What is the leading role of longing for seclusion and tranquility and deliberately imitating Tao Yuanming's impulse and dullness in poetry creation?

Wei, a poet in the middle Tang Dynasty, mainly yearned for quietness in his poetry creation, deliberately imitating Tao Yuanming's impetuousness and dullness. According to the inquiry of relevant materials, some works of Wei, a poet in the middle Tang Dynasty, are full of high-spirited and cheerful life spirit, and obviously have the vigorous and beautiful aftertaste of the prosperous Tang Dynasty. Most of Wei's poems were written after he was forced to resign as a county official in Luoyang because of impartial law enforcement, especially during the ten years since he resumed his post as an official of Jingzhao Prefecture in Dali Prefecture until he stopped his post as a secretariat in Chuzhou. In his later works, the noble spirit of generosity for the country disappeared, and it was replaced by helplessness and indifference to see through the world. The prosperous time that makes people want to stay is gone forever. Everything is like a dream. The poet has been disappointed in politics, and his feelings have retreated to the world of personal life, enjoying the beautiful scenery of mountains and rivers and seeking comfort from it. Therefore, longing for seclusion and tranquility and deliberately imitating Tao Yuanming's impetuousness and dullness have become the dominant tendency of Wei's poetry creation. The air looks ancient, elegant and carefree, and it is a family of its own.