Poetry 1 On the characteristics of Li Bai's poems. On the thematic characteristics of Li Bai's poems
Li Bai's ancestral home is Ji Cheng (now Jingning County, Gansu Province). At the end of Sui Dynasty, Li Bai was born here because he fled chaos and moved to Broken Leaf City in Central Asia (now near tokmak in northern Kyrgyzstan). He spent most of his life roaming. At the age of five, his family moved to Zhangming County, Mianzhou (now Jiangyou, Sichuan). At the age of twenty, he left Sichuan alone and began to wander widely. It is located in Xiangjiang River in Dongting in the south and wuyue in the east (now Anlu City, Hubei Province). He traveled around, hoping to make friends and pay homage to celebrities, so as to get an introduction, climb high in one fell swoop and realize his political ideals and ambitions. However, after ten years of wandering, I have accomplished nothing. Continue to go north to Taiyuan and Chang 'an, east to Qi and Lu, and live in Rencheng, Shandong (now Jining, Shandong). At this time, he has made many celebrities and created a lot of excellent poems, which are famous all over the world. In the early years of Tianbao, on the recommendation of Taoist Wu Yun, Emperor Xuanzong of the Tang Dynasty called him to Beijing and ordered him to worship the Hanlin. Soon, due to the slanderers of powerful people, Yu Tianbao was expelled from Beijing in 34 (AD 744 or 745). Since then, he has been wandering in Jiang and Huai, and his thoughts are extremely boring.
—————————— This paragraph refers to Baidu Encyclopedia.
Li Bai's life can be said to be lofty and ambitious. He is conceited that he has the ability to help the world and govern the country. However, the world finally recognized only his poems, which also made him feel depressed.
Li Bai's early travel experience made his poems romantic, magnificent and unrestrained, full of longing for the future and lofty sentiments. During this period, his poems were based on magnificent rivers and mountains and travel experiences, and his writing was light and elegant, magnificent and gorgeous, and he was called "fallen immortal", which fully praised his poems and talents.
However, after he became an official, he could not show his ambition, but only served as an imperial scholar of the emperor. In addition, he was too conceited, unwilling to cling to powerful people, and eventually his career was bumpy, which also made his poems full of injustice and contempt for powerful people, such as "Oh, how can I bow and scrape to those high-ranking officials whose sincere faces will never be seen!" At this time, his poems are more about the lives and personal wishes of ordinary people.
2. Characteristics of Li Bai's poems
Artistic features of Li Bai's poems
Like many great writers, all Li Bai's works also contain romanticism and realism, but as far as his dominant tendency is concerned, he is a master of positive romanticism. As a romantic, although he also accepted the influence of realism in The Book of Songs, it was Qu Yuan's works in The Songs of the South that influenced him more deeply. Li Bai and Qu Yuan have similar political ideals and misfortunes, the same rebellious spirit of dissatisfaction with reality, and equal noble quality and artistic genius. On the basis of these characteristics, he is bound to embark on the road of positive romanticism initiated by Qu Yuan, and enrich and develop it according to his own life practice and artistic practice. Li Bai inherited and developed Qu Yuan's tradition. He combined his political ideal of "securing the country" and "helping the poor" with the Taoist cynicism and the spirit of resisting violence, saving the weak and helping the poor in the ranger thought, and expressed his love for the motherland. Express sincere sympathy for the oppressed and damaged people; He expressed deep hatred and anger at the dark phenomenon hatched by feudal system; He expressed strong resistance and contempt for the dignitaries in the ruling class-his positive romantic spirit is indeed broader than Qu Yuan's. In terms of expression, he also inherited and developed Qu Yuan's romantic expression, especially the exaggeration in folk poems, and improved it in creative application to make it more perfect. On the object of description, he contacted more subjects than Qu Yuan, so he used romanticism more widely. He not only uses this technique to express romantic themes such as "self", seeking eternal life and sleepwalking, but also often uses this technique to reflect wars and describe daily life and natural scenery, so as to gallop his imagination of "wanting to fall from the sky". He expressed his hatred for the cruelty and ugliness of the enemy and his sympathy for the suffering of the people through such a fantasy realm:
The fairy shines like a star on the lotus peak in Huashan Mountain. In Su Lian's hands, the imaginary step is too clear, the dress is wide and she is on cloud nine. I boarded the rainbow platform and bowed to Wei Shuqing. Anxiously follow them and take Hongyan to Zixuan. Inadvertently, the Luoyang Plain was full of soldiers in the Anshi Rebellion. The bones are bloody, and the traitors turn their backs on the court.
