Some sentimental poems by Li Qingzhao and Li Yu!

Appreciation of The Mermaid by Li Yu When and how much do you know about Spring Flowers and Autumn Moon by Li Yu in The Mermaid? The small building was easterly again last night, and the old country could not bear to look back on the moon. The jade carving should still exist, but Zhu Yan changed it. How much sadness can you have? It's just a river flowing eastward. I Appreciate Ci was written in the third year after Li Yu returned to Song Dynasty. The undisguised thought of the old country is revealed in the ci, which is said to be one of the reasons that prompted Song Taizong to order the poisoning of Li Yu. Then, it is equivalent to Li Yu's desperate words. Whole word question and answer; From asking people to asking themselves, through the intense tone of sadness and the free and tortuous artistic structure, the author's melancholy thoughts run through, forming a refreshing aesthetic effect. It is true that Li Yu's homesickness may not be worthy of sympathy, and the past he misses is also inseparable from the imperial life of the "jade carving" and the secrets of the palace. However, this well-known masterpiece is unique in art: Spring Flowers and Autumn Moon are mostly beautiful, but the author earnestly hopes that it will "disappear" as soon as possible; The "east wind" in the small building brought the information of spring, but it caused the author's "unbearable sigh" on the contrary, because they all evoked the author's feelings about changed things, expressed his anxiety about being imprisoned in a foreign country, and used to describe the author's mood of changing from a perfect match to a long song and crying prisoner. The conclusion "A river flows eastward" is a famous sentence that uses water as a metaphor for sadness, which implicitly shows the endless flow of sadness. In contrast, Liu Yuxi's Zhuzhi Ci is a little blunt, while Qin Guan's Jiangchengzi is full of tears, gushing and preoccupied, which weakens the touching power of Li Yu's Meet You. The original text is: There is nothing to say when going to the West Building alone, the moon is like a hook, and the lonely phoenix tree deep courtyard locks the clear autumn. It's a sad parting, especially in my heart. Writing background: Li Yu, a strong character, was the last emperor of the Southern Tang Dynasty, whose historical name was Li Houzhu. In 975, when the Southern Tang Dynasty was destroyed by the Northern Song Dynasty, Li Yu came out naked and was escorted to Bianjing, where he was "disobedient" and lived a life of "facing north day and night, only Lacrimosa". A master of the country who seized power by killing people suddenly became a prisoner at the mercy of others, and his situation plummeted. His grief and hatred are unimaginable to ordinary people. He accepted the sorrow of life and poured his own sorrow into his poems frankly and truly, making his poems "sincere and superficial, with long phrases", which greatly surpassed his predecessors in ideological content and artistic skills and reached the highest realm of poetry. Analysis: Going to the West Building without Words —— Revealing people's thoughts and feelings through actions. The language is plain, but concise and accurate. The action of writing is "going to the West Building". From these three words alone, we can't see people's emotions. If it's Princess Aigong 'e, the west wing, crowding round, is very lively. However, is this "going to the west wing alone" or "speechless"! "Bai Niao's silence is sad", not to mention people? Li Houzhu is full of sadness and hatred, and the image of loneliness and wandering emerges. "The bright moon is like a hook, and the solitary phoenix tree is locked in the deep courtyard in clear autumn"-it is written about the desolate environment in which my late master lived. He boarded the west wing, looked up and saw the crescent moon as a hook, hooking up a string of old grievances and new worries; Overlooking the shade of tung, the courtyard is locked in clear autumn. In the bleak scenery, there is deep sorrow and hatred, and there is affection in the scene, and the emotion overflows. Chinese parasol tree, in classical poetry, has always been a sad image, "Chinese parasol tree, it rains in the middle of the night, and it is more bitter to leave love" (Wen "More Leaky"), "I miss you according to my promise, and the leaves of Chinese parasol tree are cool at night" (Liu Fuzhi's "Qingpingle") and "Chinese parasol tree has only one leaf, but I don't know how many autumn sounds" (Zhang Yan's "Qingpingle" is an autumn tree. "Where sorrow is synthesized, autumn leaves keep people's hearts" (Wu Wenying's Tang Duoling), autumn scenery aroused a sad mood. Most people will feel cold and lonely in such a deep courtyard with phoenix trees locked in autumn, not to mention Li Houzhu imprisoned by the monarch. In the past, he was a monarch, living in "Long Ta in Fengge was alone, and the branches of Yushu were smoke" ("Broken