1, what is the layout:
? Arrange the materials you have reasonably in the process of transition, and use the most reasonable method in every link of transition to organically integrate the transition, that is, layout, that is, planning.
2. Several forms of layout planning.
(1) Transfer method:
Let's look at a poem first:
The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand. = = Up
The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably. = = Bear
Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. = = Turn
After all the hardships and hatred, the white hair is full, and the wine glasses are damaged. = = together
This poem is familiar to everyone.
When we look at the beginning of the poem, we write about what we saw when we climbed the mountain, not the scenery;
The feeling of turning around and writing together when climbing is lyrical.
The first link focuses on depicting the specific scenery in front of us; Heaven, apes, Zhu, sand, birds
Parallel couplets focus on rendering the breath of autumn;
Neck band, expressing feelings, writing from wandering to sick and disabled;
At the end of the couplet, I wrote more and more white hair, and I gave up drinking because of illness, which set off that difficult time.
The eight sentences in the poem are all antithetical sentences and rhyming sentences.
This poem takes couplets as the connecting unit.
The seven laws and five laws generally take two sentences as a unit, starting with 1, and combining two sentences, 3, 4, 5, 6 turns, 7 and 8.
This is the basic form. This is the most familiar and recognized form for all of us, but it is not the case! ! !
So today we will focus on the following special pages.
(2), inheritance transfer method
? In a metrical poem, the first couplet is the beginning and the couplet is the inheritance. The cervical joint is the successor. Pay attention to these four words. Tailing is conversion, and it is "inheriting the law of conversion".
The so-called "following" means that the neckline and couplet are linked together and continue to play. In this way, the function of turning combination is often placed at the tail.
Then we should speak with example poems.
For example, Bai Juyi gave ancient grass to bid farewell.
The endless grass on the plain = starts the problem.
As each season comes and goes. = cause download link
Wildfire never completely consumed them.
They have grown taller in the spring breeze. = bear "honor"
Sweet, they press on the high road, = continue to write "grass", focusing on "Guyuan".
Reach the crumbling gate. Continue to write "grass", which leads to the meaning of "parting".
Oh, my friend's prince, you left again.
I heard them sigh behind you. Make a lyrical conclusion, echo from beginning to end, close the whole article and point out the topic.
Let me see: the first sentence of the poem "the vast grass crosses the plain" is closely related to the topic, that is, the word "ancient grass"
The second sentence, "Come and go with the seasons", in turn leads to the law that native weeds wither in autumn and flourish in spring, and the years are endless.
Three or four sentences: "Wildfire has never devoured them, and they are tall again in the spring breeze." Write "withered" and "brilliant".
It is the play of the meaning of the word "withered and glorious". No matter how ruthless the fire is, as long as the spring breeze blows, green weeds are everywhere, vividly demonstrating the tenacious vitality of weeds.
Five or six sentences "incense them on the old high road, reaching the crumbling city gate" describe the spread of spring grass with "invasion" and "company".
So, in five or six sentences, it is to continue to write grass, not to turn, right?
The seventh and eighth sentences "My friend's prince, you left again, and I heard them sigh behind you" point out the original intention of farewell.
The metaphor of endless lush spring grass is filled with vilen's feelings of farewell, with a blend of scenes and endless charm.
So this song we say, my friend's prince, you're gone again. I heard them sigh behind you. Make a lyrical conclusion, echo from beginning to end, close the whole article and point out the topic.
(3) From exhibition to law.
? In a metrical poem, the first sentence is from, the second sentence is from, and the middle four sentences are from and from.
Pay attention to the expansion of the middle four sentences, narration, turning of the seventh sentence and combination of the eighth sentence, which is the so-called "inheritance and development turning law".
This breaks the format convention of taking one couplet as the unit.
The characteristic of this layout is that the middle four sentences describe four kinds of scenery side by side, and the description method is obvious.
Formally, it seems that a quatrain is divided into two halves, with four sentences in the middle, and each sentence writes a scene.
Then continue to speak with examples.
For example, Wang Wei's Crossing Ji Xiang Temple.
I don't know the way to Duixiang Temple.
I wandered under the mountain clouds for miles. I don't know the first sentence.
Crossing the ancient forest without human trace, = exhibition writing "wood", vision.
