I hope it will help the landlord. There are many poems about Li Bai's loneliness.
one
Among many poets in the Tang Dynasty, Li Bai was the only romantic poet who was praised as chivalrous, righteous and brave. At the beginning of Tianbao, the fanatics of Siming first saw Li Bai and exclaimed that Li Bai was a "fallen fairy". Du Fu's Song of Drinking Eight Immortals also said that Li Bai was a "fairy in wine". He and Du Fu are both friends of Li Bai, and their eyes are all white, which shows that Li Bai is really different from the writers of his time.
Li Bai's legendary life and bold and elegant poetic style really left a deep impression on people, so that when we talk about Li Bai, we can imagine a poet floating in the air. So far, no matter Li Bai written by researchers or Li Bai living in the hearts of ordinary people, that's all. In fact, since he called Li Bai an immortal, Li Bai's image has been stereotyped. This stereotyped image of historical figures adds to the legend of Li Bai and makes later poets yearn for it. However, this stereotyped image of poetic immortals has also caused the distance between people and Li Bai, close to the distance between admirers and idols, and the unattainable gap between watching flowers in the fog and watching the moon in the clouds, which restricts us from following the poet's externalized ideological and emotional trajectory-poetry, and entering the Austrian house in Li Bai's heart.
In fact, Li Bai's character is free and easy, pursuing freedom, persistent and deep. In his emotions, feelings go with happiness like shadows. The contradiction between the poet and society and the poet's own personality makes some seemingly happy, elegant and free-and-easy poems of Li Bai mixed with disappointment, anxiety and loneliness. Whether it is a sigh of hope for the world, a hope for birth, or even a criticism of reality, it often contains this mentality. Mr Pei Fei thinks that Li Bai's poems are full of sadness, which reveals the personality characteristics of Li Bai's poems and his mentality in them.
Reading Li Bai's poems, I often feel bold, optimistic and free and easy, and taste a kind of loneliness, hesitation and loneliness. Li Bai's poems sometimes seem optimistic and free and easy, but in fact, in the natural and unrestrained smile of the poet fairy, there is a lonely and painful mentality under the wandering Zi Xia fairy dress:
There is no difference between natural life and life in a glass, and nothing in the world is conclusive.
When I was drunk, I lost my mind and plunged into my pillow.
I don't know myself, where can I find this kind of happiness?
-"Drinking the Bright Moon Alone" Part III
After drinking a glass of wine, he forgot the danger of life and death, all the troubles in the world and his own existence, so the poet felt the greatest happiness. However, can this be called true happiness? In fact, this is a smile with tears of pain. If you insist on enjoying it, it is to forget the happiness of loneliness. The more the poet wants this kind of happiness, the more he sees that the pain of loneliness afflicts the poet's mind. There are many examples of such poems.
If the spring grass is interested, Luo Sheng is in Tang Yin.
The east wind blows sorrow, and the white hair invades.
Persuade the lonely shadow alone, singing a song with fragrance on his face.
What does Chang Songer know? Who is the desolation for?
Last month, I danced with stones, and my knees crossed the piano.
Beyond this pot, leisurely is not my heart.
-"Drinking alone"
The lonely cloud is still empty, and the birds have returned.
Everything has a support, my life is lonely.
Last month, on this stone, Fang Fei was drunk.
-"Drinking alone in spring" Part I
Flowers in the next pot of wine, no friends, drink alone.
Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.
The moon doesn't know how to drink, but the shadow in front of it is behind.
I have to mingle with them and enjoy the happiness of spring.
The song I sing is bright and wandering, and I dance the shadow before wandering.
Wake up and be happy together, and disperse after drunkenness.
I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way.
-"Drinking the bright moon alone" 1.
Gu Ying is singing and dancing to the moon, which is Li Bai's natural and unrestrained. But in the vast universe, the poet only has the lonely shadow of the bright moon as his drinking partner. Isn't there embarrassing loneliness and alien detachment in such a unrestrained way? Therefore, these poems all show a lonely mentality of standing proudly in the universe, helpless and helpless. In this state of mind, the poet danced to the shadow, and Gu Yue advised him to drink, which further reflected the poet's helplessness in seeing him off alone.
