In addition, the sketch gives us another profound feeling, that is, the rigorous and orderly organizational structure and the particularly free and easy brushwork. It not only makes good use of the method of combining narration, discussion and lyricism, but also adopts euphemism and twists and turns to express the author's rich emotional connotation.
At that time, the author was in white terror and faced the danger of "dare not turn over and dare not meet". In order to make the article published, he had to express his complicated thoughts and feelings with euphemistic and tortuous brushwork. But it is implicit and not obscure, euphemistic and affectionate. Mr. Lu Xun is also eclectic and colorful when using the bending pen.
First, contradictions and conflicts are intertwined with grief and indignation.
Please look at the title and the first paragraph of the article. In the psychological conflict between "remembering" and "forgetting", on the one hand, the author expressed his deep feelings about the murder of several young writers, and his feelings of grief and indignation were always endless, so he still wrote articles to mourn them two years later. On the other hand, it expresses that we should not just fall into grief, but turn grief into strength and complete the unfinished business of the martyrs. This is the best memorial to the martyrs. What is to be forgotten? Blindly sad, what to commemorate? Martyr spirit. In fact, we can feel two kinds of feelings like two kinds of flames and produce them. Such a curved pen is profound and powerful.
Second, borrow the ancient to satirize the present.
The author is good at quoting ancient people and things, or metaphorically or insinuating the present, the present and the present. Please read this article. When describing Rou Shi's "hard" and "pedantic" character, he naturally thinks of his fellow countryman Ming Confucianism and Fang Xiaoru, who is upright and resolute. Rou Shi was arrested, the author fled, and the story of the monk sitting on the ground in Yue Zhuan was introduced, which not only exposed the crime of * * * reactionaries killing innocent people, but also expressed the author's opposition to "doing nothing", advocating the preservation of strength and persisting in the spirit of fighting, making the article ups and downs and interesting; When talking about the author's article "Nowhere to Write", he also mentioned Xiangzi, a scholar in Wei and Jin Dynasties, and his article "Thinking of the Old". It is intended to expose the darkness and ferocity of Chiang Kai-shek's rule, and at the same time express the author's mourning for the martyrs even if he is "imprisoned tighter than a can". Rich in inspiration, beautiful music, satire from ancient times, subtle and profound.
Third, use the title to play, there is a sound outside the string.
When writing a correspondence with Bai Mang, the author presented him with two poems by Peter Fei, but unfortunately they were confiscated by the police. Based on this, the article tells the hard-won of these two books. It not only expresses the author's sincere friendship with Bai Mang, but also pours out his dislike for the scouting crowd. Play with the title, there is a sound outside the string, which is intriguing.
In a word, it is one of the important features of this article that the author expresses his rich and colorful feelings with euphemistic and tortuous brushstrokes. Of course, the implicit language of the article is also vivid and chewy.
As Mr. Wang said in the book "Inscription with Southern Accent": "The handyman's pen and ink must be placed in the editor's shoes, so the article cannot be uniform. Say what you can, and give up if you can't. " This may be the reason why Lu Xun used tortuous pen and ink and implicit language in this article.