3. Characteristics of Li Bai's poems
Among the poets in the prosperous Tang Dynasty, Li Bai was a poet with a very distinct artistic personality. In the history of China's poetry, the artistic individuality of his works is also unique.
First, Li Bai's poetry and ci creation has a strong subjective color, which is mainly manifested in the expression of heroism and passionate feelings, and rarely describes the objective image and specific events in detail. Li Bai's poems often run through with unrestrained momentum, paying attention to galloping in one go, and have the characteristics of winning people with qi, such as "Li Yong": "Dapeng rises with the wind one day and shakes nine Wan Li." He said that his poem was "Xing Han put pen to paper to shake the five mountains, and the poem became a proud Cangzhou".
Second, strong emotional color and explosive lyric way. Free and easy temperament, arrogant and independent personality, approachable, and strong feelings come out of generate, which forms the distinctive features of Li Bai's lyric style. It is often explosive, and once emotions are aroused, they rush out without restraint, making people feel the shock of the soul directly. For example, "singing to send Cen" expresses indignation at the political darkness and the inversion of right and wrong. This kind of emotional expression is completely Li Bai's style.
Third, the imagination is unpredictable, random and bizarre, dreamy and dreamy, and the image is magnificent without lack of freshness and lightness. Combined with explosive emotional expression, the imagination of Li Bai's poems is unpredictable, and it is often unreasonable and strange, such as "entering wine": "I don't know how to lock the bright mirror in the high room cutely, although it is silky black in the morning and turned into snow at night." I really want to fall from the sky. It's incredible. His strange imagination is often linked in an unusual way, changing with the flow of emotions. There is a huge leap between one imagination and the next. The combination of images is also long-span, bizarre and dreamy, changing vertically and horizontally, and doing his best to be smart.
Fourth, magnificent and beautiful images. In Li Bai's poems, there are many magnificent images of mountains and rivers, including the sun and the moon, which are related to his great verve and rich imagination. Li Bai seems to be particularly fond of huge and spectacular things. Dapeng, giant fish, long whales, as well as rivers, seas and snow-capped mountains, are all objects he likes to recite. Li Bai described them in an unusually broad spatial background, forming magnificent poetic images, such as seeing friends off at Jingmen Ferry, which is extremely vast and spectacular. However, there are many beautiful images in Li Bai's poems. The beautiful images of Qingxi, bright moon, egret, bamboo color and white dew have greatly enriched the artistic connotation of Li Bai's poems.
Five, fresh and lively language style. The language style is fresh and lively, and it is the basic tone of its words. As the saying goes, "clear water produces hibiscus, and natural carvers". In Li Bai's poems, the most commonly used color words are white, followed by gold, cyan, yellow, green and purple. He is cheerful by nature and prefers bright colors to dark ones. His poems blurted out without carving often present a transparent, pure and dazzling brilliance, which reflects his noble personality of rejecting secular identity.
4. About Li Bai's famous poems and ancient sentences
Li Bai's famous poem
1, one day I will ride the wind and waves, sail straight up and cross the deep sea. It's hard to go.
But since the water is still flowing, although we cut it with a sword, sadness will come back, even though we drown them with wine. Xie Tiao Building in Xuanzhou sends off the school book Shu Yun.
3. Yanshan snowflakes are as big as seats, and pieces of them blow off Xuanyuantai. Popular in the north
Since God has given talents, let them be used! , spin one thousand silver, all back! . Invite for a drink
5. You didn't see how the water of the Yellow River moved out of heaven and into the ocean, never to return; Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night? Invite for a drink
Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! . Invite for a drink
7. The green hills on both sides of the strait are opposite, and the lonely sails come from the sun. Wangtianmen mountain
8. Sailing alone in the blue sky, only the Yangtze River flows in the sky. Farewell to Meng Haoran on the way to Yangzhou from Yellow Crane Tower.
9. I will think of you in the clouds, so think of me in the sunset. See a friend off
10, I have sorrow in my heart. When the moon is bright, I will always follow you until Yelangxi. "I heard that Wang Changling left and moved to Longbiaoyao to send this."
1 1, Taohuatan is deeper in thousands of feet than in Wang Lun. A gift for Wang Lun.
12, white hair, three thousands of feet, long sorrow. Song Pu of Autumn
13, until, holding up my cup, I asked the bright moon to bring me my shadow and make the three of us. Drink the moon alone.
14, the apes on both sides of the strait can't stop crying, and the canoe has passed Chung Shan Man. Baidi City was released in advance.
