On the image and artistic conception of climbing.

Images: wind, sky, apes, bamboo, sand, birds, fallen trees, Yangtze River, frosted temples and wine glasses. Artistic conception analysis: the sky is high and the wind is urgent, the autumn wind is cold, and the ape cries and wails, which is very sad; Qingjiangzhou, the sandy shore is white, and the gulls return to Xiang at low altitude. Leaves, boundless, swirl, rustling down; The flowing Yangtze River is surging and rolling forward. This poem closely follows the seasonal characteristics of autumn and depicts the empty and lonely scenery along the river.

In the sharp wind from the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach.

The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.

Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness.

After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.

Close to the seasonal characteristics of autumn, it depicts the empty and lonely scenery along the river. The first couplet is a partial close-up, and the couplet is an overall vision. The last four sentences are lyrical, describing the feelings of climbing mountains. Around the author's own life experience, they express the sadness of being poor, old and sick, and living in another country. The neckband hurts their life experience and reveals the meaning of metaphor, symbol and suggestion contained in the first four sentences of landscape writing. Tailian complained again, shutting down with the self-image of depression and disease.