The Seventh of the Waves is the work of Liu Yuxi, a poet in the Tang Dynasty. The mind map of this poem can be divided into the following parts:
1. Theme: The theme of "Langtaosha No.7" is to express the poet's nostalgia for the good old days and yearning for a better future life.
2. Content: The poem expresses the poet's yearning for his hometown by depicting the beautiful scenery of the water town in the south of the Yangtze River. At the same time, the poet also expressed his yearning for a better life.
3. Structure: Langtaosha No.7 has a compact structure, every sentence is a painting, and the whole poem is like a flowing ink painting.
4. Language: The language of poetry is beautiful and poetic, giving people a strong visual impact.
5. Emotion: This poem is full of strong emotions, including nostalgia for the past and expectation for the future.
6. Symbolic significance: The water town in the south of the Yangtze River in the poem symbolizes the poet's hometown, and the "good life" symbolizes the poet's ideal.
7. Artistic skills: The poet used rich artistic skills, such as metaphor and symbol, to make this poem vivid and meaningful.
The seven meanings of Langtaosha are explained as follows:
1, original: "Langtaosha No.7" (Tang) Liu Yuxi: In August, the waves were stormy and the head was several feet high, touching the mountain. In a blink of an eye, I arrived at Haimen, and the rolled sand was like a snowdrift.
In February and August, the waves came like Ma Benteng's roar, and dozens of feet high waves rushed to the rocks on the shore and were beaten back. In a blink of an eye, I retreated to the intersection of rivers and seas and returned to the sea. The sand it rolls up is like a pile of snow in the sun.
3. Note: Pottery in August: The Qiantang River in Zhejiang has the highest tide on August 18th of the lunar calendar every year. The tide stands on the city wall, surging like Ma Benteng, becoming a natural wonder from ancient times to the present.
4. Appreciation: This is the seventh poem in the series "Langtaosha", which is about the tide of Qiantang River in August 18. Qiantang River, also known as Zhejiang. At high tide, on the tidal wall, the waves are rough and Malik is rushing, which has become a natural wonder through the ages.
5. The first sentence of this poem, "Surging waves on the shore in August", describes the trend of the tide, from far to near, and uses a verb "roar" to highlight the feeling that the waves are approaching. Fierce and turbulent tidal heads, with bodies dozens of feet high, hit the cliffs on both sides.
6. The seventh part of Langtaosha is Liu Yuxi's Nine Poems of Langtaosha. The single article describes the spectacular scene of the rise and fall of the Qiantang River in the form of seven-character quatrains. What he should describe is that the tide is back.
7. The tide is back, and it keeps roaring. After encountering obstacles, the tide rolled with the trend of Mount Tai, forming a row of "snowball fights to climb the mountain" and rushing back to the East like a lion roaring, which was earth-shattering.
In August, the waves roared, and the head was several feet high and touched the mountain. The poet described the spectacular scene when the waves came from Ma Benteng in August. At that time, the tide head was rising, hitting the cliffs on both sides of the river, and the tide reached its peak. "August Peach" indicates the time to cover eggplant.
9, roar to a word "roar", highlighting the bold and unrestrained sound of waves approaching from a distance. "Touching the back of the mountain" is in contrast to the above sentence "roaring to the ground", which describes the whole process of tide fluctuation and also reflects the change of tide.