Good rain knows the season, when spring comes.
Sneak into the night with the wind, moisten things silently.
Wild trails and clouds are all black, and rivers and boats are bright.
Look at the red and wet place, the flowers in Jinguancheng are heavy.
Delighting in Rain on a Spring Night expresses the poet's love and admiration for the selfless dedication to the drizzle on a spring night.
One or two words of "good" are affectionate and praise the spring rain. "Knowing the season" endows Spring Rain with human life and emotion. In my opinion, the spring rain is considerate and knows the season, and it floats around when people are in urgent need, prompting the opportunity. What a good spring rain! The first couplet not only expresses the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood of eagerly looking forward to the arrival of the spring rain. Couplets are obviously the poet's auditory feelings. When the spring rain comes, it comes quietly with the wind, nourishing everything, not seeking "good", but seeking dedication. You see, the author observes the rain scene so carefully that even the spring rain is sprinkled silently by the poet. The poet couldn't sleep all night. He has couplets tied tightly around his neck. The poet only hopes that the spring rain will last all night, but he is afraid that it will suddenly stop. He pushed the door out and stood there overlooking, only to see that the usually distinct field paths were also dissolved into the night, and it was dark, showing how dark the night was and how dense the rain was. The dazzling fishing fire on the river boat reflects the vastness and darkness of the spring night and the complexity of the spring rain.
2) Appreciation of Bai Juyi's Spring Tour in Qiantang
Gushan Temple is in the north of Jiating West, and the water level is low.
Several early warblers compete for warm trees, and their new swallows peck at the soil in spring.
Flowers are more and more attractive, and shallow grass can be without horseshoes.
I love the lack of eastward travel of the lake and the white sand embankment under the shadow of Populus davidiana.
The first couplet starts from a big place and describes the scenery seen by Gushan Temple. The first sentence is location, and the second sentence is prospect. "Chuping" refers to the spring water, which is slightly flat with the dike. "Low cloud feet" means that white clouds hang low and connect with the lake to outline the outline of early spring. The calm water at the foot and the low-hanging cloud curtain in the sky constitute a quiet ink painting of the West Lake.
Zhuan Xu's "Yan Ying" was seen by poets in their travels. English is a singer in spring, and everyone is competing to fly to the sunny tree to sing. Yan, the messenger of spring, has begun to build a nest with mud and is full of vitality. The word "Zao" is used to describe oriole, which reflects Bai Juyi's sincere love for these vibrant little lives. The word "positive" makes people feel that spring is rare and precious. Using the word "peck" to describe the busy and excited expression of the swallow seems to bring life to the swallow. These two sentences are deliberately describing Yingying.
Neck couplets describe flowers and plants, focusing on expressing the poet's feelings The horse walked briskly on the shallow grass and looked at the flowers for a long time, which made people see things in a blur and feel confused. This pair of couplets and the first pair of couplets are the core part of this poem, and they are also the finishing touch of white poems describing spring scenery, especially the spring scenery of the West Lake. This couplet is an emotional and vital description of the scenery, which fully shows the white pony.
The couplet is about the scenery of Baisha dike, which expresses the poet's happy mood.
From the northern foot of Gushan Mountain to the present Pinghu and Bai Causeway Autumn Moon, the poet reports the information of spring to people all the way: the spring water on the lake is new, the spring warblers in the trees are contending, the mud in the air in Chun Yan, the spring flowers on the shore and the spring grass is just green. The poet's keen and delicate brushwork makes people realize that the West Lake is dressed in spring clothes. The poet praised the spring scenery of the West Lake and pointed out that he loved walking on the white sand embankment. Bai Causeway is flanked by water and banks. Willow branches in early spring, like smoke and fog, like silk, come to your face and make your heart swell with infinite tenderness and infinite love. You are like in a dream and a fairyland. When you walk on the Bai Causeway in spring, you can better appreciate the poet's feelings and mood in writing this poem.
The theme of the whole poem is mainly on the word "travel", closely following the word "spring outing" to describe the scenery. However, the area of the West Lake is too large and the journey is too long. The poet only intercepts a paragraph to write-from the north of Gushan Temple to Baisha Land. After reading this poem, we naturally have the feeling of enjoying the early spring scenery of the West Lake with the poet.
The whole poem has tight structure, strict meter, neat antithesis, fluent language and vivid and natural tone, which embodies the characteristics of popularity and fluency. The poet is good at describing the lush spring on the lake as a whole, describing the scenery on the way, and choosing the combination of typical and classified arrangement: writing four most beautiful spring scenes in the middle, choosing the combination of animals and plants, being original and good at grasping.
3) Appreciation of Du Mu's "Jiang Nanchun Jueju"
Thousands of miles away, Ti Ying is green and reflects the river, and the water town is full of wine flags.
