Climb Yueyang Tower with Xia Twelve.
Lipper
Climb the Yueyang Tower and overlook the Yangtze River until you reach the open Dongting Lake.
It breaks my heart to see geese flying south, and the distant mountains are in the title of a good month.
On the upper floor of the sky, stay in the chair and upload a glass of wine from the sky.
The cool breeze rising after drunkenness, blowing the sleeves with the wind, we will return.
Distinguish and appreciate
One or two sentences in the poem are about the vast scene you see when you climb high and look far. In short, it can be said that the Yueyang Tower overlooks the lower bound and the natural scenery in Yueyang area is unobstructed. Chuanjiong Dongting begins with a sentence, showing the vast and boundless scene of the 800-mile Dongting. Meng Haoran wrote in "A Message from Dongting": "In August here, the lake is in harmony with the sky." Ozawa's water vapor transpiration on the cloud soil is white, and the waves seem to shake the whole Yueyang. Dongting Lake in autumn, Wang Yang's vast and turbulent momentum, is very moving. The opening remarks here are a condensed summary of that scene. The word "Chuan Jiong" in the sentence means to write further on the Yangtze River. The north of Dongting Lake is connected with the Yangtze River. People are on Yueyang Tower, across the magnificent lake, and the Yangtze River is faintly visible in confusion. These two sentences are broad-minded and refined by the poet, giving people a feeling of being bold and unconstrained.
The first two sentences are what you see when you look down at the lower bound, and the third and fourth sentences are what you feel when you look up at the sky. Wild geese fly south, and the bright moon rises. This is an objective scene that people are used to, but in a certain environmental atmosphere, it can shock people's hearts and trigger people's emotions. Just as Liu Xie said: Dedicated the New Year to spring, the feeling of happiness with Yu is smooth; Xia Meng, Yu Tao's heart is cohesive; The sky is clear and gloomy; The snow is boundless, and I am deeply worried. There are things in the s, and there are things in it; Love moves with things, and words are sent with feelings. (Wen Xin Diao Long) The poet's feeling of sadness and boredom suddenly became one of them in the vast cave. Therefore, when the sorrow goes away and the good month comes, it just shows a comfortable and pleasant mood. The word "quotation" in the sentence is not the actual writing of the objective scenery, but the poet's subjective feeling in this situation at this time. These two sentences are the eyes of the whole poem and are beautifully written.
In five or six words, Yueyang Tower is towering into the sky. It means that it is comforting to stay in the clouds and have a drink in the sky. The words "Lian", "Jie" and "Jie" are exaggerated, and they are also used here to highlight the happiness of the mood. Writing seven or eight sentences about the joy of drinking, the poet danced when he was drunk, and the cool wind blew his sleeves, which seemed wonderful. The above four sentences describe the scene of the poet drinking and having fun with his friends. Because it is on the Yueyang Tower, the narrative also shows the majestic Yueyang Tower. In this way, the whole poem completely wrote the boundless night scene of the Dongting under the autumn wind and bright moon, and expressed the joy of the poet after his release through the beautiful artistic conception description.
This poem is a pentatonic poem. As far as its style is concerned, it is bold and unrestrained, with a broad realm, and lyrical scenery writing has great pen power. Li Bai had many metrical poems in his life, but most of his excellent works were not metrical poems. Among the five or seven laws, five laws are the main ones. This poem represents the style of his five-character poem. "Collection of Tang Poems" says: The five words in the prosperous Tang Dynasty are wonderful, and Li Hanlin is glorious in meteorology. "Li Shiwei" also said: If the Five Laws of Taibai are still the legacy of ancient poetry, it is unnatural to express deep feelings. It is necessary to return to its purpose, especially "Wind" and "Sao". In other words, his five laws still retain the vigorous characteristics of ancient poetry, but they have new characteristics of deep feelings and unnatural words.