Loneliness accompanied Li Bai all his life, and he never got rid of it until his death. On his deathbed, Li Bai wrote in "The Song of the Near Lu": "The great Pengfei was shocked by the VIII, and the sky was weak. The afterwind excited me. I swam with the help of mulberry trees. Later generations passed this, who cried for Zhong Ni? " Ai Lu's Western Expedition won Lin, and Confucius cried when he saw it, because he was very grateful. Nowadays, poets such as Dapeng Bird are destroyed in the sky, but there is no Confucius, so no one feels sorry for such a genius. When Li Bai was young, he once wrote a poem "Ode to Dapeng Birds", which was a metaphor for his great ambition and genius. His poem "On Li Yong" also said: "Dapeng rises with the wind one day and soars into Wan Li. If the wind breaks, it can still sweep away the turbulent water, which shows its unique "unique tune" However, Li Bai, who was full of genius and ambition, failed to display his talent and ambition all his life, and loneliness and sadness were still ruthlessly destroying the poet until his later years. Obviously, this romantic poet, who was proud of his blue sky and soared in Wan Li, left the world he hated and loved with lifelong loneliness and regret.
two
Li Bai's loneliness is mainly manifested in three aspects.
Unfortunate talent and untimely birth are common themes in Li Bai's poems. With this unchanging tone, there is a sense of political abandonment and no sense of refuge. Li Bai was a feudal literati, and his psychological structure was shaped by the traditional culture of China. Scholars in China feudal society, whether educated by Confucianism, Taoism or even Buddhism, have to think about and solve the main problems in life, which is nothing more than going out and entering. Or be an official, or hide, or go out first, or hide after being an official, or hide after being an official, and thus form various outlook on life. Taoism "is better to be quick in dirty games than to be held by people with a country" (Historical Records, Biography of Lao Zhuang and Shen Han). Typical examples are "tailing in the painting" (Zhuangzi Qiushui) and "living in a poor alley, embarrassed to weave piles", rather than "those who lick hemorrhoids get five rides" (Zhuangzi Lieyukou). Confucianism takes it as its own duty to cultivate self-cultivation and rule the country and level the world, and "knowing it is impossible to do it" (The Analects of Confucius, Xianwen), which is a typical philosophy of life after China's entry into WTO. Different from Taoism's total denial of joining the WTO, Confucianism actively advocated joining the WTO, but it also found a way of compromise for scholars: "If there is a way in the world, you will see it, but if there is no way, you will be hidden" (The Analects of Confucius Qin Bo). Therefore, Confucius himself "knows what he can't do" and has been miserable all his life, carrying out his own political opinions. If it didn't work in Lu, it ran to Qi, where it hit a wall, and then to small countries such as Chen, Cai and Wei. On the other hand, he praised Yan Hui's attitude towards life, that is, "One can only take one bite, one can only drink a gourd ladle, and one can't worry about it in a mean lane, and he won't change his pleasure when he goes back" (The Analects of Confucius, Yongye). However, the later scholars, whether they were officials or recluses, and the attitude of officials and recluses of Wei and Jin Dynasties, all found the spiritual pillar of their lives from such ideological culture and formed the group psychological structure of feudal scholars.
When Li Bai was young, he had a strong ambition to gain fame and fortune, and he was "conceited for worldly affairs" (Liu's "Bachelor of Hanlin in Tang Dynasty"). This strong concept of salvation obviously comes from the Confucian idea of governing the country and calming the world. However, Li Bai is not an ordinary scholar. His chivalrous personality and his unique temperament as a romantic poet, that is, his rich imagination and whimsy divorced from reality, make the Confucian thought of salvation melt into the catalyst of the poet's own subjective spirit, and naturally expand into the arrogance, conceit and hollow reputation of other people in the world: "Only when you call yourself a German who can participate in foreign affairs and face, can you be humble and ink-stained." However, Li Bai's arrogance and conceit often contradict the reality, which makes the poet fall into a helpless state about his political future:
A whole has no support, away from the signs of loneliness.
