He wrote many new poems, all of which have high artistic value. The representative work of the poem Street has a car crossing the street.
There is loneliness in the mailbox.
Mailbox po,
But I can't remember the car number x,
There are Arabic numerals alone,
Cars are lonely,
Lonely streets,
The loneliness of human beings.
The poems written by poets in 1930s are pure modern poems, which are the modern feelings that modern people feel in modern life. They are arranged into modern poetic forms with modern words. Poets often use some unfamiliar ancient words, even the function words in the so-called "classical Chinese", to express a meaning, an emotion, or even a complete syllable. In the intimate tone of daily life, it is comfortable, sharp, accurate and charming. Therefore, we find that modernist poetry in 1930s has a deep connection with the mainstream of China traditional poetry. In 1930s, modernist poetry "tended to pay attention to the absorption of western poetic style, rather than the inheritance of China's old poetic style. Fei Ming just represented the poet's writing characteristics in 1930s, which was reflected in Poetry Street.
If we read this poem carefully, we will find that it has two outstanding characteristics: one is the shocking ideological power, and the other is the highly concise artistic language. The poet repeatedly uses the word "loneliness" in his poems, and its connotation is uncertain, ranging from loneliness in the mailbox, loneliness in Arabic numerals, loneliness in the car, loneliness in the street to loneliness in human beings. The street used to be noisy, but it used anti-common sense language, which had a defamiliarization effect. This is the cohesion, tolerance and heart of all the worlds. The thought of being connected with Wan Ren for thousands of miles depends on instant epiphany, transcending logic and removing intermediary, which coincides with or is connected with some artistic expressions of western modernist poetry to some extent.
In art, Bakhtin, a famous Russian literary thinker, called it "defamiliarization". The street is the scene of this poem, and there should be a lot of things to see in the street. However, there are only two things in this poem, a car and a mailbox. These two things are obviously carefully chosen by the poet as symbols of modernization, industrialization and the modern world. Therefore, the poet expressed his criticism and negation of modern society.
The poet walked into the street and saw cars passing by, and the mailbox was lonely. Two people shoulder to shoulder. "Traffic" is what the author sees, while "mailbox loneliness" is what the author feels.
The loneliness under the "deep background" revealed in his poems is still modern. In this poem, we can deeply understand the omnipresent loneliness experienced by the author in the noise.
The whole poem is divided into two units. The first unit is lonely from the beginning to the mailbox. The second unit is from mailbox po to the end of the poem. The key word in the poem is "Nai", which comes from the first sentence. The loneliness of the mailbox comes from the passing of the car. This is a static mailbox, which is lonely compared with a moving car, suggesting that the poet has a comparison between static and moving, and sees a static mailbox from a moving car. This is the first unit of this poem.
Unit 2: The poet looks at the moving car from the still mailbox. The mailbox is static, the letter "po" can be seen clearly, the car is moving, and the number can't be remembered clearly. The mailbox "po" is so clear that the car number is changed to "X", so the poet says that the driving car is lonely and the internal structure of the poem is a combination of one positive and one negative. From this to that, the street is lonely, and human beings are also lonely, so the internal logic of poetry is deduced. This poem is a typical China Taoist Zhuangzi's ideological countermeasure.
In this poem, cars and mailboxes are both negative images, and they are all lonely, so the poet expresses his denial of modern society. The car mailbox is the representative of modern society, symbolizing loneliness, so the street is lonely and human beings are lonely, so it expresses the poet's denial of modern society, so the thought of this poem is extremely shocking.
Since the Opium War, China has been carrying out modernization. It can be said that modernization is China's dream, but Fei Ming expressed his opposite thought and criticism of modernization in 1930s. The mainstream of China's modern thought is progressive. Cars and mailboxes are advanced means of transportation. The car is moving and the mailbox is static. Although human beings have a car and a mailbox, they will still miss and separate. Modernization can not fundamentally solve people's situation, which shows that scientific and technological progress can not solve people's spiritual situation.
In short, in the whole poem, the poet uses a series of anti-common sense language, which has a defamiliarization effect, from mailbox loneliness, digital loneliness, street loneliness to human loneliness, and achieves a defamiliarization effect. This is the poet's uniqueness and is worth learning. There is also the use of modern representative things to express the negation and criticism of modern society, which has strong ideological shock, strong critical effect and keen insight in the society at that time.