The first two sentences are about drinking indoors, and the third sentence is suddenly inserted into the scene: "Building a pile of snow under the pear flower", original. It seems that the poet can't solve his worries by drinking alone. So he stopped drinking and stood on the railing, only to see the north wind blowing and the snow falling at dusk. The snow under the steps was like white pear flowers. It seems that the scenery here is purely written, but in fact, the feelings are born of the scenery, the feelings are in the scenery, and the pregnancy is extremely rich. It's lonely and painful for the poet to drink alone under the candle. Now the endless night snow has deepened his feeling of endless life experience, and he can't help thinking about where he will be at this time next year. "Who will lean on the railing next year?" This rhetorical question embodies the poet's uncertain hardships, his feelings of missing his hometown, his indignation at his unexpected career and his hidden pain in his ambition, which is very thought-provoking.
The first sentence of this poem uses allusions, points out the reasons for acting alone, reveals the repression of feelings, and has the function of covering the whole article. The second sentence is about drinking at night, which further sets off the sad feelings in the narrative. The opening of the third sentence and the setting off of the scenery not only make the whole poem ups and downs, but also make the exclamation of the fourth sentence more heavy and powerful. Finally, it comes out in question language, which embodies the above three statements, and makes me feel depressed and sigh, making the ending like "ringing the bell" and the sound is endless. Ming Hu Zhenheng said: "Mu Zhi's poems are full of sadness, emotion and cadence, especially good at this." I have pondered this poem many times.