On the Usage of Function Words in Li Sao

An overview of the usage of "I":

1, a conjunction, is equivalent to "er", indicating the relationship of juxtaposition, inheritance and turning between two words or phrases before and after. For example:

(1), take a long breath to hide your tears (accept)

(2) Although I am good at trimming hair, I am bound by it (cause and effect)

③ Gan Ning died in exile (commitment)

(4) Go back to my car and go back to xi (accept)

⑤. Go if you can't get in (turning point)

2. Prepositions:

(1) and "because, because" indicate reasons or reasons.

I feel sorry for Yu.

Li Sao is a literary work created by Qu Yuan, a poet in the Warring States Period. Li Sao was interpreted by Wang Yi in the Eastern Han Dynasty as: "Leave, don't leave; Sao, hey. " Li Sao takes the conflict between ideal and reality as the main line, the contrast between flowers, birds, fish and insects and the fantasy and psychedelic "looking for women" as the symbol, and the emotional agitation and endless fantasy in autobiographical memories alternately unfold the whole poem. The work expresses concern about the fate of Chu and people's life, "lamenting the hardships of people's life" and lamenting the power of traitors. Advocate "cultivating talents and empowering" and "following the rope without being quiet". Put forward that "God is selfless" and criticize the theory of destiny. A large number of metaphors and rich imaginations in the works show the positive romantic spirit, and create the "Sao" poetic form in China literature, which has a far-reaching impact on later generations. There are annotations such as Wang Yi's Songs of Chu in the Eastern Han Dynasty, Zhu's Notes on Songs of Chu in the Southern Song Dynasty, and Dai Zhen's Notes on Qu Yuan in the Qing Dynasty.