On the one hand, the number of words is neat, on the other hand, it is relatively rhyming and flat.
From Chu Ci to Tang Poetry, Song Ci and Yuan Qu, ancient poetry has a relatively fixed language form and strict prosodic requirements. This makes all kinds of ancient poems catchy and powerful to read. Generally speaking, various forms of ancient poetry have a strong sense of rhythm and rhythm. This sense of rhythm and rhythm are combined with people's thoughts and feelings to form a specific language atmosphere.
Classical poetry is a kind of poetry as opposed to modern poetry. Before the formation of modern poetry, all kinds of poetry genres except Chu Ci. Also known as ancient poetry and ancient style. Classical poetry is free in meter, without antithesis, even in level, wide in rhyme and unlimited in length. There are four words, five words, six words, seven words and miscellaneous sentences. There are many ancient poems with five words and seven words, referred to as five ancient poems and seven ancient poems for short. Miscellaneous words range from one word to many crosses, which are generally a mixture of three, four, five and seven words, mainly seven words, so they are customarily classified as seven ancient words. Since the Han and Wei Dynasties, Yuefu poems have been accompanied by music, including songs, lines, songs and poems. Many Yuefu poems in the Tang Dynasty were unhappy. In addition, ancient quatrains also had authors in the Tang Dynasty. All belong to the category of ancient poetry. In the process of development, classical poetry and modern poetry have an interactive relationship. In the late Northern and Southern Dynasties, a new style of poetry appeared, which emphasized rhythm and duality, but had not yet formed a complete rhythm, and was between classical poetry and modern poetry. Some ancient poems in the Tang Dynasty tend to be legalized, and even ancient works are often integrated into modern sentence patterns. However, there are also some ancient poetry writers who consciously distinguish themselves from the near-body, and often use awkward sentences or occasional essays to avoid the law.
1953 used the name "Modern Poetry Society" for the first time-it was established when Ji Xian founded the "Modern Poetry Society". The significance of modern poetry;
1. The form is free.
2. The connotation is open.
3. Image management is more important than rhetoric.
The beauty of modern poetry is mainly reflected in the novelty of images, which is more in line with the reading habits of most modern readers and easier to create an atmosphere. In addition, China's modern poetry originated from the vernacular before and after the May 4th Movement and grew up with it. The free form of modern poetry after breaking the rules has always been the basis of its creation.
Comparison between "classical poetry" and "modern poetry": poets are all formed by feeling things and are the reflection of their hearts. "Classical Poetry" expresses tenderness, tenderness, sadness and no resentment with the poetic view of "thinking innocently", emphasizing "between solvable and unsolvable". "Modern poetry" emphasizes the spirit of freedom and openness, and communicates "between the sensible and the intangible" with straightforward situational statements.
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Classical poetry: it belongs to poetry.
Modern poetry: articles, single sentence typesetting
The difference between metrical poems and long and short sentences is mainly in metrical and antithesis.
There are metrical poems and quatrains in form, and there are seven words and five words. The words under the name of each epigraph have a fixed format, and several words in each sentence have requirements.
As far as the title is concerned, poems can freely choose the title, and words must have a monument name.
In terms of rhythm, poetry pays strict attention to levelness, and of course there are exceptions; There are not too many requirements for word training.
In terms of style, the style of poetry depends on the feelings expressed by the specific author, and there is no specific restriction. Personally, writing is easier to understand than poetry.
1. First of all, poetry came into being in different times. The earliest sentence is probably one of "flowers are not flowers, fog is not fog", and the legend was written by poets in the Tang Dynasty. Poetry can be traced back to The Book of Songs.
2. Secondly, of course, it is a plan. The requirements of classical poetry are still relatively loose. It was not until the appearance of modern poetry in the Tang Dynasty that the requirements for meter became stricter. Words are also called "long and short sentences", and the sentence patterns are scattered, but to meet the special format, the phonological requirements will be more than poems. On the issue of rhyme, Li Qingzhao once criticized Su Dongpo's words for not conforming to rhyme, but only writing them in the form of words.
Third, the language and content of poetry. Words are delicate and lyrical, mostly graceful works, essays and the like, while poetry, on the other hand, is all-encompassing and lyrical. If metaphor is used, then poetry is prose and words are love novels-in most cases.
Ci is one of China's ancient poems. It began in Liang Dynasty, formed in Tang Dynasty and flourished in Song Dynasty. According to Old Tang Book; "Since Kaiyuan (the year of Emperor Xuanzong of Tang Dynasty), singers have mixed the songs of Okoyi Lane." At that time, there were many talented musicians in the city who made a living by singing. According to the need to coordinate the lyrics with the music beat, they created or adapted some long and short sentence lyrics, which are the earliest words. It can also be seen from Dunhuang Quzi Ci that the words produced by the people are decades earlier than those created by the literati.
The antithesis of words is different from metrical poems. The tone of words is mostly long and short sentences, and only when the number of words in two adjacent sentences is equal can they be matched; The rhyme format is consistent, the antithesis has a fixed position, hundreds of tones, and the antithesis depends on words, but there is no fixed position; The couplets and necklaces of metrical poems must be antithetical, and the antithesis of words is relatively free. The number of words in two adjacent sentences is the same, and they can be right or wrong. Rhyme must be flat, and words are right or wrong, depending on the tone of the words. Therefore, the antithesis of words is both extensive and flexible. It is generally said that sentences with the same number of adjacent words can generally be antithetical, and the four four-sentence sentences behind a prefix can also be antithetical, either antithetical or fan-shaped. When it comes to flexibility, these places don't have to fight, and the way of fighting is also flexible. Levels can be opposite, the same, and do not avoid the same words.