The mountain and the sky are connected into clouds, and the afterglow of the sunset can be seen from the cracks in the bamboo forest. Birds fly happily to the eaves and white clouds float out of the window.
Where the mountain meets the sky, it is filled with haze and clouds, and the afterglow of the sunset falls in the gap of the bamboo forest. Birds are flying happily on the eaves, and white clouds are floating outside the window.
Appreciation of Poetry describes the poet's interesting life in the mountains: surrounded by mountains, bamboo and wood are flourishing, birds are flying on the eaves of others, and clouds are floating outside the window. This kind of seclusion exhausted the dust of the world and expressed the poet's comfortable and leisurely mood casually and vividly. The whole poem is only four short sentences, one sentence and one scene, but each sentence is inseparable from the theme of "in the mountains", which is a common phenomenon in quiet mountains. When the sun sets, you can only see the oblique glow of its veins in the cracks of the bamboo forest, indicating that the bamboo forest is dense and lush, and the first two sentences of the fun in the mountains have been heard. Birds come and go on the eaves, and white clouds pass through the window, all of which indicate that the poet's place is high and steep, and he is in the middle of bamboo cultivation.
2. Zhu Wangwei
I leaned alone in the dense bamboo, playing the piano and humming a song. It's too light for anyone to hear, except my partner, Mingyue.
On a moonlit night, I sit alone in a quiet bamboo forest, sometimes playing the piano or whistling. The bamboo forest is deep and unknown, but it is accompanied by the bright moon, so I take photos frequently.
Appreciate this poem, which describes the leisure life interest of hermits. Poetry uses words to create language and scenery (secluded, deep forest and bright moon), while writing people (sitting alone, playing the piano and whistling) is extremely unremarkable. But its beauty lies in its natural and simple style, which depicts the fresh and attractive artistic conception of the secluded forest on a moonlit night. The scene is integrated into one, which contains a special artistic charm of beauty and has become a masterpiece through the ages. Playing the piano and whistling reflects the silence of the bamboo forest on a moonlit night, and the darkness of the deep forest is reflected by the light and shadow of the bright moon. The surface seems dull and seemingly casual, but in fact it is ingenious.
3. Moonlight on Mount Emei
In the autumn of the first half of Mount Emei, the Pingqiang River reflected. In the evening, Qingxi went to the Three Gorges, but the four gentlemen did not see Yuzhou.
On Mount Emei, a half-moon hangs high on the top of the mountain, and the moon is reflected on the clear water of Pingqiang River. Depart from Qingxi to the Three Gorges in the evening, and you can be seen in Yuzhou (the moon on Mount Emei). How I miss you!
The appreciation of this poem was created in the historical background of Li Bai's first visit to Sichuan (when Li Bai was still very young), with smooth rhyme, clear artistic conception and simple language. The poet wrote down from the moon in Emei Mountain and pointed out with the word autumn that the season he left was autumn. The moon shadow shows that autumn is crisp. But the moon he described is only "half moon" (half moon), which makes people think constantly (why there is only one thing to do). The author uses the conjunction structure of "entering" and "flowing", which means that the shadow of the moon falls into the water and flows with it. In response to the song "The moon is gone, so am I, I will send my brother to the village entrance ~", only when the ship moves will there be such a scene. This sentence not only writes beautiful scenery, but also paves the way for the next sentence. The artistic conception is ethereal and wonderful, and the ending corresponds. The reason why quatrains can freely transcend time and space through the author's hands is that they are short and pithy, and they are not good at expressing the changes of time and space, and the free space span has to be admired. There are five place names in the whole poem, totaling 12, which is extremely rare in quatrains.
4. The Flute on a Spring Night in Los Angeles (Tang) Li Bai
Yu Di's dark flying sound scattered into the spring breeze in Los Angeles. In this serenade, I heard the breaking sound of willow trees. No one can miss home!
Whose house is the melodious flute coming from? As the spring breeze flutters, it spreads all over Luoyang. Just tonight, who won't miss home when I hear the sad "Broken Willow"?
Appreciate this poem, tie the word "smell" and express your feelings of smelling the flute. I don't know whose flute this is. The piper who didn't show up just boasted, listened to it, and was not prepared to let others know about him, but unexpectedly touched many listeners. This is the meaning of the word "dark" in Whose Jade Emperor flies secretly. "Scattered in the spring breeze in Los Angeles" is an artistic exaggeration. In the poet's imagination, this beautiful flute flew all over Los Angeles, as if the whole city had heard it.
5. Go to Cen Can, the capital, to meet the emissary.
The distance from the east home is very long, and the tears are wet and the sleeves are still flowing. I'll meet you immediately, without paper and pen. Please tell my family that I'm safe.
Looking back at the East, my hometown is thousands of miles away, and the road is long and Xiu Yuan is awkward; With a dragon bell on his face and dripping sleeves, tears still don't work. On the way, I met you at once, but there was no pen and paper to repair the book; I can only ask you to take a message and go home to report peace.
Appreciate this poem and write down the scene when the tourists meet the special envoy of Beijing and ask him to take a message home. Poetry comes from life, reflects life, is handwritten, uncut, cordial and tasteless, sincere and touching. It is common in life to meet each other immediately without paper and pen and report peace with your news. Once refined and summarized by art, it is so elegant, touching and full of life! This is a frontier poem. During the prosperous Tang Dynasty, frontier poems flourished unprecedentedly, and frontier poets represented by Gao Shi and Cen Can appeared. Their creation added a wonderful flower to the poetry circle in the prosperous Tang Dynasty.
