Not only remember the Chinese texts I have learned,
Every time I walk in the rainy season, I always wonder if I will meet a girl like Lilac.
A puddle with accumulated water after rain can also be described in different ways like accumulated water.
The following are two original poems and appreciation ↓
Rain Alley
Dai wangshu
Holding an oil-paper umbrella, wandering alone in the endless,
Long and lonely rain lane,
I hope to meet a lilac.
A girl with a grudge.
She has the color of lilacs,
Lilac-like fragrance,
Sad as cloves,
Mourning in the rain,
Sadness and hesitation;
She lingers in this lonely rain lane,
Hold an oil-paper umbrella
Like me,
Silently, like me,
Cold, sad, melancholy.
She approached quietly,
And relieved,
She drifted like a dream,
Sad and confused like a dream.
Like lilacs floating in a dream,
I passed this girl by;
She went away silently, far away,
A crumbling fence,
Walk through this rainy path.
In the lamentation of the rain,
Remove her color,
Her fragrance dissipated,
Even her sighing eyes,
Lilac is melancholy.
Holding an oil-paper umbrella,
Wandering alone for a long time,
Long and lonely rain lane,
I hope to float over.
Like cloves.
A girl with a grudge.
Poetry appreciation
Dai Wangshu's poems are full of graceful and graceful poetic style in China's classical poems, but influenced by the French symbolism poetry school, so his early poems generally show a kind of loneliness, melancholy and depression.
This poem is both true and empty, hazy and trance. "I" seems to be full of worries and infinite worries, but I don't want to make it clear or say it. "I" seems to be looking forward to something and pursuing something, but the goal of looking forward to and pursuing seems so distant and slim. "She" appeared, maybe it was an illusion, or it could be true, but "she" appeared so quickly and passed away so quickly, flashed by and disappeared in front of her eyes, "as sad and confused as a dream". "I" only feel sorry for myself and feel sorry for myself. The "girl" in the poem can be regarded as a real reference, a beautiful, noble and melancholy girl that the poet has been waiting for for a long time. But we can also regard this "girl" as a hazy ideal and pursuit in the poet's heart, which represents the poet's hazy vision for the future when his life is depressed.
Wen Yiduo of stagnant water
This is a backwater of despair,
The breeze can't blow the slightest (yι).
Why don't you throw more rubbish,
Throw out your leftovers.
Maybe copper will turn green into jade,
A few rusty peach petals on the tin can;
Let greasy weave a layer of Luo Qi,
Mold steamed some clouds for him.
Let the stagnant water ferment into a ditch of green wine,
Filled with pearly foam;
Little Pearl smiled and became a big one.
I was bitten by a flower mosquito who stole wine again.
A desperate backwater ditch,
And a little image.
If frogs can't stand loneliness,
Dead water again. It is singing.
This is a backwater of despair,
This is definitely not the beauty,
Why don't we leave it to ugliness to cultivate,
See what kind of world it has created.
works appreciation
Dead water, written in 1925, is a war song full of curses and uncompromising to the dark society.
The poet came back from America with ardent love and sincere hope for his motherland, but the dark social reality made him sad and disappointed. The intense emotion was solidified by the cold social reality, and the image of "stagnant water" in the poet's mind was constructed. Dead Water is a true portrayal of that society: green, lifeless and hopeless. Through this ditch, "stagnant water" gushed out the anger and pain generated by the poet. The positive significance of poetry lies in that the curse on the old society is not only the catharsis of subjective feelings, but also the harsh exposure and criticism. Poems such as "throw more garbage and throw out your leftovers" and "stagnant water is fermented into a ditch of green wine" are exactly what poets use to reproduce the disgusting social essence, so-called "to the point"!
The brushwork of stagnant water is spicy and delicate.
First of all, irony is often used, that is, beautiful and bright words are used to express the poet's extreme hatred, such as "turning green into jade", "rusting a few peaches" and "steaming a few clouds". The poet outlined the dark social reality in his own unique way and expressed his attitude of never cracking.
Secondly, as an advocate of metrical new poetry, the poet strives to practice metrical new poetry. The whole poem, * * * consists of five sections, with four sentences in each section and nine words in each sentence. It rhymes alternately and has a rhyme in each section. It is neat, catchy and full of charm.
It is the poet's ingenuity to write ugliness with vivid language and rigorous and harmonious rhythm, and then to enhance the criticism and denial of reality with carefully written ugliness.
Article reference link: Sogou Encyclopedia
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