15, ladies-in-waiting are like full spring palace, but only one partridge is flying today. Visiting ancient Vietnam and China.
16. People can't see the ancient moon today, but they took pictures of the ancients this month. Borrow wine for the moon.
5. What poems reflect Li Bai's character?
1, this kind of question is interesting, and its premise is:
First, Li Bai is a poet with distinctive personality; B, Li Bai's poems are like people, freely and accurately reflected in his poems; C. Li Bai's poems and songs are well-prepared, which can twists and turns or directly reflect his character;
2. The answers to the above three questions must be controversial in academic circles. For example, Gong Zizhen said: "The three religions cannot be combined, only the white road can be combined" (to this effect, please forgive me for not having time to prove it, because I quoted this sentence in 10), then the influence of the three religions can certainly not be summarized by a unilateral figure, including Confucianism, chic Taoism and super Buddha. I'm afraid it's hard to argue about the rest!
The questioner must not want to hold an academic seminar. Such questions will not be raised in formal academic discussions. Let's consider it universal. Here are some references:
1, one day I will ride the wind and waves, sail straight up and cross the deep sea
Oh, let a brave man take risks where he wants to go. Spin a thousand silver coins and they will all come back!
(The above is original, hehe)
6. Characteristics of Li Bai's poems
Li Bai has the highest achievements in Yuefu, Gexing and Jueju. His songs completely broke all the inherent forms of poetry creation, with no one to rely on and many strokes, reaching the magical realm of vagaries and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only one who is good at both the Five Odds and the Seven Odds.
Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains, rivers and beautiful natural scenery of the motherland, with bold and unrestrained style, elegant and fresh, full of romantic spirit, and achieved the perfect unity of content and art, so he was called the "fallen fairy". His poems mainly described the mountains and rivers and expressed his inner feelings. Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. He and Du Fu are called "Big Du Li" (Li Shangyin and Du Mu are called "Little Du Li").
In Li Bai's poems, imagination, exaggeration, metaphor, personification and other techniques are often used comprehensively to produce magical brilliance and magnificent artistic conception, which is the reason why Li Bai's romantic poems give people heroic and unrestrained, elegant and immortal.
style
Bold and unrestrained, fresh and elegant, rich in imagination, wonderful in artistic conception, wonderful in language, romantic and clear in artistic conception.
Li Bai lived in the prosperous Tang Dynasty. He has a heroic personality and loves the mountains and rivers of the motherland. He traveled all over the country and wrote many magnificent poems praising famous mountains and rivers. His poems are bold, fresh and elegant, with rich imagination, wonderful artistic conception and light language. People call him "Poet Fairy". Li Bai's poems and songs not only have typical romantic spirit, but also have typical romantic artistic characteristics from the aspects of image shaping, material intake, genre selection and the application of various artistic techniques.
Li Bai successfully shaped himself in his poems, expressed himself strongly, and highlighted the unique personality of the lyric hero, so his poems have distinct romantic characteristics. He likes to express himself in a magnificent image, expressing his feelings in his poems without disguise or restraint. For power, he "holds a chrysanthemum and stirs two thousand stones" (one of the two songs "Send Cui Shiyu after Drunk"); Seeing the hard work of the working people, he was "heartbroken like rain". When the country was destroyed and the people perished, he vowed to cross the river to clear the Central Plains. Draw a sword and hit the front column, and the sad song is hard to recover "("South Ben Shu Huai "), so impassioned; When drinking heartily with friends, "two people fall in love, one cup after another." I'm drunk and want to sleep. The Ming Dynasty intends to hold the piano ("Mountain Lovers"), which is so naive and straightforward. In a word, his poems vividly show his bold character and bold image.
Boldness is the main feature of Li Bai's poems. In addition to the factors of ideological character and talent, the artistic expression and genre structure used in Li Bai's poems are also important reasons for his bold and elegant style. Being good at relying on imagination and being subjective and objective are the important characteristics of romantic artistic techniques in Li Bai's poems. Almost every article has imagination, and some even use a variety of imagination throughout. Realistic things, natural landscapes, myths and legends, historical allusions and dreamland have all become the media of his imagination. With the help of imagination, we often transcend time and space, interweave reality with dreams and fairyland, and interweave nature with human society to reproduce objective reality. The images in his works are not the direct reflection of objective reality, but the externalization of his inner subjective world, which is the truth of art.
One of the artistic techniques of romanticism in Li Bai's poems is to skillfully combine personification with metaphor, empathize with things and compare things with people.
