Poem of Two Palaces is a five-character quatrain written by Zhang Hu, a poet in the Tang Dynasty. These two poems are mainly about the sadness of imperial secretary. The first poem is about a folk woman who lives in seclusion in the deep palace, which ruined her life in vain and objectively exposed the cruelty of the maid-in-waiting system. The second song points out the words "where to sing a new voice" and "heartbroken", and expresses the grief of the imperial secretary through the new voice. These two poems are sincere, sad and touching, with refined language and exquisite conception.
Five-character rhythmic poetry, referred to as five laws for short, is a kind of rhythmic poetry. Five-character and eight-sentence poems that conform to the standard of metrical poems are five-character metrical poems and belong to the category of modern poems.
Five-character rhyme inherits the basic characteristics of five syllables per sentence, two sentences in a whole article and even number of sentences, and at the same time adds the rules of duality and equality; And these rules are borrowed from parallel prose; Parallel prose came into being from Chu Ci to Han Fu; Therefore, in the final analysis, the five laws are the product of the grafting of the five ancient times.
There are three types of physical metrical poems in Qi and Liang Dynasties: comparison (referring to the metrical form in which all poems are not adhered to each other), adhesion (referring to the metrical form in which all poems are adhered to each other) and mixed rhythm (referring to the metrical form in which all poems are adhered to each other), but comparison is the main one, which is far from perfect modern poetry. Among them, from the middle and late Liang Dynasty to Chen, there are some works by Yin Keng, Yu Xin, Xu Ling and others. It is very close to the regular poems of the Tang Dynasty. Su Yang, Lu Sidao, Xue Daoheng and others in the Sui Dynasty, combined with the gorgeous ci works in the Southern Dynasty and the fresh and vigorous atmosphere in the northern region, created some beautiful and healthy poems, which pointed out the direction for the development of poetry in the transitional period.
Since the early Tang Dynasty, the phenomenon of semi-ancient and semi-rhythmic poetry in the process of legalization of poetry has been improved by the four outstanding poets in the early Tang Dynasty, and their five-character poems have been sharply reduced. At the same time, some modern poems failed to coordinate the rhythm, leaving more traces of the transitional stage. The following article, four friends (Du, Li Qiao, Cui Rong, Su Weidao), Shen Quanqi, Song, etc. The preliminary achievements and practical achievements of the four outstanding poets in bringing order out of chaos since the early Tang Dynasty have shown a trend of further consolidation and promotion. It can be said that at the end of the early Tang Dynasty, the antithetical works of the Five Laws had disappeared, thus completely bidding farewell to the antithetical structure of the Yongming style; The conformist works also showed a sharp decline trend, while the conformist works increased greatly and occupied a dominant position, which showed that the poets in the early Tang Dynasty had found the goal of pursuing temperament and made great achievements: the five laws of conformism were determined. In particular, poets such as Shen Quanqi and Song summed up the achievements of new-style poetry since the Southern Dynasties, fixed a relatively mature form, and finally completed the task of "avoiding sound diseases and accurate sentences" and formally finalized the five laws in their creation. The Complete Tang Poetry contains nearly 200 poems by Song San and over 50 poems by Shen Quanqi in three volumes/kloc-0, most of which are metrical poems. Hu Yinglin in Ming Dynasty said in "Poetry": "Five-character law is a sign from Liang Chen. In the early Tang dynasty, the four sons were ashamed of each other, but sometimes they were clumsy, not as good as in the early Tang dynasty. Longgui, outstanding. "
Five-character rhythmic poetry was formed in the early Tang Dynasty and finally matured in the prosperous Tang Dynasty. Du Fu's works can best represent the achievements of the Five Laws in the prosperous Tang Dynasty. Hu Yinglin's Poem says, "Only the work of the Ministry of Industry is magnificent in weather and large in scale. When they come to mind, they are complicated, unreal and untraceable. There is only one person who needs to pay back through the ages. "The evaluation is extremely high. The Complete Poems of Tang Dynasty contains more than 300 poems by Du Fu 19 1300, of which modern poems account for the vast majority. Among them, there are hundreds of famous five laws such as Spring Watch, Moonlit Night, Delighting in Rain on a Spring Night, Climbing Yueyang Tower, One Night Abroad, Jianghan and Riverside.