In the Southern Dynasties, there were 480 temples.
This is a wonderful poem describing the scenery in the south of the Yangtze River. How charming and desirable Jiangnan is. "The river is greener than the fire at sunrise, and the river is blue in spring." Bai Juyi has painted a beautiful picture for us, but it is only macroscopic, while Du Mu's Spring in the South of the Yangtze River is relatively specific, and it seems that he has led us to visit several scenic spots, which is even more impressive. In this wonderful poem, Du Mu not only depicts the beautiful spring scenery in Jiangnan. But also reproduces the misty balcony scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing, with a unique flavor. "Thousands of miles of birds are singing and the water town is full of wine flags." First of all, the poet brought us into the colorful Jiangnan world. You see, birds are singing and dancing everywhere, and trees and flowers are everywhere. Dripping water village, battlements surrounded by mountains, especially wine flags fluttering in the wind, are so charming! A Thousand Miles describes the whole south of the Yangtze River, but the whole is expressed by concrete images. "Four hundred and eighty temples in the Southern Dynasties are in misty rain", and the temples here, as an important part of the transition of Jiangnan scenery, have been rubbed into vicissitudes. Many Buddhist buildings left over from the Southern Dynasties are looming in the spring rain, adding a confusing aesthetic feeling. The poet doesn't say "four hundred and eighty temples in the south of the Yangtze River" here. Obviously, there is no other meaning. The rulers of the Southern Dynasties lost their lives for Buddhism, wasted people's money and built a large number of temples. "Nan Shi Guo Zu Ancestral" said: "When the emperor understands the scriptures, he will change the customs, so the ancestors made a special explanation. He thought that they all went to more than 500 Buddhist temples, with monks and nuns 10 million and abundant assets. Their county is beyond words. " It has become an integral part of the beautiful scenery in the south of the Yangtze River. There is no lack of irony in aesthetics, and the connotation of poetry is richer. The four sentences in this poem are all scenic words, each with its own characteristics. There are sounds and colors, space expansion and time tracing. In just 28 words, the poet painted us a vivid and verve picture of spring scenery in the south of the Yangtze River in very popular language.
4) Appreciation of Rain and Sunny by Wang Jia;
Before the rain, flowers appeared first, but after the rain, there were no flowers at the bottom of the leaves.
Bees and butterflies have climbed over the wall, but spring scenery is next door.
This impromptu poem describes walking in a small garden after the rain last spring. The scenery in the poem is simple and ordinary, but it is very interesting. The first two sentences of the poem are marked with the word "flower" as a symbol of spring scenery, which contrasts and sets off what was seen before the rain with the scene after the rain, revealing a feeling of cherishing spring. Before it rained, spring had just arrived and the flowers were in bloom. After the rain, all the flowers disappeared, only the trees were covered with green leaves, which shows how long it has been raining, and the beautiful spring scenery was killed by this bitter rain. How disappointed the poet was when he looked at the small garden with fallen flowers in spring!
It is not only poets who are disappointed, but also bees and butterflies. The next two sentences of the poem are written by flowers to bees and butterflies. Bees and butterflies trapped by the bitter rain for a long time finally look forward to the fine weather in spring. They flew to the small garden with a poet's happy mood, thinking that they could feast on spring scenery among the flowers, but it was empty. The small garden had no flowers and leaves. Like poets, they flew over the courtyard wall in despair. The flowers fell, and bees and butterflies left one after another. Isn't the small garden more desolate and the poet's heart more depressed? Watching bees and butterflies "climb over the wall", the poet full of longing for spring suddenly had a wonderful association: "I suspect that spring is next door." The courtyard wall is next door, and the poet's idea seems to be true. However, the small garden next door separated by a wall will naturally not be blessed, how naive the poet thinks; After all, the height of the wall blocks the view, so you can't be quite sure. Therefore, the poet only said "doubt", and the word "doubt" is very measured and adds realism. These two poems not only vividly describe the expressions of bees and butterflies chasing spring scenery, but also vividly describe "spring scenery" It seems that Yangchun really has feet. She doesn't live in her own small garden, she just runs next door.
"I suspect that spring scenery is in my neighbor's house" can be described as "a stroke of genius", which makes people feel refreshed at once. This sentence is the essence of the whole article and plays a role in turning the stone into gold. After touching, the small garden, bees and butterflies and spring scenery all glow with different spirits and are full of fun. The ancients said that "poetry is expensive and lively" (Wu Qiao's "Poetry Around the Furnace")
In Du Mu's "Jiangnan Spring", there is a saying that "thousands of miles of warblers sing green and reflect red". Yang Shen, a writer in the Ming Dynasty, commented: "Who can hear a thousand miles of Yingge? Thousands of miles of green and red, who can see it? "
Isn't it ridiculous to change it to "ten miles" to hear it?