Another romantic artistic technique in Li Bai's poems is to grasp a certain feature of things and boldly imagine and exaggerate on the basis of real life. His exaggeration is not only strange in imagination, but also always combined with concrete things, so natural and unobtrusive; So bold, true and credible, it has played a role in highlighting the image and strengthening feelings. Sometimes he combines bold exaggeration with sharp contrast to enhance the artistic effect by increasing artistic contrast.
Li Bai's best genre is seven-character poems and quatrains. Li Bai's seven-character song also adopts the structure of opening, closing, jumping and swinging. The beginning of a poem is often abrupt, such as a sudden surge, while the middle image of the poem is abrupt, often omitting the transitional care, as if there is no trace to follow, and the end of the poem comes to an abrupt end at the emotional climax.
Li Bai's quatrains of five or seven words can better represent the fresh and lively style of his poems. For example, the beauty of "Come to Baidicheng early", "Farewell to Meng Haoran on the way to Yangzhou" and "Thinking of a Quiet Night" lies in "only looking at the prospect and spoken language, but there are overtones and foreign flavors that keep people away." (On Talking about Poetry).
7. What are the characteristics of Li Bai's poems? Which poem can be seen as writing a poem?
The characteristics of Li Bai's poems are bold, fresh and elegant, rich in imagination, wonderful in artistic conception and light in language.
Related poems: 1, one day I will ride the wind and waves, sail straight and cross the deep sea. It is hard to go to 2, but because the water is still flowing, although we cut it with our swords, sadness comes back, although we drown them with wine.
Uncle Yun Lou in Xie Tiao, Xuanzhou 3. Yanshan snowflakes are as big as seats, and pieces of them blow off XuanYuanTai. "Popular in the North" 4. Since God has given talents, let them find jobs! , spin one thousand silver, all back! .
"Into the wine" 5. You don't see how the water of the Yellow River moves out of the sky and into the ocean, which is gone forever; Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night? Oh, let a man with spirit take risks where he likes, and never point his golden cup at the moon empty! .
"Into the wine" 7. The green hills on both sides of the strait are opposite, and the sails come alone. Looking at Tianmen Mountain 8. Sailing alone in the blue sky, only the Yangtze River flows in the sky.
Farewell to Meng Haoran on the way from the Yellow Crane Tower to Yangzhou 9. Suspected that the Milky Way had fallen for nine days. Looking at Lushan Waterfall 10, three mountains and a half fall out of the sky, and Bailuzhou is full of water.
On Climbing Nanjing to Phoenix Terrace 1 1, laughing and watching the sky go out, I am Artemisia. Children from Nanling entered Beijing 12. The highest cliff was less than a foot from heaven, and dry pine trees hung down from the surface of the cliff.
A cloud rises between the light of heaven and me, hiding his city from my melancholy heart. When I boarded the Phoenix Terrace 14 in Nanjing, I would think of you in the clouds, so I would think of me in the sunset.
Send a friend 15, here is the end of the mountain, the beginning of the plain, and the river winds through the wilderness. "Seeing Friends Off at Jingmen Ferry" 16, the forest is vast, the haze is vast, and the area around Hanshan is sad and melancholy.
"Bodhisattva Man" 17, I have sorrow in my heart. When the moon is bright, I will always follow you until Yelangxi. "I heard that Wang Changling moved to the Longbiao kiln on the left and sent this message" 18, Peach Blossom Lake is deep in thousands of feet, not as good as Wang Lun's.
To Wang Lun 19, with white hair and three thousands of feet, looks like a long sorrow. Song of Autumn Pu 20. Oh, when will the Tatar army be conquered? My husband will come back from a long battle! .
Midnight Wu Ge 2 1, until, holding up my cup, I asked the bright moon to bring me my shadow and make the three of us. Drinking the bright moon alone 22. Apes on both sides of the Taiwan Strait can't stop crying. The canoe has passed Chung Shan Man.
Early Baidu City 23. Ladies-in-waiting are like spring palace, but only partridges are flying today. Visit to Ancient Vietnam 24. Today, people can't see the ancient moon. This month, they have taken photos of the ancients.
25. Oh, how can I bow and scrape to those high-ranking people? They will never tolerate others showing them a sincere face. Your recognition of "Climbing Mount Tianmu in a Dream" is the motivation for my answer, please adopt it.
