Why is Wild Goose Pagoda an anti-hero and anti-culture poem?

About the Big Wild Goose Pagoda. The "we" we see are rootless duckweeds in the social field, small, empty, boring and idle. They are tourists who are amused by "too many people", "dissatisfied" and "fat". They eat all day and do nothing. These people came to the Big Wild Goose Pagoda once or many times. They "all climb up to be heroes"; Then some disappeared in the bustling "this street", perhaps for fun? Maybe they went shopping ... and some didn't want to leave-"Some jumped down and opened a red flower on the steps, and then they really became heroes, contemporary heroes". What a "contemporary hero"-what a boring person who gives up on himself!

This is the Big Wild Goose Pagoda that Han Dong, a new generation poet, told readers-pride is gone, and heroes are hard to find! At present, there are mediocre "masses" and heroic "showmen". In the eyes of the poet, "we" have neither love nor hate in the two-way collapse of body and spirit; No crying, no laughing; No sorrow, no pain; No joy, no anger. Individual, ego and subject have all disappeared, and some are similar boredom, emptiness, numbness and absurdity.