What role does China's ancient poetry play in diplomacy?

Significance of (1) to China: 1. Improve China's international status, comprehensive national strength and international influence, and show the image of a responsible big country; 2. Further opening to the outside world, promoting international cooperation and safeguarding national interests (independence and sovereignty); 3. Create a favorable international environment for safeguarding national security and development; 4. Give full play to China's active role in international affairs; Demonstrate an independent foreign policy of peace. (2) Significance to the region and the world: 1. (conducive to) safeguarding the common interests of the two countries and the interests of the people of the world and promoting world peace and development; (conform to the theme of the times) 2. Promote multi-polarization of the world and democratization of international relations; 3. Give play to the role of the United Nations; 4. Establish a just and reasonable new international political order; 5. It is conducive to mutual cooperation among countries in the world and seeking common ground while reserving differences; It is conducive to building a harmonious world with lasting peace and prosperity.

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Japan

Japanese poetry culture is the most developed country outside China.

In Japan, from Nara era, influenced by China culture, scholars began to create Japanese poems in the form of China's poems. The most obvious difference between Japanese Chinese poetry and Japanese native songs and haiku is that a Chinese poem has four (quatrains) or eight (metrical poems), each sentence usually has five or seven words, while songs and haiku have five, seven, five, seven, five, seven, seven and other long and short sentences, which are more like Chinese words.

In 75 1 year, the earliest Chinese poem "Huaifengzao" in Japan came out. After the peak of Heian period, Ling, Ji and Ji appeared constantly, and their popularity was called "the dark period of national wind". Since then, Japanese Chinese poetry in Kamakura and Muromachi times has been continuously developed. For example, Crazy Party contains a large number of Chinese poems written by a Hugh Zongchun. The development of China's poetry reached its peak in the Edo period. During the Meiji Restoration, almost everyone who was educated in Japan could write good or bad Chinese poems. After the Meiji Restoration, the influence of Japanese Chinese poetry began to decline, especially in the Showa period. However, today's ancient prose education above junior high school still includes the recitation, interpretation and creation of Chinese poems and languages.

North Korea; South Korea

During the Korean dynasty, Chinese poetry gradually became popular in South Korea. Cui Chong, Li Kuibao, Zheng and other Korean poets all have a large number of Chinese poems handed down from generation to generation. In addition, Korean literati recorded ancient Korean folk songs in Chinese characters, forming a new form of poetry, which was later called "Biequ Style", also known as "Gyeonggi Style Song", and generally adopted the format of 334. For example, the famous Korean folk song Arirang, or the ancient opening song Call of the TV series Dae Jang Geum.

From the mid-Koryo period, tunes with Korean language characteristics were developed until the Korean dynasty? This period reached its peak. Shidiao is a slang folk song in North Korea. However, because it was compiled and recorded by China poets, and many Poems were created by China poets, the Poems naturally incorporated the factors of China's poems in the development process.

Viet Nam

When Viet Nam was a county in China, Chinese characters were used as the official language. China became independent in the Northern Song Dynasty, but official proclamations and imperial examinations were still written in Chinese, and general works were also written in Chinese. China's poetry, as an important form of China culture, has also developed in Viet Nam. At the end of Chen Dynasty, China's famous poets were Tang, Hu and others. In the post-Li era, especially in the period of Li Shengzong, China's poetry reached its peak.

Chinese poetry

(Poetry of China)

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Chinese poetry literally means China's poetry, and this concept is mainly used outside the Chinese world. Some neighboring countries of China, such as Korea, Japan and Vietnam, are naturally deeply influenced by China's poems because they use Chinese characters as written language. With the spread of Zen in these countries, China's poetry has become the most important form of Zen literature.

China's poetry was originally a vague formulation, which was first put forward by a group of poets in folk magazines in the mid-1980 s/kloc-0. In fact, it refers to China's modern poetry. This formulation appeared in the context of cultural root-seeking, and showed a kind of consciousness of China language and culture. Some neighboring countries of China, such as North Korea, Japan and Viet Nam, are deeply influenced by China's poems because they use Chinese characters as the written language. With the spread of Zen in these countries, China's poetry has become the most important form of Zen literature.

The academic group related to Chinese poetry is the World Chinese Poetry Association, which was established in 2003. Its magazine World Chinese Poetry is a large-scale folk poetry magazine, which publishes classical poetry and modern poetry.