8. What are the characteristics of Li Bai's poems?
The main artistic features of Li Bai's poems are: (1) free and unrestrained, not rigidly adhering to the metrical form of poetry, flexibly using ancient style and Yuefu style to create beautiful poems full of romanticism. Among Li Bai's poems and songs, there are few metrical poems, only more than 80 poems with five or seven words, most of which are Yuefu and Gexing. These two styles are flexible in words and loose in meter. It can freely express the poet's profound thoughts, unrestrained emotions and rich imagination. For example, "Into the Wine" begins with a long cross sentence "You can't see the water of the Yangtze River coming from the sky", with three or five sentences in the middle, which can be used freely. This poem is a work to drown one's sorrows and vent one's grievances by drinking. With heroic language, he expressed the poet's lofty sentiments of despising fame and wealth and pursuing the ideal of freedom. Pour down, showing optimism and full of romantic spirit. (2) Rich in imagination, fantastic in conception, good at using metaphor and exaggeration to create novel and distinctive artistic images. Li Bai is an imaginative poet with a wide range of knowledge and experience. In his works, everything in the world, stars in the sky, myths and legends, historical treasures, natural landscapes and dreamland have all become the media of his imagination. Dream on Mount Tianmu is a masterpiece to show Li Bai's imagination. Li Bai's imagination is not only used in a poem or a song, but also in almost every poem. This makes his poems vivid and profound. (3) fresh and natural, clear and smooth. This is the artistic feature of Li Bai's poetic language. The formation of this feature is inseparable from Li Bai's hard work and good at learning in his creation. Li Bai attached great importance to the strengths of predecessors and contemporary poets, especially praised Yuefu folk songs since the Han, Wei and Six Dynasties, from which he learned nutrition and exercised his own unique artistic language. Many of his poems are never tired of reading, and they have been circulated for a long time because of the brilliance of language. Li Bai's language style has always been highly praised by scholars in past dynasties. Wang Anshi has a good summary of this: "The poet has his own income,' clear water produces hibiscus, natural carving', and so does Li Bai." In Li Bai's poems, many poems are sparkling, eye-catching and surprising. Some sentences seem ordinary at first glance, such as blurting out, effortless and not well thought out, but their charm makes you unforgettable. If you get to know them better, you will feel them.
9. Characteristics of Li Bai's poems
Among the poets in the prosperous Tang Dynasty, Li Bai was a man with a very distinct artistic personality. In the history of China's poetry, the artistic individuality of his works is also unique.
Li Bai's poetic creation has a strong subjective color, which is mainly manifested in paying attention to expressing heroism and passionate feelings, and rarely describing objective images and specific events in detail. Li Bai's poems often run through with unrestrained momentum, paying attention to galloping vertically and horizontally and in one go, and have the characteristics of winning with gas.
Such as "On Li Yong": "Dapeng rises with the wind one day and shakes Wan Li. If the wind stops, it can still lift away the raging water. "
To compare Dapeng, it is not a carefree Dapeng of Zhuangzi style, but a Dapeng who bravely flies and causes shock and surprise. In this extraordinary momentum, it embodies self-confidence and enterprising ambition and independent personality strength.
This is the reason why Li Bai's poems disturb eternity. As he said in the poem "Ode to the River": "Xing Han put pen to paper to shake the five mountains, and the poem became Cangzhou."
Free and easy temperament, arrogant and independent personality, approachable, and strong feelings come out of generate, which forms the distinctive features of Li Bai's lyric style. It is often explosive. Once the emotion is aroused, it gushes out without restraint, just like a raging and overflowing volcano in the sky.
For example, "Singing to Send Cen" expresses indignation at the political darkness and the inversion of right and wrong: chickens gather together for food, and chickens fly without neighbors. Dragonflies laugh at dragons, and good and evil people are mixed.
Well-dressed, not paid. If you nest, the shackles in the porch are different from the dragons in the dust? Sad and angry, impassioned.
With the change of cadence and rhythm, we can trace the ups and downs of emotional eruption when emotional impulse occurs, which makes people feel the shock of the soul directly. Another example is "Drinking Alone on Twelve Cold Nights", which expresses the intense feelings like running water from the beginning, and then bursts into uncontrollable emotional waves: you can't learn cockfighting in the distance, and you can't sit still and snore and blow the rainbow.
You can't learn from Shu Ge. You went to Qinghai at night with a knife and took the purple robe of Xitu Shi Bao. Poetry is not worth a glass of water in the north window.
The world turned around after hearing the news, just like the east wind shooting at a horse. Fisheye also laughed at me and said they were like the bright moon.