Thousands of miles away, the fallen leaves will fall again.
-"Nakano persuaded Wang Da to live in Shimen Mountain, Gao Feng"
At the beginning of Tianbao, Xuanzong recruited Li Bai to Beijing. Li Bai thought it was time to show his ambition in life, and he was full of ambition:
The king of great powers struggled for a long time and rushed to the ground to catch up.
Quidditch's fool looked down on poor Zhu Maichen, and now I have left my hometown to go to Chang 'an and go to Qin in the west.
I went out with a big smile. How can I be a person who has lived in the wild for a long time?
-"Nanling children do not go to Beijing"
When I went out, my wife grabbed my clothes and asked me how long it would take to go back to the west.
If you come back wearing a golden seal, don't see Su Qin get off the plane.
-"Don't go in."
Thought fame was at your fingertips. Li Bai's spiritual world is so poetic that the author even thinks that the past and present, ideal and reality are often in a chaotic state, so when he applied to go to Beijing, he was on cloud nine and thought he was Su Qin. The more you expect too much from reality, the greater your disappointment, not to mention that Li Bai expects reality with ideals and assumptions! Therefore, Chang 'an was sent away frustrated, and Li Bai suffered a great blow. His ideal of fame and his enthusiasm driven by this ideal suddenly vanished, so a strong sense of loneliness abandoned by the world filled the poet's emotional world. The poem "Drinking the Bright Moon Alone" quoted in the newspaper was written during this period. Originally, the poet's political refuge and ideal harbor were above Wei Que, and now he has to leave here. Like a boat without leaves, like an autumn canopy without roots, where to go? The poet's heart is in a daze. Seclusion? "If the Tao fails, I will float on the sea with a fork" (The Analects of Confucius Gongye Chang). As Confucius once said, "There is no hidden road". Poverty is the only way out for scholars since Confucius. Li Bai Chang 'an, frustrated, also boasts of flying high and going far:
I also went to Jinma, and the vines climbed with me.
Where is acacia? The laurel tree has reached its zenith.
-"Give me some children"
During this period, Li Bai did ask the immortal to visit Tao: "After Bai was released, he went to visit Yan Yun's envoy from his ancestral home and asked Beihai Gao to give Tao to the palace" (Preface to the Cottage Collection). He wrote many poems about immortals. But if Li Bai's activities are described as "venting anger", he can find his own relief; If it is the poet's ideal refuge, it is not inevitable. Yes, Li Bai did take seclusion as one of his goals in life, but that was after his political dream was realized, like Fan Li, Lv Zhonglian and Sean, after he realized his ambition of governing the country and calming the world, he returned home smartly, not before he achieved success:
If no one helps you replace your heart, what good is it for you alone?
-"To Secretary Wei Zichun"
However, this ideal arrangement of retiring after success is only the poet's wishful thinking, which has not been fulfilled in reality. Paying back the money is not after success, but before "Yan Guan Talk" and "The Art of the Emperor". At this time, the poet's seclusion is not from his own heart, nor is it the real purpose and destination:
I didn't die, but the world abandoned me.
-"Send Cai Renshan"
It was a last resort that was abandoned by the world, so he felt very lonely at this time.
Once you get to the Golden Horse, you float into a flying canopy.
The guests left for a day, and the jade bottle was empty.
-"Dongwu Drink"
There are fewer cars and horses in front of the door, and the old friends are accompanied. It is not the real pain of loneliness, but the poet's sense of wandering and loss because his political future seems to fly and complain. This is the pain of loneliness and coldness that really makes the poet feel desperate and hopeless.
If the sense of political abandonment and loneliness without a sense of refuge are caused by the conflict between the poet's ideal and the poet's personality and environment, then Li Bai's loneliness and loneliness can only be said to come from the poet's subject and the poet's personality itself. The former can be called the loneliness of exiles, while the latter is the loneliness of poets who are arrogant and unwilling to go with the flow. Let's call it loneliness of self-exile. The loneliness of self-exile can especially show the strength and brilliance of the poet's character.