6. Wei Wuying in Xixi, Chuzhou
Alone, grass grows by the stream, and orioles sing on the trees. The spring tide brought the rain late and urgent, and there was no boat on the wild crossing.
I only love the solitary grass by the ravine, and the orioles make attractive calls in the depths of the shade. The late tide and spring rain make the water flow more urgent, and the ferry in the country is empty, only the empty ferry floats freely.
Appreciate the first two sentences of this poem. In the prosperous spring, the poet loves the solitary grass by the ravine, but has no intention of setting off the attractive singing Huangyinger in the deep tree for comparison. When the grass is poor and sober, and the oriole is tall and flattering, its metaphor for the official world is obvious, which clearly shows the poet's calm mentality. The last two sentences, the late tide and spring rain, the water is more urgent. The rural ferry, originally there were not many pedestrians, is even more deserted at the moment. So, even the boatman disappeared, and the empty ferry floated freely and carefree. Because the ferry is in the countryside, nobody cares. If you are in Jin Yao, the tide will rise in the evening rain, which is just the time when the ferry comes in handy. You can't be idle. Therefore, in this leisurely scene of water crossing the boat, there is a kind of helplessness and sadness that is not in place and not used. In the first two sentences and the last two sentences, the poet used contrast techniques and emphasized them with striking words such as "pity", "urgency" and "horizontal", which should be said to be thought-provoking. The whole poem reveals a calm mind and sad feelings.
7. "Meeting Li Guinian Downstream" Du Fu
In the Qi family, I often see your performances; Before urging the wine hall, I praised your art many times. Never thought, in this Jiangnan scenic area; It is the season of falling flowers, and I can meet you, an old acquaintance.
I often watch your performances in the Qi Palace. In front of Cui, I have also appreciated your art many times. Unexpectedly, there is a big Jiangnan in this landscape; When the flowers fall, I can meet you again and get to know each other.
Appreciating this poem is the latest of Du Fu's quatrains. Du Fu's boyhood was a prosperous time of Kaiyuan, and he was familiar with Li Guinian. Forty years later, the country has declined, and the two met in despair, unable to overcome the sense of the past and the present, so they wrote this affectionate poem.
8. "Send Master Che Ling" Liu Changqing
Blue chikurinji, near the distant bell in the middle of the night. The sunset with a hat gradually returned to Qingshan.
In the verdant bamboo temple, a deep night bell came from far away. With a hat on his back, he returned to the deepest part of the castle peak alone by the sunset glow.
Appreciate the poet's improvisation and ingenious ideas. First, write about the dusk bell coming from the temple, which arouses people's thoughts, and then write about the return of Che Ling watched by poets. Expressed the poet's sincere friendship with Che Ling. Poetry, without saying goodbye to sentimentality, is full of lightness and elegance and has become one of the famous water poems in central Tangshan.
9. "Guest" Zhao Shixiu
Mei Huang Shi, every family was flooded by rain, and the pond was covered with green grass and frogs. It's past midnight, and the invited guests haven't come yet. I tapped the chess pieces bored and shook the wick of an oil lamp.
May Huang Shi, every household is shrouded in misty rain. There were ponds full of grass everywhere, and frogs broke out. The invited guests said they hadn't come yet, and the time passed quickly after midnight. I knocked on the table with chess pieces in my hand, waiting for the guests, only to see snuff drop a flower every once in a while.
Appreciate the whole poem through the rendering of provocative thinking environment and the detailed action of "knocking chess pieces", which not only writes the scene of the poet waiting for guests to visit on a rainy night, but also writes
10. On Poetry Zhao Yi
The poems of Li Bai and Du Fu have been read by thousands of people, and it is nothing new to read them now. There are many talented people all over the country, and their poems and popularity will last for hundreds of years.
The poems of Li Bai and Du Fu have been praised by thousands of people, but now they are nothing new to read. Every generation of our great rivers and mountains has talents, and their poems, articles and popularity will be circulated for hundreds of years.
Appreciating these two poems is not only full of profound philosophy, but also reveals the relationship between inheritance and innovation from the perspective of literary development. Judging from the first two sentences of the poem: "Du Li's poems have been passed down from mouth to mouth, so far they are not new", to the effect that Li Bai's and Du Fu's poems have been passed down from mouth to mouth through the ages. Although the status of the poetry world is booming, these works may make people feel a little outdated with the passage of time. Therefore, following these two sentences, the author puts forward that "Jiangshan produces talents, each leading the way for hundreds of years." This conclusion is quite historical materialism. The development of history has always been metabolism, bringing forth the old and bringing forth the new, and the later waves surpass the former ones. The times are developing and mankind is making progress. New talents will emerge in every historical period, but their influence is only a few hundred years. These two sentences of the author not only reveal the fundamental law of the development of things, but also put forward a basic principle that literary creation must follow from the perspective of literary creation: future generations must adapt to the development of the times and strive for change and innovation while inheriting the achievements of predecessors. If they just imitate and follow the ancients, there will be no personal imprint on literature.