Fists can't be eaten, and donkeys are proud of the spring breeze. "Zheyang" and "Huanghua" are popular, and Jin Jun listens to the Qin Qing number.
It is strange that Ba people are willing to be cheap with Yangchun and Chu Yuanyuan. Gold powder is not handed over, and white head is despised by Confucianism.
When we talk about a smile, it loses its color and flies scream. This kind of emotional expression is completely Li Bai's style.
Combined with explosive emotional expression, the imagination of Li Bai's poems is unpredictable, often unreasonable and strange, such as: "How magnificent the Xiyue is! The Yellow River is like a silk sky, ... people roar, smash two mountains, and Hongbo sprays the East China Sea. " ("Xiyue Yuntai Song Send Dan Qiu Zi") "The Yellow River falls into the East China Sea, and Wan Li writes it in his heart."
(For Pei Fourteen) "Didn't you see the lovely locks in the mirror of the high hall? Although it was silky black in the morning, it turned into snow at night?" ("I will enter the wine" "White hair and three thousands of feet, sorrow is like a long time."
("The Seventeen Songs of Qiupu", the fifteenth) "The ape makes white hair, and the length is silk." ("Seventeen Songs of Qiupu" (fourth) "The wind blows my heart and hangs Xianyang trees in the west."
(Jin Xiang sends Wei Ba to Xijing) I really want to fall from the sky, which is incredible. Associated with verve and rich imagination, there are many magnificent images in Li Bai's poems, including mountains and rivers, the sun and the moon.
He seems to be particularly attracted by huge and spectacular things. Dapeng, giant fish, long whales, rivers, seas and snow-capped mountains are all objects he likes to recite. Li Bai described them in an unusually broad spatial background, which constituted a magnificent poetic image. Like, "I climbed to the top. I have a panoramic view of the world "In" Lu Shan Ge Yu Shi Lu Xuzhou ",the rivers are boundless and there is no return.
Huang Yun, Wan Li, the wind, and a snow-white snow peak surrounded by a vortex of nine streams. The magnificent combination of images gives people a sense of sublimity.
Another example is seeing a friend off at Jingmen Ferry: "This is the end of the mountain, the beginning of the plain, and the river winds through the wilderness. The moon rises like a mirror and the sea clouds shine like a palace. "
The images are also extremely vast and spectacular. However, there are many beautiful images in Li Bai's poems.
For example, "In the mirror of pedestrians, in the screen of birds" (Qingxi Tour). "The green water is clear and the moon is clear, and the egrets fly under the moon" (The Song of Autumn Pu, part 13).
"Bamboo is green under the stream, and lotus is fragrant in the mirror" ("Not in existence"). The jade steps are cold and dew, and the silk bottom is wet, which has been wandering for a long time. "。
Behind her closed window, why is she still waiting, looking at the glory of the autumn moon through the crystal glass? "("Jade Family "). These beautiful images of Qingxi, bright moon, egret, bamboo color and white dew have greatly enriched the artistic connotation of Li Bai's poems.
So there are two kinds of images in Li Bai's poems: magnificent and beautiful. Li Bai said in the poem "Looking at Nanshan to send a purple pavilion to send a hermit": "Sometimes white clouds rise and the sky unfolds.
However, in my heart, I am not shallow. "He has an instinctive love for the white and transparent body, and the closest thing is the moon. He drank the moon alone and said, "Until, holding up my cup, I asked the moon to bring me my shadow and let the three of us.
The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring.
The song I sing is bright and wandering, and I dance the shadow before wandering. The image of the moon appears repeatedly in Li Bai's poems.
In Li Bai's poems, the most commonly used color word is "white", followed by gold, cyan, yellow, green and purple. He is cheerful by nature and prefers bright colors to dark ones.
The language style of Li Bai's poems is pure and bright, and bright and bright is the basic tone of his words. His poems, which are blurted out and unadorned, often show transparency, purity and dazzling brilliance, reflecting his noble personality of rejecting secular identity.
Li Bai loves the moon, which is unprecedented in the history of China literature. Even after his death, people attached a touching legend about the moon. Hong Mai, a scholar in the Song Dynasty, recorded in Five Paintings of Rongzhai: "It is said that Li Bai was quarrying in Dangtu, boating on the river because of drunkenness, taking it when he saw the moon and drowning it."
Legend is a legend, but it is an indisputable fact that Li Bai loves the moon. Many of Li Bai's poems are about the moon, which is an important carrier of the poet's thoughts and feelings. Reading Li Bai's poems about the moon can help us understand the rich and complicated inner world of this great poet from many angles and sides.