2. Read classical Chinese after class (6 points, 2 points for each question). Jia Sheng is famous for his friends, and Luoyang people also have 1 s minor questions: 1 s c minor questions: 1 s b minor questions: A and B both read "zh incarnation", and A stands for "link".
Both C and D are pronounced as "sh incarnation", C means "belonging" and D means "belonging". Question 1: Understand the ancient and modern meaning of "scholar".
Jia Sheng's name is Jia Yi, from Luoyang. At the age of eighteen, he was famous for reading poetry books and writing articles.
When Wu Tingwei was a prefect in Henan Province, he heard that Jia Yi was excellent in learning, so he called him to the yamen and attached great importance to him. When Emperor Wendi first ascended the throne, he heard that Wu Gong, the prefect of Henan Province, made outstanding achievements, ranking first in the country. Moreover, he is a fellow villager of Reese, who studied under Reese, so he was recruited as Ting Wei.
Wu Tingwei recommended Jia Yi to be young and promising, proficient in the study of a hundred schools of thought. In this way, Emperor Wen of Han recruited Jia Yi and made him a doctor.
At that time, Jia Yi was in her twenties and was the youngest doctor. Every time Emperor Wen ordered the doctors to discuss some questions, the older gentlemen had nothing to say, but Jia Yi could answer them one by one. Everyone felt that they had said everything they wanted to say.
Doctors all think that Jia Sheng is outstanding in talent, and no one can match him. Emperor Wen of Han also liked him very much, and he was promoted to Doctor Tai Zhong in less than a year.
3. Does Li Shangyin have a poetic appreciation and answer to Jia Sheng?
Li shangyin
The propaganda room invited the sages to meet the ministers, and Jia was even more incoherent.
Poor midnight is unprecedented, and Mo Wen people ask ghosts and gods.
Jia Yi's relegation to Changsha has always been a common theme for poets to express their unfortunate feelings. The author found a new way, specially selected Jia Yi to recall from Changsha and announced the plot of day and night confrontation as poetry material. Historical records. Biography of Qu Family: Jia Sheng's view. Emperor Xiaowen was accepted by Li (who just held a sacrifice and was blessed by God) and sat in the propaganda room (the main hall in front of Weiyang Palace). There is a sense of ghosts and gods in the world, so ask the origin of ghosts and gods. Jia Sheng is like a Taoist priest. At midnight, Wendi Deng sat in the front seat (moving her knees close to each other on the dining table). Then he said, "I haven't seen Jia Sheng for a long time. I feel that I have gone too far. I might as well go now."
In the eyes of ordinary feudal literati, this is probably a great event worth bragging about. However, the poet has a unique eye, and he has grasped the matter of "asking ghosts and gods" which is not noticed by people, and turned out a thought-provoking new poem.
"The propaganda room invited the sages to meet the minister, and Jia Geng was incoherent." The front picture is written purely from the front, without derogatory meaning. The first sentence is marked with "seeking" and "visiting" (consulting), which seems to warmly praise Wendy's eagerness and sincerity, sincerity and modesty towards the sage, and the so-called thirst for the sage and open mind. From "looking for sages" to "visiting courtiers", it can be seen that there is no sage to stay in the wild. The second sentence contains the words of Emperor Wen's admiration for Jia Yi. "Talent and style", coupled with the admiration of "more incoherent", makes people see Jia Sheng's juvenile talent and style of speech, which reflects people's mental outlook, and the image sense and emotional appeal of poetry are naturally displayed. These two sentences are praised by "seeking" and "visiting", and they are progressive step by step, which shows that Emperor Wen valued Jia Sheng. If you don't read the following, you will almost think that this is an ode to a sage. In fact, this is the cunning of the author.
