Minhang
Xinzhuang
wrought
Sharp; sharp
Question 2: What should we pay attention to when reading ancient poems and articles? 1, you can recite Mandarin. The key is to find out the intonation, and turn the flat tone into short tone. Yiping's intonation words are also long and short. Tone types can also be based on Putonghua, but they must be shorter than the believed level tone and longer than the adjacent words.
2. In addition, we should understand the author's creative background and grasp the poet's emotional context. Some high local tones can be improved and some low words can be reduced, but it is best not to change the tone of the original tone-the so-called word-for-word cavity.
Question 3: What should we pay attention to when reciting prose and ancient prose?
Cui Tangjiu has heard it several times before.
It is the beautiful scenery of Jiangnan.
When the flowers fell, I met you again.
Question 4: What should we pay attention to when reading poetry? Generally speaking, poetry reading needs to highlight the sense of rhythm and charm.
First, the characteristics of poetry
Compared with other literary forms, poetry is characterized by harmonious rhyme and distinct rhythm, forming a certain sense of rhythm and musicality. Mr. Lu Xun once said: "Prose is walking, and poetry is dancing." Therefore, poetry recitation should emphasize harmonious and smooth rhythm and rhythm.
Rhythm and rhythm
Rhythm is the basic condition for poetry to be musical. Especially ancient poems, must rhyme, that is to say, the end of each poem or the last word of every other sentence must fall on the same or similar syllables. If the examinee's pronunciation is good, reading aloud will naturally sound harmonious and beautiful. If the examinee's phonetic foundation is not very good, it is easy to expose this weakness when reading poetry.
What are the functions of phonology in poetry?
First, through a series of rhymes at the end of the poem, all the poems that have made great progress in content form a unified whole. Strengthen the integrity of structure and image from the perspective of phonological coordination.
Secondly, the rhythm of poetry forms a musical artistic language, which can be endowed with emotion when reading and conveyed through sound, so as to achieve the combination of sound and emotion and enhance the expressive force of color.
For example:
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing and a hundred flowers are blooming. Silkworms in spring will weave until they die, and candles will drain the wick every night.
Thirdly, the rhythm of poetry makes the reciter read fluently, which has the characteristics of beauty, fluency and singing.
The rhythm of poetry can be roughly divided into thirteen categories, and the specific categories are very professional, so candidates don't need to master it now, but it should be noted that rhyme feet are rare in poetry and generally appear in children's songs and folk songs.
(2) Another feature of metrical poetry is its strong and lively rhythm.
Guo Moruo once said: "Rhythm is her appearance and her life for poetry." Externally, rhythm is reflected in the strength of pronunciation and the length of language. The strength of pronunciation includes stress and light reading, and the length of language includes fast reading and slow reading. Generally, it is used alternately in the specific recitation process and arranged regularly and roughly neatly, which can form the sense of rhythm of poetry.
China's classical poems have regular rhythm, strong sense of rhythm and strict requirements. Five-character poems should be broken three times and seven-character poems should be broken four times.
For example:
Zhumen-wine and meat-smelly,
There are bones on the road-freezing to death.
Between North Korea, Bai Di and Cai Yun,
Thousands of miles-Jiangling-one day-also.
The two sides of the strait-apes-crows-can't stop,
The canoe has passed-Chung Shan Man.
Because of the irregular verse in the new style poetry, the treatment of broken sentences in the process of recitation is free, which can be long or short. Moreover, when mastering the weight, speed and discontinuity of a poem, we must find a unified rhythm according to the content of the poem, which requires the use of logical reading skills mentioned in the chapter "Preparation for Recitation".
For example, the poem "Yan He is still flowing":
Parting ―― Yanhe ―― Jiuyan River ―― Flowing into the Yellow River ―― Flowing into the Millennium Sea ―― Never ending ―― Love Yanhe all one's life ―― unforgettable ―― How many horses Yanhe sang ―― How many soldiers drank here ―― How many heroes passed away ―― Slaying the enemy's combat knives, touching the water-repellent film Yanhe now flows into the Yellow River.
Poetry has distinct thoughts and rich feelings.
There is a saying in The Book of Songs that "poetry expresses ambition". Poets express their thoughts and feelings through poems. They express these thoughts and feelings in the most exciting and full state. In addition, due to the limitation of space, poetry must express the richest emotion and profound philosophy in the simplest language, so poetry is extremely vivid and intense in expressing meaning, and the thoughts between the lines are full of enthusiasm. This requires readers to be emotional, need to recite the * * * and strong appeal.
The language of poetry is concise, but it is very vivid and has a lot of imagination.
The common expressions in poetry are "Fu, Bi and Xing", and "Fu" means "telling the truth", that is, telling events directly. For example:
Early in the morning, I bid farewell to Jiangling city, which is high into the sky, thousands of miles away, and the boat is only one day away. The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills.
"Bi" means "comparing one thing with another", which is a rhetorical device and the most common rhetorical way in poetry. For example:
The purple mist is illuminated by sunlight, and the waterfall hangs in front of the mountain. On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.
Xing is >>
Question 5: Pay attention to the reading skills of ancient Chinese prose and essays. What dense leaves covered the mountains, paved the roads and paved the huts? The morning light rising in Ran Ran gently shines on the mountain village that only shows the corner of the room. A ray of gold and a ray of brightness. Smoke wafted into the morning light, and white and delicious rice porridge bloomed in Huang Chengcheng, smelling the new year's goods. Leaf flowers come, can spring flowers be far behind? The memory of childhood has long been scented with tea. Like a house full of childhood; Tea is fragrant, and poetry is singing. Looking at the ancient rhyme, the first poem is long, and the world in the poem turns into spring breeze and autumn rain, and the book becomes eternal. Bookmarks made of petals are sandwiched in masterpieces to cherish the memory of flowers and leaves, warm calligraphy and painting, collect the sounds of years and copy the strokes of tree rings; The book fragrance of the hut slowly melted into the thick tea water.
Question 6: What should we pay attention to when reading prose, ancient prose and essays? Of course, pay attention to style.
(A) the true feelings of psychological training
1. The application of logical feeling
The logical relationship of a work mainly refers to the arrangement and conception of the article structure. To grasp the logical relationship of the article, we can start from the following four aspects:
(1) the hierarchical relationship between paragraphs, and see how the article is unfolded.
(2) The relationship between sentence groups, such as juxtaposition, progression and causal turning, mainly starts with function words.
(3) The use of notional words, especially the main verbs.
(4) The use of rhetorical methods.
2. Application of image perception
Images in works refer to tasks, events, landscapes, etc. These vivid images constantly affect our senses. When reading aloud, we need to mobilize these image objects to infect the audience and achieve the purpose of reading aloud.
3. The role of emotional feelings
When reading aloud, we should grasp the emotional clues of the works, determine the emotional tone when reading aloud, and also arouse the feelings of the audience. This unity of "three emotions" is the successful reading.