Li Bai has a very strong sense of self. His chivalrous and romantic character, natural talent and good education often make him feel conceited and particularly superior: "He is indomitable and refuses to work" (Dai Shoushan answers Meng Shaofu's biography). "With economic talent, you can resist the nest festival, writing can change customs, and learning can study heaven and man" ("Song Zhongcheng recommended himself"). "I often want to make a blockbuster and soar to the sky" (Fan Zuo picks up the tombstone of Hanlin Bachelor Li). This pretentious self-awareness separates the poet from all sentient beings, from ordinary literati and stands out from the society. He despised the way that ordinary scholars took the imperial examination to be officials, and even more despised the Confucian scholars who died of old age all their lives:
Shame on Jinan, reciting ancient prose.
-"To judge Chi Cheng Ho well"
He despised his ministers, and "took a thousand horses as his current friends and regarded them as dirt" (Su Shi's Li Taibai Monument Yin Ji). Its poem cloud:
Buy songs and laugh on the golden wall, and get drunk before you get light in May.
-"Remembering the past and sending you to the county to join the army"
Praise the Lord for nine days, stir up red waves and green sages.
-"Yu Hu Yin"
Hold a chrysanthemum and tease two thousand stones.
-"Xuancheng heard that Cui Sishiyu and Yuwen prefect You Jingting were different when they climbed the mountain on the ninth day. After the reward, I will send Cui. "
As for those rich and powerful people who make a fortune by fighting cocks, please spoil the emperor. Li Bai is ashamed of being with them:
I have no face to follow those people who have no guts to bet on pears and millet.
-"It's hard to walk" Part II
Li Bai's arrogant self-consciousness actually isolates himself from society in spirit. Self-exile out of Li Bai's subjective spirit is certainly the poet's conscious behavior choice, but this choice will pay lonely pain.
Phoenix doesn't peck at millet, but only eats food.
How can you compete with chickens and thorns for a meal?
Singing in the morning and drinking at night.
The sea is far away, and it's cold alone.
-"Antique" article 14
The phoenix in the poem, because of its noble nature, is ashamed of the same kind of chickens and has to endure the loneliness of "being alone". This aloof phoenix is the embodiment of Li Bai's mind. In many of Li Bai's poems, the loneliness and incomprehension brought about by the poet's self-exile are shown.
The guest sang Snow White, but it flew into the sky.
Singing this song for nothing, who will spread it around the world?
Try to sing for the Ba people, and the peacemaker Qian Qian is absolutely.
He Zudao, the swallow, sighed sadly.
-"Antiques" Part 2 1
Smile bitterly, praise my birthday, and be a bosom friend.
-"When I give a judge to Wang, I will go back to Lushan Mountain to live in seclusion."
I have wuyue, and nobody knows this sound.
-"Book for Xue Pai"
I have a green treasure, which has hidden mud in the water for a long time.
It was with Yan when people abandoned it.
-"To Fan Jinxiang"
Who knows Wolongke? Sing the Temple of Sorrow in Long song.
-"South Country Tour"
Beautiful, who will pass the incense?
-"Antique" No.26
Finding a bosom friend embodies Li Bai's strong desire to cherish the world; The sigh of bosom friend's peace of mind reflects the unique loneliness in the world, and of course reveals the pride of Chun Xue.
On the one hand, it is the sadness of loneliness, on the other hand, it is the pride of self-Excellence from this loneliness, which may be two psychological experiences that Li Bai got from self-exile. In Li Bai's poems, some famous statesmen, strategists, strategists and chivalrous men often appear, such as Lv Wang, Guan Zhong, Su Qin, Zhang Yi, Fan Li, Lv Zhonglian, Hou Ying, Feng Yi, Sean, Han Xin, Zhuge Liang and Xie An. These historical figures appear repeatedly in Li Bai's poems, which not only embodies Li Bai's heroic consciousness, but also psychologically compensates for loneliness. Li Bai's strong sense of self leads to his loneliness, loneliness and incomprehension. On the contrary, he made psychological compensation for his sense of loneliness with his sense of uniqueness and pride. Even the loneliness caused by his political abandonment was offset by this sense of singleness and pride, and he gained a temporary psychological balance.
