Seven methods (four basic forms): flat and flat, flat and flat, and the last word is flat and flat, called flat and flat feet;
Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat;
Flat and flat, the last word is awkward, called awkward feet;
Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.
Question 2: Among the "five tones and seven methods", which five tones does "five tones" refer to and which seven methods do "seven methods" refer to? Pentatons: do, re, mi, sol, la, without "fa" and "ti" rising semitones. Of course, the five-tone roll call of ancient China music can't be the same as that of western music, which used "harmony, justice, delay and fairness" in the Tang Dynasty. In ancient times, "public, business, communication, integrity, and Yu" were used.
Correction, it should be five tones and six methods. There are no seven laws.
Six laws
Six laws: Huang Zhong, Lee Tae, Gu Xi, Yan Bin, Yi Ze, don't shoot.
Yang is the law and Yin is the road.
Liulv is a legal system in ancient China, and it is the twelve tones of ancient music. Twelve tones divide musical sounds into six tones and six tones according to the standard of musical sounds. Collectively known as the twelve laws. Starting from the bass, in the twelve scales, six notes are arranged in odd numbers, and even numbers are called Lu.
Six lyrics are twelve tones and six rhythms except odd numbers, and the other six even numbers are adjusted to six lyrics.
12 Zhi Zhu pipe series used in ancient music in China.
Green is a general term for willow green and willow green.
Question 3: The combination of five tones and seven tones In ancient times, this "sound" was roughly equivalent to today's scale. The five tones are the feather of Gong Shang Jiao Qian (pronounced zhǐ) (used by "He, Si, B, Chi and Gong" in the Tang Dynasty), and the changes of Gong and Qian constitute seven tones. Compared with today's chromatic scale, it is: Gong. Taking any one of them as the dominant tone (that is, as the main theme) constitutes a mode, and different modes have different feelings and performance functions, so they can also produce different musical effects. For example, when Jing Ke and his party set off, Jing Ke stabbed the King of Qin, saying that "the lofty ceremony struck the building, Jing Ke chimed, and all the people wept for the sound of change", which was desolate and tragic and suitable for lamentation. Below, there is "return to feather tone generosity", and "feather tone" is feather mode. This model is high and exciting, so after listening to it, "all the philosophers are angry and the fingers are crowned." In ancient times, there were also eight tones, which are the general name of musical instruments, including eight categories, such as gold (bell). ), stones (bells, etc. ), silk (harp and so on. ) and bamboo (pipes, flutes, etc. ). Each category includes several musical instruments, such as "The Story of Shi Zhongshan", "It is loud on the water, and it is forced to converge." "No shooting" means no shooting clock, because this clock conforms to the law of no shooting; Song Zhong is a kind of chime, which is often used for singing accompaniment, so it is called "Song Zhong". Five-tone scale: including palace mode, quotient mode, angle mode, sign mode and feather mode.
(1) Gongdiao: c, d, e, g, a, c;
(2) Business model: D, E, G, A, C, D;
(3) Angle modes: e, g, a, c, d, e;
(4) Expropriation formula: g, a, c, d, e, g;
(5) eclosion patterns: A, C, D, E, G, A; Any note on the staff can be used as the beginning of a major, but except for the scale in C major, other major needs to be added with several semitones. The so-called key signature is composed of a series of semitones rising or falling after clef. Taking the major as an example, the interval relationship is as follows: full, full, half, full, full, full, half. It is appropriate to major in five-degree circle calculation. The following are all major: C key, C, D, E, F, G, A, B and C are not marked as rising or falling.
G, a, b, c, d, e, F#, G 1 liter.
D key d, e, F #, g, a, b, C #, d two sharp marks.
A key has three sharp numbers: a, b, c #, d, e, f #, g # and a.
E-key e, f #, g #, a, b, c #, d #, e four sharp marks.
B key b, c #, d #, e, f #, g #, a #, b five sharp marks.
F# Tone F#, G#, A#, B, C#, D#, E#, F# 6 sharp sounds.
F bond f, g, a, Bb, c, d, e, F 1 standard.
Bb key bb, c, d, EB, f, g, a, bb.
Eb adjusts three flat markers EB, F, G, AB, BB, C, D and EB.
Ab adjusts the four levels of ab, bb, c, db, EB, f, g and ab.
Db tones db, EB, f, GB, ab, bb, c, db, five flat tones.
Gb, AB, BB, CB, DB, EB, F, Gb. Among them, the composition sounds of F# and GB are actually the same and can only be counted as one. So, it's 12 major scale. Correction, it should be five tones and six methods. There are no seven laws.
