Appreciate:
The first sentence is the beauty of color. Under the setting sun, the sunset glow is dazzling, and the emu's feathers are dark, plus the backlight, so the lonely man and few women are almost a shadow. The sunset glow can't cover half the sky in the west, but it is still exposed in the blue sky, slightly darker than the sunset glow.
However, it is brighter than the lonely one. Loneliness, sunset and blue sky become the contrast between light and shade. The shadows of the lonely are darker, and the sunset and blue sky are brighter.
2. The platform is green and the top is heavy; Feige is full of blood, and there is no land under it.
Appreciate:
Layers of towers are towering over the green peaks, as if they were straight into the sky; The eaves of the sky are flowing, as if straight into the earth. In just sixteen words, the author described the towering momentum of the pavilion grandly and the uniqueness of the pavilion vividly. This sentence makes the whole pavilion look natural by changing the pitch angle.
3. Zhu Fu, Ting He, returning from a poor island; Gui Dian Lan Gong, the posture of mountains and hills.
These two sentences describe the animals and plants around the Wang Teng Pavilion. White cranes and wild ducks swim in Liulian Island, and the palace with sweet-scented osmanthus is hidden in the rolling mountains, making Wang Tengge like a moon star and magnificent.
Extended data:
From the content, Preface to Wang Tengting expands the artistic realm of parallel prose. In terms of artistic form, Preface to Wang Tengting accepted the tradition of lyric prose and parallel prose in the Six Dynasties, and achieved the unity of beauty in content and beauty in form. Preface to Wang Teng-ting is not only a new change of parallel prose in the Six Dynasties, but also a precursor to the popularization and standardization of parallel prose in the Tang Dynasty.
Yuan Xingpei, an expert in classical literature and the history of China literature: There were also some new changes in parallel prose in the Tang Dynasty. Since the four outstanding figures in the early Tang Dynasty, many works have shown a vigorous style of diaspora, lively vitality and attention to bone strength, such as Wang Bo's "Teng Xu".
References:
Baidu Encyclopedia-Preface to Wang Teng Pavilion