The third sentence is the pivot of the whole poem. Cheng, the so-called "sitting at the table at midnight", vividly depicts the scene of Emperor Wen asking for advice and listening with an open mind and "sitting at his knees", making Historical Records a vivid and touching picture full of life. This artistic means of choosing typical details and "giving gifts from small things" is exactly Li Shangyin's unique skill in chanting epic poems. Through this vivid detail rendering, the ladder of "seeking" and "visiting" praise has risen to the highest point; And "turn" start at the same time in this play. However, it does not show its muscles, but uses a sigh pen to turn around-adding the word "poor" before "empty seat before midnight". A pity is a pity. Words like "pathetic" and "deplorable" with a strong sense of * * * only say "pitiful", on the one hand, they are reserved for the last sentence-warning policy; On the other hand, it is also because the seemingly understated "pity" here is more meaningful and intriguing than the nervous "sadness" and "sadness". It seems to leave room for Deng Wendi, but in fact it implies a cold ridicule, which can be described as light and heavy. Those who are "empty" are empty and void. Although it is only a little gentle, it makes readers fundamentally doubt Wendy's attitude of "sitting at the table in the middle of the night", which can be described as effortless. How can such a person who values saints become "empty"? The poet's quotation leaves the reader with suspense, and the poem is also ups and downs, not a thousand miles away. This sentence is handled in a patchwork, refined, natural, harmonious and seamless way.
The last sentence is well-worded, closely followed by "pity" and "emptiness", shooting an arrow in the middle-don't ask the people, ask ghosts and gods. Seriously seeking sages, asking for advice with an open mind, and even "sitting in the front seat at midnight" are not for seeking the way to govern the country and the people, but for asking the true questions of ghosts and gods! What kind of quest is this for saints, and what does it mean to saints? The poet still only talks about it-by comparing "ask" with "don't ask", let the readers draw their own conclusions. The speech is extremely sharp, the irony is extremely spicy, the feelings are extremely profound, but it is extremely restrained. Because the first few sentences are gradually upgraded around "emphasizing morality", the third sentence is bow and horse bend, and the derogatory sentences formed by strong contrast are particularly powerful. This is what is commonly called "heavy lifting and heavy falling". The whole poem contains artistic dialectics in positive and negative, positive and negative, light and heavy, hidden and obvious, inheritance and so on, and its artistic style of new warning, singing and sighing is gradually revealed through this series of successful artistic treatments.
Not because the content is poor and confusing, but because the content is rich and the number of words is not enough. The poem is full of irony, with irony, and its intention is not simple. From an ironic point of view, it seems to be stabbing Emperor Wen, but in fact, the poet's main intention is not here. In the late Tang Dynasty, many emperors worshiped Buddhism and Taoism, taking medicine to seek immortality, regardless of people's livelihood, and being benevolent and not talented. What the poet refers to is obviously the feudal ruler who "didn't ask ordinary people to ask ghosts and gods" at that time. Poetry satirizes the master, but also contains the deep affection of the poet's own talent. The poet yearns for the ambition of "returning to heaven and earth", but suffers from the decline of the world and indulges in the next generation. Every time in his poems, he expressed the feelings of "Jia Sheng is sad when he was young" and "Jia Sheng is also a ghost". Jia Yi in this poem has the poet's own shadow. In a word, the irony of China people actually stung the Tang Emperor, and pity for Jia was also self-pity.
4. Read the following classical Chinese and complete the following exercises: 1:B 2:C 3:( 1) Qu Yuan established (his) moral integrity, established (his) moral integrity, and tried his best to serve his/her monarch with loyalty and wisdom. The villain alienated them. It can be said that (he) is in an awkward position.
(2) Qu Yuan walked to the river and sang along the water with his hair hanging freely. He has a haggard face and a thin figure and appearance. Question 4: Praise for Qu Yuan's incorruptible personality (refusing to go with the flow, preferring to die rather than surrender, and keeping himself noble); Anger at the persecution of Zhongliang by the dark forces; Regret and criticism of the world muddling along and drifting with the flow.
Answer any one of the three emotions to get 2 points, ***4 points. Only words with emotional tone have no specific content, so the focus is only 1.
Question 1:.