Ancient books often play five tones or five tones and six tones simultaneously. "Lu Chunqiu? Cha Chuan said: Kui has six laws and five tones. It can be seen that law and sound are two different concepts. Rhyme originally refers to a bamboo tube used for tuning. It is said that the ancients used twelve musical tubes with different lengths to blow out twelve standard sounds with different heights to determine the level of musical sounds, so these twelve standard sounds are also called twelve rhymes. Each of the twelve laws has a fixed pitch and a specific name. Compared with modern western music, it is roughly equivalent to twelve kinds of fixed sounds such as C # CD # Deff # G # GA # AB. The order from low to high is: Huang Zhong (C #), Lu Da (C), Tai Cluster (D #), Zhong Zhong (F #), Lin Zhong ...
Question 4: What is China's theory of music? What are five tones and seven rhymes? staff
The five parallel horizontal lines used to record notes are called staff. The space formed by the five elements of the staff is calculated from the bottom up.
If a piece of music is written on several lines of staff, then these lines of staff should be connected by hyphens.
A hyphen consists of a starting line (a vertical line connecting several lines of staff) and a closing line (brackets connecting several lines of staff).
There are two kinds of closed lines: pattern and straight line.
The flower string is used for piano, organ, accordion, harp, dulcimer, pipa and other musical instruments.
Straight lines are used for ensemble, chorus and band notation. In the score, the same instruments are connected by straight brackets and divided into complete or incomplete instrument groups. Sometimes, in addition to the straight line, an auxiliary line (flower or straight) is added to connect the same instrument.
In the music score, if the solo part only includes one or two lines of staff, only one starting line is drawn on the left, excluding lines.
In order to mark the notes that are too high or too low, many short lines are added above or below the staff. These short lines are called plus lines, the top of the staff is called plus lines, and the bottom is called plus lines.
The room created by adding lines is called an extra room, the room above the staff is called an extra room, and the room below is called an extra room.
The calculation method of additional lines and rooms is: the upper additional lines and rooms are calculated from bottom to top, and the lower additional lines and rooms are calculated from top to bottom.
Omission mark
In order to facilitate and simplify reading and writing spectrum, various ellipsis can be applied:
The moving octave mark is recorded at the top of the staff with 8-o and recorded at the top of the staff, indicating that the sound in the dotted line moves up by eight octaves; Write the staff with 8-o, which means to move down eight degrees.
The repeat octave mark is written above or below the note, and the number is 8, indicating that the note should be repeated one octave higher or one octave lower. If the octave is repeated for a long time, write it at the top of the note with Con 8-o, or write it at the bottom of the note with Con 8-o, that is to say, the note in the dotted line should be repeated by high octave or low octave.
The long pause mark is marked with a long pause on the third line of the staff, which indicates the number of bars to stop.
The vibrato symbol indicates that one tone or a * * *, two tones or two * * * alternate quickly and evenly. Mark with diagonal lines. The number of slashes is the same as the number at the end.
When the sound or * * * alternates quickly and evenly, the slash will be recorded as follows:
For the whole note, the note is above the third line, the diagonal is below the third line, and vice versa. More than the whole note
For small tremors, the diagonal runs through the stem. If the stem has a tail, the diagonal line is parallel to the tail. At this time, the number of diagonal lines should include the number of tails. The total duration of vibrato is equal to the duration of notes.
When two tones or two * * * alternate quickly and evenly, a diagonal line will be recorded between two tones or two * * * near the end of the score. The total duration of vibrato is equal to two tones or one of two * * *.
Repetition markers can be used when the music is partially or completely repeated.
Notes and rests
The symbols used to record the sound progress of different lengths are called notes.
Intermittent symbols used to record sounds of different lengths are called rests.
The basic relationship between sound values is that the ratio of each larger sound value to its nearest smaller sound value is 2: 1. For example:
The whole note is equal to two and a half notes; A total rest is equal to two binary rests, and so on.
Tone sandhi marker
The symbols used to indicate raising or lowering the basic tone level are called pronunciation symbols.
There are five pronunciation symbols:
A semitone sign (#) indicates that the basic volume is raised by a semitone.
The semitone symbol (b) indicates that the basic volume is lowered by a semitone.
The polyphonic symbol (×) indicates that the basic sound level is raised by two semitones (a whole tone).
The sharp drop mark (bb) indicates that the basic volume has been lowered by two semitones (one full tone).
The lowering mark (ヰ) indicates that the raised or lowered sound is lowered.
Phonetic symbols can be recorded on the lines and spaces of the staff; It can be written before the notes and after the clef.
The diacritical mark written after clef is called key signature. Until the new key is changed, it will take effect for all sounds with the same name in the series. If you want to change key signature in the middle of a piece of music, there are three possible situations.
If key signature's replacement occurs at the beginning of a line of music, it should be replaced at the end of the previous line of music.
