20 13 Ye Zishuo, such a cold planet, is walking on the road. The narrative style and comedy elements of the Hong Kong nostalgic film "The Legend of the Weekend" are analyzed, which is a dust in the wilderness.
20 14 girls in Tongling, who are brothers and sisters, movies, who are you missing, night talk, why the coffin is so heavy, quiet night thinking-a poem for Feifei, a book for dad, hamster, walking on the road (2), poetry and book edge, no love.
20 15 to Feifei, I love you snowman, hope, gossip, Yanling, full moon, Yulin ridge, cool summer night, spring, if I am just a passer-by, silent, youthful, time flies, night resentment, snow. If you don't move, you won't hurt. The concept of life, the night is no longer long, but you are still lonely, and the invisible future is more hopeful. " Seeing the world from a philosophical perspective and three poems (new poems, ghost heroes, important and young children, a brief analysis of the narrative language and artistic trend of thought in Xu Zongheng's love comedies, the feeling of flood and late autumn-if it's the same, tomorrow has changed, memories, autumn has come, everyone is abnormal, dreams, sunshine, and a stop to talk about financial interconnected life, rain talk, snow talk, and so on. What are the formal platforms of precious metal exchange? (1) Deconstructing fears and anxieties with words, exploring the narrative style and philosophical essence of movies; Entertainment Elements and Social Values in the Shady Room in Winter; Accusations of Famous Paintings and the Dignity of History; Si Nuo's Thinking; and By Peeking into Philip's Superego Outlook on Life.
20 16 on the artistic value and social value of the mermaid, a belated blessing, a clear snow and an ordinary philosophy of change, a brief comment on the movies Myth, Eye of Power, Dream of a Floating Life and the role of umbrellas.