In Chinese music, when it comes to writing women's minds, Jonathan Lee is unique in her creation with both rationality and sensibility.
"Crossing the Ocean to See You" talks about loved one, a different place in Jin Zhijuan. Jonathan Lee didn't have the anxiety to draw a picture of lovesickness into a disease, but his pen fell. "For this gathering, I even practiced breathing repeatedly when I met."
q is a voice for women's tangled infatuation. Who makes your heart beat, who makes your heart ache, in the end, "it's just that women are prone to infatuation, always trapped by love, and finally get deeper and deeper."
At the beginning of Sandy Lam's joining Rolling Stone, Jonathan Lee created an image for her as a spokeswoman for urban women, and wrote "Don't care who I am", outlining the haggard helplessness of women in the dream bubble of being intoxicated with money. "If a woman is not loved, even if someone will cry when listening to my song, I really expect someone to chase me, so why care who I am?" After expressing my heart, I have no regrets, and I wish to look forward to the true feelings: "No matter how the spring breeze blows, let me love it first."
Men and women in the world of mortals, who can escape a stroke of Jonathan Lee's pen when they are in love. "It's too dark at night" said: "Men have not seen the lotus for a long time, and they begin to think that the peony is beautiful. It doesn't matter who a woman wants to give her heart." "Cloudy Day" is more frank: "Men don't have to argue with each other, and women really don't have to be pitiful. In short, you two didn't have a relationship in those years."
At the concert tour "Since youth can't stay", Jonathan Lee once said that he wrote many women's songs and wrote songs for many women. "Every woman has a sexy side." To this end, he has a deep understanding of every female singer, from temperament and appearance to perfume and clothing brands. Only by "tailoring" can we write the most subtle hearts and feelings.
But many people may not know that in Jonathan Lee's less popular works, there are also wonderful women's worries.
Zhang Aijia, Rene Liu and Li Xinjie have a movie called "2 3 4", which is about women in the years. There is a "Short Song" in the soundtrack of the movie, and Jonathan Lee writes lyrics for Zhang Aijia.
Youth, it's gone
No matter how much I can't bear to part with it
In fact, I also know that
it's been with me for a long time
Love has also become blurred
When he has long been tired
I will remember those good things, because it's too rare
to lose and gain, and it's just
intertwined. A 4-year-old woman understands, but she doesn't want to admit it. I want to stay, but I can't help it. Finally, I no longer reluctantly exchanged relief for a little light of memories. People with stories don't love such songs.
Jonathan Lee is the Bole of Fish Leong. The innocent and slightly turquoise "Growing Up in One Night" made many people remember the kind girl who cried in the rain. But what is not necessarily known is that Jonathan Lee also wrote a Third Party for Fish Leong.
Faced with the troubles that urbanites encounter more and more frequently, Jonathan Lee forgives the third party from the injured girl: "She was just a third party who didn't mean to break in. The difficulties between us existed before she appeared. Although I was angry, I understood."
Of course, the third party is not worthy of praise, but Jonathan Lee has found a new way, tearing out the "epidemic" in which urbanites are insecure and increasingly alienated in time behind the triangular relationship.
Jonathan Lee and San Mao have had several perfect combinations of lyrics and songs. In 1985, Rolling Stone released Echo-Sanmao Op.15, which was sung by Chyi Yu and Pan Yueyun.
Chyi Yu's Seven o'clock is Sanmao's first love story. A flustered girl, the agreement of first love and the trip of two people. Love is stepping on that train with you. At that moment, I understood, "That's how this life began." Sanmao wrote the sweet throb of youth, and Jonathan Lee turned it into a song.
There is also a song "Flying" by Pan Yueyun in the album, and the lyrics and songs are still San Mao and Jonathan Lee. "But the luggage is packed, the box is buckled, and I have to go. I have to go." It is the most vivid and tortuous reluctance about urbanites in the songs I have ever seen.
Pan Yueyun also performed Jonathan Lee's favorite, which was later covered by Aska Yang. The beginning of the song is "If the beauty is only for a love, let her life be only for this love", and at the end, it becomes "The beauty is inevitably affectionate, and you are just like me." At first glance, plain words, how many hidden feelings are difficult to talk about. This is a lingering sound, and it is a free pen, but literary works, free pen will win or lose.
the best is Jiang Hui. Although not popular in mainland China, Jiang Hui was the first touching diva in Taiwan Province. Jonathan Lee's arranged lyrics "Late Marriage", through Jiang Hui's mellow voice, makes proper limit, an urban woman who refuses to make do and is worried, but insists on the temptation all over again, incisively and vividly.
although "I never want to be single, but I have a hunch that I will get married later, and I am waiting for the only soul in the world", after all, "there are thousands of possibilities for loving someone, and the taste is not necessarily better than being alone for a long night".
On a tour of Live, Jonathan Lee sang this song himself, joking during the intermission. He introduced: "This is a song that I cooperated with Sister Jiang Hui, and I feel very proud." After that, there is also the iconic "gnome male-"bad smile. But from an uncle's mouth, I suddenly felt a little numb when I heard that "love hurts people and makes them more trapped, and women are really smart and stupid when they love them."
I once read a joke that singing only appealed to two people: one was the White Snake, who started singing when she was talking. The other is Jonathan Lee, who started singing.
Jonathan Lee really can't blow the dolphin sound, nor can he play with too many skills. But even if we sing quietly, even if we often read aloud, we will still say: Everyone has a Jonathan Lee in his heart.
why? Because although he wrote about his own experiences, it was extremely universal, and it was extended after writing, so that every urban man and woman had nothing to hide.
you can't get what you want, and there is no wise man in love. If we are destined to roll in earthly love, we must listen to Jonathan Lee.
If you only know a few classics and recite a few golden sentences about Jonathan Lee, you will miss not only good songs, but also a deeper understanding and insight of love and a richer experience and sentiment of life.
Qian Qian is the best songwriter, and he has always been the only one who knows your heart best.
It's interesting to see the world this way. Wechat WeChat official account: Fu Kick Kick Wechat ID: futeetee.