In autumn (Tang Dynasty), Li Bai had white hair and three thousands of feet, and his sorrow was like a beard. I don't know where autumn frost is in the mirror.
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A brief explanation of a sentence
1, Qiupu: southwest of Guichi District, Chizhou City, Anhui Province. The Tang Dynasty was a famous copper and silver producing area. 2. Fate: Because. 3, autumn frost: autumn frost, used here to describe white hair. Like a: this.
translate
The white hair on my head grows to three thousands of feet! Just because I've been sad for too long. Facing the bright mirror, my hair is as white as autumn frost. I really don't know where this kind of eyes come from!
Appreciation of editing this poem
analyse
This poem expresses the poet's difficulty in displaying his talents with romantic exaggeration. The first sentence "three thousands of feet with white hair" is a wonderful exaggeration, which seems unreasonable. A person can't have seven feet tall and three thousand feet long hair. I didn't understand until I read the next sentence, "Fate is like a long sorrow", because sorrow is like this. "Fate", because; "Long", so long. White hair is born of sadness and grows because of sadness. This 3000-foot white hair is a symbol of inner sadness. The tangible white hair in the poem is replaced by intangible sadness, so these three thousands of feet white hairs are naturally understood as artistic exaggeration. The last two sentences "I don't know where to get autumn frost in the mirror" mean: I look at the clear bronze mirror and see my rustling white hair, but I don't know how my hair has become so white. By asking myself questions, I further strengthened the characterization of the word "sorrow" and expressed the poet's difficult dilemma. "Autumn frost" refers to white hair, which has a sad and haggard emotional color. This poem was written in the last years of Tianbao in Li Longji, Xuanzong of Tang Dynasty. At that time, the Tang Dynasty was politically corrupt and the poet was deeply worried about the whole situation. At this time, Li Bai was over 50 years old, and his ideal could not be realized, but he was suppressed and excluded. Why not let the poet worry about his white hair and dye his temples with autumn cream? Brief analysis of version 2
Cultural value
"I remember riding a bamboo horse in the past, and now it is a Chinese Pulsatilla." Many people have this experience: I still remember what happened when I was a child. How did I get white hair? No wonder many poets lament that youth is fleeting, time is hard to stay, and life is like a dream. But Li Bai is different from others. As soon as he arrived, he made a noise: White hair and three thousands of feet! Suddenly a silver-haired image is pushed in front of you, and the white silver thread has gradually drifted away and disappeared into infinity! When this shocking scene faded out, he poured out his inner sadness to you and pointed out that white hair was caused by sadness, which shows how deep the sadness is! White and cold autumn frost is used to describe the white hair that symbolizes old age, indicating that the process of getting old is cold.
Reality, and for the warning that "old age is coming", I still feel suddenly and at a loss, and I can't help but sigh sincerely! Most people are afraid of being old, but what they are most afraid of is death after being old. Most people are afraid of "death" because they don't know the essence of "death" and are misled by the anti-scientific "explanation" of atheists in the cloak of "science". However, there are indeed many people who are not afraid of death. They understand the true meaning of "death", and many of them can also predict the date of death and really "feel death". After reading this poem, if you have the feeling of "patting your head", you will seriously think about the important issues of "life" and "death", and even explore the wonderful lives of those who "feel like death", and you will fully reflect the immortal value of this masterpiece.
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Li Bai (AD 70 1-762), a famous Taibai, was the most famous poet in the prosperous Tang Dynasty and one of the greatest poets in the history of China. His poems are bold and elegant, unconventional, rich in imagination, natural circulation, beautiful in rhyme and varied in form.
This passage edits seventeen autumn songs.
Original poem
Age: Tang Author: Li Bai Autumn is like autumn, depression makes people sad. The guests are too worried to go to the East Building. Looking to the west of Chang 'an, you can see the river flowing below. Send a message to this river and you will remember it. Send a drop of tears from afar to reach Yangzhou for me. Secondly, Qiupu apes are worried at night, and Huangshan Mountain is as white as a bald head. Qingxi is not a long stream, but a heartbroken stream. You can't go if you want to. When to return to Japan, rain and tears are lonely. Third, Qiu Pujin ostrich is rare in the world. Pheasants are too shy to wear sweaters. Fourth, the temple has entered Qiupu, and once it whispers, it has declined. Apes have white hair, both long and short. Fifth, there are many white apes in Qiupu, flying like snow. Pull the bar and drink the moon in the water The sixth worry is to be a Qiupu guest and see Qiupu flowers. Mountains and rivers are like counties and winds are like Changsha. The seventh drunk mountain stallion, cold songs rather than gas cattle. Empty singing white stone rotten, tears full of mink hair. Among them, Qiupu Qian Shan is full of water, and Shuiche Mountain is the most peculiar. The sky is falling and the water is brushing the parasitic branches. Its nine rivers are a stone, and the sky sweeps the screen. Poetry remains forever, and green words are full of moss. Tenth, heather trees in Qian Qian, ten thousand privet trees. Egrets in the mountains, white apes in the streams. Don't go to Qiupu, the ape will break the guest's heart. The eleventh logic is that people cross the bird path and Jiang Zu makes a fish beam. The water is in a hurry, and the flowers are fragrant. The twelfth water is like a horse, and this place is flat. Kang can take advantage of the bright moon to see flowers on the wine boat. Its March is pure and plain, and egrets fly in the middle of the month. Lang listened to the girl picking ling and returned with a nocturne. Fourteen fires shine on heaven and earth, and red stars are purple. The cloud (n m 4 n) is bright and moonlit, and the song moves the cold Sichuan.
