Second, expand the scope of knowledge:
1. Appreciation of original words: six miscellaneous poems.
After flying more than 100 feet, we arrived near the Royal Pavilion.
Looking at Zhou from a distance, I saw the plain in the morning and evening.
How sad the martyrs are, and the villains steal their leisure.
The enemy of the country is not blocked, and I am willing to worry about the renminbi.
Looking southwest with a sword, I want to climb Mount Tai.
Sad string, listen to my generous words.
2. Introduction: This is the sixth of Cao Zhi's seven miscellaneous poems. Throughout Cao Zhi's poems handed down from generation to generation, the representative ones can be divided into two categories. One is compassionate and the other is impassioned. The first and fourth of the seven miscellaneous poems belong to the former, and this poem naturally belongs to the latter. This poem * * *
In the first section, Cao's sentence is extremely high, but it is not high enough to overlook; The second sentence says that the window is on the threshold, and the field of vision is naturally broadened. These two sentences are written that Henan is located in the Central Plains, climbing high and looking far, and it has the potential to spread all over the world. Therefore, it seems that it will affect the whole body, in fact, it also reflects the author's great talent.
In the four sentences in the second quarter, the word "martyr" seems to be a general term with deep meaning. It means that he is a "compassionate" "martyr", but he is not allowed to participate and do his part whenever he has the opportunity to serve the country and destroy the enemy. This is tantamount to seeing yourself as a "villain" who lives in peace. These two poems are objectively parallel on the surface, but in fact they are permeated with the fact that the author can't serve the country.
The third section, following the description of the first section, clearly expressed concern about the dispute between Wei and Shu and wanted to go to the front in person.
In the last two sentences, according to Huang Jie's comments, the phrase "string urgency" is a metaphor for why the author wants people to listen to his impassioned speech. "Chord urgency" refers to tightening the strings to make the tone higher, which is synonymous with the so-called "chord urgency to know the column to promote" in Nineteen Ancient Poems. If you want to make the pitch high and exciting when playing the piano, you should tighten the strings. The tone is high. "However, at present, when the enemy is in trouble, the country keeps him idle, making the hero useless, so he is sad and angry. These two sentences are not only the supplement to the sentence of "national hatred", but also the conclusion of the whole poem. The whole poem is solemn and vigorous, with neat and compact structure and no idle words and pens, which embodies the high achievements of Cao Zhi's later poetic art.
3. About the author: Cao Zhi (192-232), Zi Zijian, the third son of Cao Cao, Cao Pi's mother and brother, Pei Guoqiao (now Bozhou City, Anhui Province). Cao Wei was a famous writer in the Three Kingdoms period and a representative of Jian 'an literature. The son of Cao Cao, Emperor Wudi of Wei, and the younger brother of Cao Pi, Emperor Wendi of Wei, used to be the king of Chen before his death. After his death, posthumous title "thought", so he was also called King Chen Si. Because of their literary attainments, later generations are called "Three Caos" with Cao Cao and Cao Pi, and Xie Lingyun, a writer in the Southern Song Dynasty, even commented that "there is one stone in the world, and Cao Zijian monopolizes eight fights". Wang Shizhen evaluated the poets who have lived for two thousand years since the Han and Wei Dynasties as "immortals", including Cao Zhi, Li Bai and Su Shi.