Wang Yin, whose real name is Dong Chu, is also called Jiangnan Savage and Baiyun Yi Shi. University teacher, folk strength school, author of poetry and calligraphy, professional art calligrapher, true Taoist master, cursive master, male, Han nationality, native of Langya, Shandong Province, 1953 was born in Chun Hu, Yongxiu County, Jiangxi Province, a scholarly family with four generations under one roof. Young children are deeply influenced by good education and traditional literati family style, but little father knows how to obey his mother's orders. My family is poor, my life is bumpy and weather-beaten.
I am cheerful, good at making friends, modest and generous, fond of others, romantic and optimistic, tenacious, upright in life, rigorous in style, superior to literature, history and philosophy, and obsessed with poetry, painting and calligraphy. Although I have been in adversity for a long time and the conditions are simple, I have been studying Sanyi for decades. I still do.
Because family life was very difficult in the early years, I was forced by the political situation during the Cultural Revolution, dropped out of high school, my family suffered bad luck, and my parents divorced. However, under the guidance of my father, I taught myself Chinese as a major, taking the self-taught exam 1985- 1990, and obtained a bachelor's degree from the Chinese University. I participated in the "four clean-ups" of the fourth socialist education movement. * * * Engaged in agricultural production for 30 years. He has served as a primary and secondary school teacher, head of political propaganda of Tolin Power Station Construction Company, and accountant of rural production team. Standing Committee member and editor-in-chief of the compilation committee of Wang family history (genealogy) in four provinces and eight counties of China.
1998 Since September, * * has been teaching in Nanchang, the provincial capital, and has been employed by Jiangxi Daewoo College, Jiangxi Institute of Culture and Arts, Jiangxi Institute of Fashion Technology, Jiangxi Film and Television College, Jiangxi Translation Institute, Nanchang Institute of Economics and Management, and Jiangxi Modern College as teachers and class teachers. His teaching majors are: college Chinese, current affairs, philosophy, politics and economics, legal basis, practical writing, Deng Lun and aesthetics. He was awarded the China Calligraphy Art Instructor and was the director of China Calligraphy Art Research Center of Jiangxi Daewoo University. Jiangsu Huaihai Calligraphy Art Instructor (salary and status). During his teaching, he also served as a senior teacher in Nanchang, Zeyou, Yinsanjiao, Ling Bao, Qiushi, Ganzhong, Xueda, Yasen and Wen Xiang. Summarize teaching experience in practical teaching and write a book "Outline of Chinese Teaching Method for Junior and Senior High Schools".
I studied calligraphy at the age of five and entered calligraphy at the age of sixteen. At the age of seven, I began to recite poems, paying attention to rhythm and style. Under the strict guidance of the family, Shi Feng gradually became individual and emotional. Bo Qi Li and Du Fu are good at noble and rare, and like calligraphy. Their poems are full of vitality. Painting teachers, Zheng, Wen Zhong, Han, Liu. At the age of 65,438+04, he used ancient prose to study hundreds of Chinese studies, such as Xianwen and Studying in Four Books and Five Classics, and stood on the standpoint of world ethics. In his 30 s, he specialized in poetry books, dabbled in a large number of excellent poems of ancient and modern Chinese and foreign celebrities, and absorbed cultural and artistic nutrients. A wide range of people are good at one thing, and all rivers melt into one furnace. Traveling in every spare time is often listed in the class of wise men and women, and they have a special liking for all kinds of customs. Embrace the wild in the wind, stay in the south sky, look up at the vastness of the universe, lean on the cold of the year, overlook the prosperity of the category, Mu Zong's Changfeng, but don't envy the rope collapse. Take tile as the stove, do not ask for promotion, accumulate bit by bit, and seek truth from facts. It is a masterpiece of hundreds of philosophers and Confucianism, not limited to ancient laws. Articles are naturally self-contained, and calligraphy and painting highlight personality and ideas, which is different from others.
Rich in literary talent, free from extravagance, rich in experience and heavy in quality, from Wen Ya. Seeing his way of teaching a hundred schools of thought and his chapter of teaching a hundred schools of thought can make progress in time and make readers deaf. Lead the way for the later Kun. The moon is when the tree is high in autumn! Therefore, Yu Chongru did not learn how to take the imperial examination, but he was cautious in words and deeds, modest in reasoning, firm in examination and approval, and attached importance to his parents. Coping with the instrument of advance and retreat, casting people's ears. He also declared that there was nothing indecent and nothing worth learning. This road is inseparable for a moment, and we need to know everything. If you live high in a temple, you will worry about your people; If you stay away from the Jianghu, you will worry about your husband. Write it in your heart every time and sing it out to declare your depression. Therefore, it is natural to cry when you are sad and laugh when you are happy. For decades, poems, books, paintings, couplets and essays have all been combined with works, which are clear, heroic, relaxed, gloomy and pale.
30 years old, five poems, magnificent, bold and broad-minded, natural feelings, magnificent momentum. Every time you recite, the language is fresh and the images and scenes blend. At that time, people said: "Yin's poems are magnificent, both poetic and pictorial, affectionate and meaningful."
There is no doubt that in that year, I created my own book, operating it as an independent portal and making market preferences. Comments: "Yin Shu, stippling both rigidity and softness, layout of Fiona Fang, lofty artistic conception, firm and heroic spirit."
I am over 50 this year. Besides teaching, I also devote myself to the artistic creation of prose, poetry, couplets, calligraphy and painting. Now I have a collection of works (including published works):
One: Jiangnan savage poetry collection; Second, a collection of poems, paintings and calligraphy of Jiangnan savage; Three: Jiangnan savage folk couplets; Four: Wang Yin hard pen painting and calligraphy collection; Five: one copy of Jiangnan savage regular script and running script copybook; Six: Volume II of Ci Collection; Seven: Twelve volumes of Wang Dongchu's metrical poems; Eight: Four volumes of ancient poems. Various types of fu, prophecy, preface, music, notes and vernacular prose.
Theoretical monographs: Introduction to China's Calligraphy Art, Eight Faces of Calligraphy, Two Volumes of Books, Two Volumes of Poetry, Comments on Landscape Painting Art, Experiences in College Chinese Teaching, Many Papers on Chinese Studies, and Comments on Wang Yin, a Savage in the South of the Yangtze River.
Some of my early works were published in China and won many awards. His pen was compiled into a calligraphy dictionary and distributed all over the country. It has been absorbed by the Central Plains Calligraphy Research Association and the hard pen calligraphers in Huaichuan, China.
Hope to adopt