analyse
The 14th Song of Autumn Pu has a very special theme, which is about smelting workers who are engaged in intense labor. This kind of image is unique not only in Li Bai's poems, but also in the whole China poetry art treasure house, and its importance is self-evident. "Fire shines on the heavens and the earth, and red stars are everywhere." At the beginning of the poem, people saw the scene of intense labor. The first sentence is a panoramic view, which is full of flames and reflects the whole world. At night, the scenery in the distance is spectacular. The second sentence is a close-up view. You can see thick purple smoke spewing out of the furnace, and sometimes scarlet Mars jumps out of the furnace happily. The whole picture presents a strong tone and a strong sense of movement, which gives people a visual impact. Through this unusual scene description, we can clearly feel the excitement, joy and multiple emotional experiences mixed with novelty and admiration brought by the poet's visit to this fiery labor site. The next two sentences, "Lang Lang Moon Night, winding and cold Sichuan", are the author's positive descriptions of the smelting workers who are working hard. Yun Lang's original intention was blushing, and Li Bai creatively developed it, generating a brand-new poetic word "Lang Lang" to express his sincere admiration for the hard-working working people in front of him. The workers' faces were scorched by the fire. They were all fresh and flushed, and heavy physical labor did not crush them. On the contrary, in this hard and creative work, they felt a kind of heroism and excitement from the heart. As a result, they can work hard and sing songs with high spirits. The high-pitched labor chant resounds through the night sky one after another, weaving into a rough hymn of labor creating everything, and even the optimism, unity and mutual assistance of the workers have given the already sensitive poet a strong inner shock. If the first three sentences of the poem mainly express the visual impact on the poet's heart through pictures, then at the end of the poem, the auditory shock felt by the poet at that time is reproduced through sound effects, and even Cold Sichuan can't help it, let alone Li Bai, who is naturally romantic and affectionate. At this moment, he has completely forgotten his white hair, and once again felt the value of life and the sublimity of labor, so his heart can no longer be suppressed, and his inspiration broke out again. So with a stroke of his pen, he created a magnificent panorama of Autumn Night Smelting, which concisely and incisively expressed the author's sincere praise and admiration for creative labor and simple workers. For thousands of years, it seems that we can all understand Li Bai's feeling of wanting to stop and not spitting. If we can broaden our horizons a little and observe and think from Li Bai's whole creative background and personal situation at that time, we will find that although in his own life, Li Bai feels as if he has reached a dead end and can't see the way out and the light, so that he, like ordinary literati, can't hear the ape singing in autumn, but once he comes into contact with the fiery life and the generation of passion, it is even physical labor that has nothing to do with his usual life. Therefore, he can quickly forget his misfortunes and setbacks, hold his head high, enthusiastically eulogize life and praise labor, and all the beautiful things in the world will have a positive effect on him, so that he can re-germinate his creative inspiration. So he can walk out of the predicament again and again and rediscover the omnipresent truth, goodness and beauty in life. For example, he will soon be able to reproduce the life feelings of Qiupu people in his poems with a very appreciative eye. "In autumn, Putian will abandon Weng and collect fish and leave water." His wife Zhang tied a deep bamboo knot. "This is the sixteenth song of Autumn Pu Song. The fisherman fished day and night, and his wife didn't want to be idle. A net is set deep in the bamboo forest to catch birds, and the net is a net for catching birds and animals. The whole family is busy with their lives, but their mentality is very peaceful. This poem, known as Wang Wei's "Wangchuan Poem", was obviously written with a relaxed mind. It is this healthy psychology of constantly renewing oneself and constantly accepting new things that makes Li Bai an important subjective factor in writing a well-known cadenza no matter where he is!
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