dynasty.

After the establishment of the Tang Dynasty, the new rulers and ministers summarized the lessons of the demise of the Southern Dynasty. One of them was to indulge in the sound of national subjugation. This makes sense. When things reach their extremes, they must be reversed. When degradation reaches its end, it is also the beginning of revitalization.

As a result, Lu Zhaolin created a sound that belongs to the Tang Dynasty - "The Ancient Meaning of Chang'an".

In this long seven-character poem, the poet uses traditional themes to write about his own feelings, and uses elaborate brushwork to describe the real life scenes in Chang'an, Kyoto at that time, revealing his love and yearning for a better life;< /p>

It writes about the luxurious life and internal strife of the powerful class, which is a metaphor; at the same time, it expresses the loneliness and resentment of underappreciated talents, and also reveals the life philosophy that things are impermanent and prosperity is elusive. .