But now I hear the bell on high. Write "bell", listen, and then "I don't know"
A stream is singing on the winding rocks.
The pine eases the sunshine. = Develop "Day" and visualize it.
At dusk, it is close to an empty pool, = turning to Buddha, and Zen is "empty".
Thought can conquer passion-dragon. Summarize the theme, meditate and suppress secular desires.
Let's keep watching.
The first sentence, "I don't know the way to Duixiang Temple", directly cuts into the topic of the poem, and the poet visits Ji Xiang Temple in the deep mountains and forests on foot. "I don't know" means that I only know the general orientation of Ji Xiang Temple, but I don't know its specific location.
The second sentence, "I once wandered under the mountain for miles-clouds", describes that the Ji Xiang Temple is high and deep, and it is hard to find: only a few miles away, the mountains are stacked, the clouds cover the fog, and the temple is still far away!
Between the lines, we can see the poet's lost mood and the seclusion of Ji Xiang Temple.
Three or four sentences describe the scenery that the poet saw: ancient trees and bells echoed in the hollow valley of the deep mountain, which made the originally silent mountain forest cast a layer of confusion and more tranquility.
The word "where" corresponds to the word "no one" in the previous sentence, which implicitly inherits the word "I don't know" in the first sentence.
On the surface, the five or six sentences still want to show the coldness of the environment, but the technique is very different from the previous two sentences. The poet highlights the sound of spring and the color of the sun in his ears with inverted sentences, which is vivid and picturesque.
Seven or eight sentences turn to the ancient temple, but they still don't write about the scenery inside the temple, but write about the empty pool outside the temple and the deep twists and turns in Chi Pan, so as to suppress secular desires through meditation. Praise boundless dharma and yearn for boundless dharma. Therefore, the conclusion that "thought can conquer passion-dragon" is logical and deepens the theme of the poem.
Read a poem? Let's review this sentence again. In a metrical poem, the first sentence starts from the beginning, the second sentence from the beginning, the middle four sentences from the beginning to the end, the seventh sentence from the beginning to the end, and the eighth sentence from the end to the end, which belongs to the method of "connecting the preceding with the following".
(4), azimuth linear descent method
? Since the beginning of the second sentence, the first sentence in the metrical poem has not changed, or it has a slight meaning of "combination", that is, it belongs to "connecting the preceding with the following"
There is a particularly familiar example poem in this page for everyone to see.
Du Fu's "The banks of the Yellow River were recovered by the imperial army"
The news of this distant western station! The north has been recovered! At first, I couldn't stop crying on my coat.
Where are my wife and son? There is not a trace of sadness on their faces. However, I packed my books and poems crazily.
On a green spring day, I began to go home, singing my songs loudly and drinking my wine.
Come back from this mountain, pass another mountain, go up from the south and then go north-to my own town! .
The news of this distant western station! The north has been recovered! Rise: When a word is mentioned, it is like thunder in spring.
At first, I couldn't stop crying on my coat. = Cheng: Sticking to the "sudden biography", I am extremely happy and sad.
Where are my wife and son? There is not a trace of sadness on their faces. Turn: Turn to the bear and the bear comes down.
Pay attention to turn the bear, bear down.
However, I packed my books and poems crazily. = Bearing: Two actions in succession.
And sing my songs high and drink my wine deeply. = Bear: Carry forward and write further.
In the green spring, I began to go home. = bear: bear it down and write down.
Come back from this mountain and cross another mountain. = Bear: Carry forward and write further.
Come from the south, then go north-to my own town! . Commitment: Carry forward and write further.
This poem is full of enthusiasm, not a way to connect the preceding with the following.
Except for the first narrative topic, all the other sentences are about love.
Express surprise after suddenly hearing the news of victory.
Wan Hu springs, gushing from the chest, straight down.
The beauty of spirit lies in vividness, and the beauty of words lies in reflection.
The third and fourth transfers. Neck couplet carries out "ecstasy" and tail couplet carries out "homecoming", which is also specifically written as "ecstasy". The whole poem is from the first sentence to the last sentence, one breath at a time.
Since the beginning of the second sentence, the first sentence in the metrical poem has not changed, or it has a slight meaning of "combination", that is, it belongs to "connecting the preceding with the following"