Junping abandoned the world, and the world abandoned Junping.
-"Antique" Part 12
It is not only that the world abandons Junping and does not take office, but also that Junping abandons the world and does not serve. This is a two-way abandonment from individuals and society. Li Bai's psychological loss of being exiled to the world, because he was unwilling to push his eyebrows, was lonely and arrogant in self-exile, and achieved a temporary balance.
The world mourns every day, watering the wind and dispersing the source of spring.
If you don't pick cassia twig, you will live in the root of evil wood.
So peach and plum trees spit flowers without saying anything.
No matter whether the Universiade is prosperous or not, the herd will compete for the deer.
Go back to guangchengzi and enter the infinite gate.
-"Antiques" Part 25
Born in the turbid world of seasonal leaves, but can extricate themselves from the turbid world;
If you go out, you will make peace with the princes, and if you escape, you will have a bird's eye view of the nest.
-"Send Yan Ziyuan to Suizhou Ziyang for a banquet in the summer building to perform the winter night of Yinxian Chengshan".
Xie An is forty years old, lying in the white clouds in Dongshan. Duke Huan is tired of levy, living together ... Adults and gentlemen, God and ghost fit together, which is just right. -"Jiangxia sends Qian Gong to Han Dong"
Yanling respects the emperor of the Han Dynasty. Why does he need a long sword to stand on the jade steps?
-"Answering the King to Drink Alone on Twelve Cold Nights"
Although he made friends with princes, he maintained an independent personality and was bold and withdrawn. In Li Bai's mind, he himself is such a unique hero. Therefore, the poet first felt the pain of loneliness, and then experienced the extraordinary pleasure that others could not understand on the lonely and arrogant shore of self-exile.
In some of Li Bai's poems, there is also a kind of sadness of lonely journey.
The living are passers-by, and the dead are returnees.
Heaven and earth are against each other, and sorrow lasts forever.
The moon is empty, and Fusang becomes a salary.
Bones are silent, do pine trees know spring?
Sigh before and after, not enough!
Life is just a passer-by walking alone between heaven and earth, walking alone through the dead, disappearing into the vastness and becoming a new "returning person" However, the fantasy of tinkering for immortality has cut off all the fantasies about the celestial world, making lonely travel limited in a short time and becoming a cruel reality that everyone can't escape. This sad and lonely journey of a passer-by between heaven and earth is a profound loneliness from the poet's individual life and the awakening consciousness of the universe.
The sunrise in the east corner seems to come from underground.
After a long day, I went to the sea again. Where are the six dragons?
Its beginning and end are endless, and people have no energy, so they can linger with it for a long time!
The grass does not thank it for its glory in the spring breeze, and the trees do not complain about the fallen leaves in autumn.
Who wields the spurs and drives the four great wealth? Everything has its ups and downs, which is natural.
-"Day after day"
Only when the poet realizes the irreversible natural law of finite life and infinite universe, like the poem above, can he realize this desolate loneliness in the strong contrast between finite and infinite, death and eternity.