Key signature should write clearly first, and the last bar line should be moved forward before he can write a new tune of key signature.
Increase the original number of rising or falling symbols. At this time, just ... >>
Question 5: What do five tones mean? Five-tone: Gong Shang Jiao Zheng language
Eight tones: the general name of ancient musical instruments in China, which refers to eight categories: gold, stone, earth, leather, silk, wood and bamboo.
In addition to the pentatonic scale, there are four partials: changing the palace, changing the number and clearing the angle.
The transparent angle is two degrees higher than the angular pitch. The change of the palace is the second degree below the palace tone. The symbol change is two degrees lower than the symbol. Leap is a sophomore under Gong Yin.
Five tones refer to the five tones of palace, business, horn, sign and feather, and the theory of law and calendar; "Palace also, the central quartet, often sing for the diameter of the four tones. Businessman, Zhang Ye, things become clear. The horn touches, and the yang is stupid, and everything touches the ground. Those who levy are wise, and everything is prosperous and rich. Feather, Yu Ye, things gather together to collect Yu Fu. " This is the interpretation of the meaning of five tones, from the perspective of natural biochemistry and from the perspective of auditory perception. It's a thick palace sound. In the long run; The business voice is loud, radical and harmonious in Gaochang; The bugle is harmonious but not violent, moist but not withered, and its voice is fierce and dry. Like the sound of fire; Feather sound is clear, sharp and smooth, and all lines are smooth; The five tones are closely related to the five elements. Yue Wei said, "Confucius said; One word of Qiu Chui's family can be said to be a palace, three words are a fire sign, five words are a water feather, seven words are a golden Japanese businessman, and nine words are a wooden Japanese horn. This is not a Yang number. " The matching relationship between palace as earth, sign as fire, feather as water, business as gold and horn as wood is further clarified. Shen Kuo in the Song Dynasty said: "All of them contain five tones, and twelve tones and sixty tones are also in the tail gas, starting from the east and going to the left. The sound starts from the west to the right, and the root of yin and yang changes. The so-called qi begins in the east. The four seasons began with wood, and the right line spread fire, fire spread soil, soil spread gold, and gold spread water. The so-called sound began in the west, and the five tones began in gold. Today, fire spreads wood, and wood spreads water. In fact, water is spread through soil. The five elements and the qi of the four seasons coexist. The pentatonic just unfolds in the reverse order of the five elements. On the contrary, they complement each other and change intricately. "Li Hai Ji" says that "whatever the living does, there must be something that is angry. What is anger? Gold leaf. Golden light is three-dimensional with five elements, and retrograde light is five elements. Five elements, gold fire, aquatic wood fire, wood fire. Fire is born on the earth, and the solstice in winter lasts for a long time, from winter to spring. Spring and summer, summer and long summer, long summer and autumn. Return to the original and converge. Users who go against the five elements. Gold comes from mines and leather. Fire is useful, and death is useful. But fire does not produce wood, it must follow the wood, and the wood will be proud of the water, and the water will hold the livestock back. Therefore, wood and water, water and soil are five elements, and soil is positioning. " This is an analogy to explain the reasons for the five-tone retrograde.
In fact, the principle of five-tone retrograde means that ancestors are easy to resemble each other, that is, the principle of eight diagrams one after another, which can be explained from the congenital diagram and the acquired diagram.
In the innate eight diagrams, dry exchange is the first gold and the second fire. The second earthquake hit Xunmu, followed by Kanshui. Finally, Genkun belongs to the soil. Why start with gold and end with earth? It means to start from the beginning. Gold takes the strength of the sky, soil takes the softness of the earth, fire attaches to the sky, and water attaches to the earth, rather than focusing on qi, so the five tones and five elements originated from the order of innate gossip.
In the acquired gossip, it is also the first reversal. Because Han Dui's golden age is in the west, it turns to the fire in the south, then to the earthquake wood in the east, then to the water in the north and the soil in the four seasons, so it ends after it is retired, so the five tones and five elements are also in line with the order of gossip the day after tomorrow.
Question 6: What does the Seven Laws mean? Seven laws generally refer to seven-character poems, which is the abbreviation of seven-character poems.
There are eight sentences in each rhyme, and seven words in each sentence are seven-character quatrains.
Question 7: Which seven-character poems are those of the Tang Dynasty? They are the most exquisite and perfect noumenon of China's classical poems. There are more than 9,000 seven laws in the Tang Dynasty. Now I want to recommend them to you. 1 Yellow Crane Tower, Cui Hao, 2 Du Fu, 3 Li Bai, 4 Li Shangyin, 5 Shen Di and 9 Jia * * * for details, please refer to 300 Tang poems.