Array"), accompanied by "Filing moths in the Spring Palace" ("Jade House Spring"). The place where he lives now is "Lonely Wu Tong Shen Yuan", accompanied by "the moon is like a hook". How long should his inner sadness be! "If you keep cutting, you will be confused, which is the sadness of leaving you"-change your head, express your feelings directly and point out your "sadness of leaving you". His pain of parting is not the general pain of parting between men and women, but the deep pain of losing his country. Ordinary people's sadness can still be thrown away: "If you win in your heart, throw away your sadness for the time being, and the breeze will blow autumn" (Tao Yongshi); Can be washed away: "A clear song and a glass of wine will wash away the worries of ancient and modern times for you" (Liu Shi); Can be cut off: "The songs and dances in Liangyuan are full of romantic feelings, and the wine is like a knife to cut the sorrow" (Liu Ziyi's poem). And Li Houzhu's sorrow is "cutting constantly, reasoning is still chaotic", which shows the depth of sorrow and the length of hatred. What should it be like to have such deep sorrow and long-term hatred? "Extraordinary"-"Extraordinary" is different from ordinary, and it is a special taste from monarch to prisoner. This kind of taste, mortals failed to try, can only taste it themselves. Is it sweet and sour, or bitter and spicy? Is it trouble or regret? I've tasted it myself, but I still can't say it. What do others say? This so-called "silence is better than sound", this silent sadness is better than crying. It can be said that the word Li Yu is widely used because, to a great extent, the sentence is based on infectious and symbolic metaphors, which makes the sad thought vivid and abstract: the author does not clearly write the true connotation of his sad thought-recalling the happy life in the past, but only shows its external form-"like a river flowing eastward." In this way, people can easily get some kind of spiritual resonance from it and use it to express their similar feelings. Because people's worries have different connotations, they can all have the external form of "just like a river flowing eastward". Because "image is often greater than thought", the word Li has a wide sound and is passed down through the ages. Li Yu's meeting with Huan was also very sad. Hua Lin thanked Chunhong, and she was anxious, but there was no choice but to come cold rain and evening breeze. When do you still have a heavy drink when you are in tears? Naturally, people hate water when they grow up. "Hualin Xie Chun Hong" began in Hualin, but it is not only about Hualin. Forest flowers are the most beautiful things in spring, and spring red is the most beautiful color in spring. What a pity that such a beautiful thing and such a beautiful color suddenly "thank you". This is true not only of flowers and trees, but also of all creatures in nature, as well as social personnel. This so-called "one thing, one thing, extrapolate, touch the analogy." (Zhou Ji's Preface to Selected Poems) Although everything in the universe is complex, many things can be compared because of people's association, and natural scenery and social personnel can be interlinked. In the latter's view, the sudden decline of a good Southern Tang Dynasty is not just like the sudden withering of forest flowers. The image of this forest flower deeply entrusts with the sorrow of national subjugation. In just six words, it contains extremely profound and extensive content. This is the so-called one in a million, all-encompassing. Du Fu's Qujiang is full of melancholy, and Yan Shu's Broken Warrior is full of flowers, all of which express the feeling of lamenting the decline of all sentient beings, but they are not as profound as the words of the late Lord. The word "Xie" shows strong regrets and sighs, but it is still too vague. Later, the word "too hasty" was added to describe it, which made the feeling of regret and exclamation more prominent. The withering of forest flowers is the inevitable result of sentient life, but if it were not destroyed by biting wind and rain, it would not be so hasty as it is now. So, the author went on to write a long sentence of "helpless cold rain comes late wind comes" to explain the reason why the forest flowers withered in a hurry. From the regret and sigh of Hualin to the resentment of the wind and rain. Hualin is beautiful, but it is also weak. How can you stand the rain in the morning and the wind at night? In A Dream of Red Mansions, Lin Daiyu wrote in her Funeral Poem: "It is difficult for wind, sword and frost to press each other 360 days a year. When will it be bright and fresh, once it is drifting, it will be difficult to find it. " Much like the scene described by the late Lord. Li Houzhu used flowers to describe all beautiful things (including people's beautiful lives, of course), with richer contents. It is a natural law to spend a lot of time thanking others, and it is also a natural law to have