Question 8: Don't ask yourself and answer yourself. Forget it, yours is incomplete. I'll post it:
Two Great Poems by Biedong (Ⅰ)
Gaoshi
A thousand miles away in Huang Yun,
The north wind blows goose feathers and heavy snow one after another.
Mochow has no bosom friend in the future,
Everyone in the world doesn't know you.
Two Poems by Bie Dongda (Ⅱ)
Six purlins float u secretly pity,
I have been away from Luo Jing for more than ten years.
A poor husband is not enough,
Do not drink when we meet today.
[Notes]
1. Dong Da: Dong, a famous pianist in the Xuanzong period of the Tang Dynasty. Ranked first among brothers, so it is called "Dong Da".
2. Wei: dim.
Jun: It means Dongda University.
[Brief analysis]
This is a farewell poem to the famous pianist Dong. During the prosperous Tang Dynasty, Hu music was popular, and few people could enjoy such ancient music as the lyre. Cui Jue has a poem: "Seven strings are cold and five tones, and this skill of knowing friends has been difficult since ancient times. Only Fang Zilu (Prime Minister of the Tang Dynasty) in Henan Province has always pitied Dong Lanting. " At this time, Gao Shi was also very frustrated, often wandering around and in a bad situation. However, in this farewell poem, his cheerful attitude and heroic style make his farewell speech passionate and inspiring.
The first two sentences, "Thousands of miles away in Huang Yun, the white sky is shining, and the north wind is blowing goose feathers and snow one after another", describe the scene at that time in simple terms: the north wind roared, the yellow sand and Li Qian covered the sky, the clouds everywhere seemed to turn yellow, and the bright sunshine was indifferent at the moment, just like the afterglow of the sunset. It was snowing heavily, and the geese flew south neatly. In this bleak and magnificent environment, the poet bid farewell to the musician who was stunted but unappreciated.
The last two sentences, "Mochow has a vast road ahead, and everyone in the world doesn't know you", are comforting friends: you won't worry about meeting your bosom friends when you visit here. Everyone in the world doesn't know you, Dong! How loud and powerful the words are, full of confidence and strength in comfort, inspiring friends to struggle and struggle.
In the farewell poems of the Tang Dynasty, those sad and touching works are certainly touching, but another kind of generous and sad poem from the heart, with its sincere friendship and firm belief, painted another heroic and bodybuilding color for the willow color of Baqiao Bridge and the wind and rain of Weicheng City. Gao Shi's Don't Move Big is a masterpiece of the latter style.
As for Dongda University, all the annotations think that he may be a famous pianist in the Xuanzong period of the Tang Dynasty, and he is a "but how can fame and fortune be a genius?" Musician. When Gao Shi wrote this poem, it should be in the period of unsatisfied idleness. His "Biedongda University" reads: "Six purlins fell in pity, and one stayed in Luo Jing for more than ten years. My husband's poverty should not be enough. I have no money to buy wine today. " It can be seen that he was still in a "poor" situation of "no money to drink". This kind of early farewell work that is dissatisfied with the valve can't help but "borrow someone else's cup and pour your own foundation." But the poet hopes to give people a feeling of self-confidence and strength in comfort.
In the first two sentences, write the current scenery directly and draw it with pure lines. With its inner truth, write the mood of parting, so it can be profound; Only with a broad mind can we tell the scenery in front of us and be solemn and stirring. "Yi", that is, refers to the dim scenery at sunset.
Huang Yun in the sunset, the vast wilderness, only the northern winter has this kind of scene. This kind of situation, if carved a little, will inevitably hurt the spirit. Height suits this. It's dusk and it's snowing heavily. In the north wind blowing wildly, only geese and Leng Yun appeared in the distance, which made it hard to stop the feeling of cold and wandering. Being reduced to this level by talent makes people cry, and that's the only way. Friends can't be content with the status quo. The first two sentences, by telling the scenery, can see the inner stagnation. Although it has nothing to do with people, it has made people feel like they are in the snow, as if there are strong men whistling on the top of the mountain. If you don't do your best here, you can't see the wonderful turning point below, and you can't see the smoothness, good intentions, deep friendship and other meaning's sadness in the following words. The last two sentences are full of confidence and strength in comfort. Because he is a bosom friend, he speaks simply and generously. Because of its decline, it takes hope as comfort.
The reason why this poem is outstanding is that Gao Shi "has a lot of chest words and strong spirit" (Yin [He Ling Ji]) and "exalts himself with temperament" (Chronicle of Tang Poetry), so it can add color to people who yearn for it and wipe tears for wanderers! If it weren't for the poet's inner depression, how could he make his parting words so considerate and firm? How can we make this unpretentious language cast such beautiful, mellow and moving poems! ...& gt& gt