a rainy and windy night. People have no power to save flowers, nor can they be protected from falling forever, let alone prevented from being destroyed by wind and rain. This is the meaning of the word "helpless" in these nine sentences. Can't change the weather, naturally only "helpless flowers fall." How painful and embarrassing it is to be helpless in the face of the fall of beautiful things. As a result, from writing flowers scattered to writing people's thoughts and painful feelings. The word "rouge tears" is the transition point from flowers to writers. Rouge, the bright color of rain in the forest, refers to beautiful flowers, symbolizing a better life and beautiful things. Tears, as far as flowers are concerned, are the "rain" on pear flowers in spring; For people, it is the "tears" where petals flow like tears. The raindrops of flowers are still human tears, and human tears are still raindrops of flowers. Rain and tears communicate, and things are the same as me. I don't know what things are, what I am, what rain is and what tears are. Its lyricism is really vivid. The word "stay drunk" is implicit and affectionate. Drunk, not drunk, but infatuation. Staying drunk is a situation in which people fall in love with flowers. Flowers in the forest are like tears, and they are reluctant to leave for a better life, while people are like tears, and they can't live without this beautiful thing. People and flowers are so affectionate, but they can't be together forever. "Spring water leaves flowers", water leaves flowers, and spring returns to people. Flowers can't be reopened, and people can't be resurrected when they die. When will it be "heavy"? That will never coincide. Never overlap. When this endless sadness continues. So the poet gave a deep sigh: "People naturally grow up and hate water growing in the East"! In these nine-word long sentences, the first six words are "hate" and the last three words are "water". The river is rolling as far as the eye can see, just like people grow up and hate endlessly. From the beginning of the word to the sentence "when is it heavy", the water is stored layer by layer, and the last sentence suddenly opens, full of sorrow. The front is subtle and euphemistic, like "nothing, everything is romantic", which makes people linger; The last sentence seems to be "only one word, the realm is exhausted", which makes people feel shocked. The best answer is Li Yu-Sauvignon Blanc (1) "One heavy mountain, two mountains". One heavy mountain, two mountains, the mountains are far away, the fog is cold, and the acacia maple leaves are Dan. Flowers bloom, flowers are not complete, geese fly high, but they don't come back. 1. Smoky water: misty water. 2. Chrysanthemum: Chrysanthemum. Get together. 3. Saiyan: Border geese. This is an autumn resentment poem. If it is written by Deng Su, it is a mid-term work. The first movie started from the mountain. The mountains are very heavy, like acacia trees in my heart. It is also a feeling of missing people. Acacia for a long time, it is late autumn, maple leaves are red, but the red leaves are as bitter as acacia. The next movie starts with flowers. Flowers bloom and fall. After years of lovesickness, the border geese have flown back to their hometown, but those who have gone far have not returned, which is even worse than those who have grounded. If they don't come back, they have to let the romantic moon be shut outside the curtains. People are quiet and idle, but they are not quiet with the scenery. In the poet's pen, distant mountains, kitchen smoke, maple leaves, chrysanthemums, geese and * * * form a cold late autumn. In this late autumn, lovesickness becomes more and more lonely and resentful. Maybe it refers to my younger brother who will never return to the Song Dynasty. /it answer/blog/item/9a30d5a2120601adcaefd01d.html Li Yu-Sauvignon Blanc (2) It is said that she will go home to visit her relatives a week later and only stay for three or two days. So it is called "Sauvignon Blanc": a cloud, a vortex, a jade shuttle, a thin shirt and a pair of snails. There are many autumn winds, and the rain is mild. There are three or two bananas outside the curtain. There's nothing people can do about it. After the Big Week, E Huang, the daughter of Zhou Zong, the founding emperor of the Southern Tang Dynasty, was good at singing and dancing, especially at temperament and playing the pipa. She will improvise music, and even restore the long-lost gorgeous feather clothes. Later, she and Li Yu * * * compiled "Dancing in Clothes and Feathers". The political marriage between Li and Li can be described as "an unintentional willow." They got married in the bridal chamber and lived with their children forever. This song about E Huang's clothes before she left home is beautiful and detached, as if she could smell the faint rouge fragrance on her daughter's house. I wrote that it rained and hit bananas, expressing that it was a cool night and some people were lonely and homesick.