Lonely travel consciousness, taxi culture with profound rational spirit. Since the Confucian thought at the end of the Han Dynasty released the shackles of Confucian religious theology in the Han Dynasty, there has been a rational trend of thought among Confucianism to think about the value of human existence and the meaning of life. Life and death, existence and nothingness have become the most thrilling themes in literary works since the end of Han Dynasty. As early as "Nineteen Ancient Poems", there is a sentimental feeling that life is like a passer-by: "The cypress is on the Qingling Mountain, and the stone is in the thunder flow. Life between heaven and earth, suddenly like a passer-by ","the vast yin and yang move, and life is like morning dew. Life is suddenly like sending, and life is not solid. " Since then, after Wei, Jin, Southern and Northern Dynasties, this sense of impermanence and loneliness has almost become an eternal theme in literary works. "It's windy during the day, and the scene is flowing westward. If the heyday doesn't come, I will die in a hundred years. Living in a beautiful house, scattered in Shan Ye "(Cao Zhi's" Introduction ")," One and two or three sons, what is not the same? " Really explore the root of mystery, and those who are involved in the world are passers-by. I know what I expected before, the vacant room is my home "(Wang Xizhi's Preface to Lanting Collection)," The universe is long, and life is as few as a hundred. Time has passed, and the sideburns have turned white "(Tao Yuanming's" Drinking Poems (XV) "). Where are the lost years in front of me? Behind me, where are the future generations? "I miss heaven and earth, and there is no limit, and I am lonely and in tears" (Chen Ziang's Youzhou Tower). Time is too long, life is like a post, life is like a post, and no predecessors are seen. The huge contrast between the infinite universe and the limited life strongly oppresses the psychology of scholars, resulting in a huge psychological "hole". Naturally, their works reveal impermanent sentimentality and cognition of illusion through rational thinking. The sadness of Li Bai's lonely journey is also based on such group psychology.
Of course, the formation of Li Bai's loneliness consciousness also has personal reasons. Li Bai never gave up the ideal of success in his life. It is precisely because he is eager to make achievements that he is very eager to see time and has a keen sense of the passage of time. However, the reality has shattered his ideal dream again and again, and his achievements have failed, and the years have wasted. All these will inevitably cause the poet to pay great attention to life and death, existence and nothingness, and make him feel deeply impermanent and sad that life is like a lonely journey.
Heaven and earth are a cloud, and this body is a little bit.
-"Farewell to My Nephew Gao Wang"
The Yellow River flows east and the white sunset sets in the west.
Passing through Sichuan, drifting and not treating each other.
If you leave me in spring, will you be long?
I should go to Yun Chi to enjoy the scenery.
-"Antique" Part 11
If the appearance flies, the scenery is like the wind.
The grass is green and white, the sun is west and the moon is east.
China's temples can't stand autumn, but become weak.
Ancient sages, who succeeded one by one.
-"Antique" No.28
Yesterday's Zhu Yanzi, today's white hair reminds me.
The thorn gives birth to Shihutang, and the deer goes to Gusutai.
Since ancient times, palaces and city gates have been closed and the dust is yellowish.
If you don't drink, the old people will be relieved.
-"Wine"
The impermanence consciousness and lost sadness expressed in these poems have a profound sense of history and a thrilling sense of life. Needless to say, these poems also show Li Bai's idea of wandering around the immortals, revealing the negative emotions of eating, drinking and enjoying in time. However, if we are not satisfied with the superficial understanding of these poems, we will naturally feel a philosopher's clear understanding of life and the nature of the universe in addition to Li Bai's thoughts and feelings of seeking immortality and pursuing worldly pleasures. Feel a poet who loves life and ideals, but he is helpless and sad; Feel the poet's sense of smallness and loneliness to the world.
three
Now, let's review the influence of Li Bai's loneliness on his poems.
First of all, Li Bai's loneliness gives his poetry a sense of loftiness.
In previous aesthetic works, the sublime is often regarded as an aesthetic experience produced by the external material world (such as the huge size of the object, powerful power, terrible disaster, etc.). ) acts on the aesthetic subject. In fact, the generation of sublimity can not only come from the role of the material world on the aesthetic subject, but also from the role of human spiritual strength on the aesthetic subject. Li, a British aesthete, said: "Sublime exists in the magnificent spirit or material, which is stable, not unpredictable. It includes not only the grandeur of external things that we give a sense of sublimity, but also the nobility and greatness of the soul. Without the nobility and greatness of the soul, the noblest works of art and nature are always dim. " Most importantly, Li Bai's loneliness gives his works a sense of sublimity, that is, the strength from the poet's spirit. Both of them are lonely, but their psychological mechanisms are different. Some are out of the pioneer's advanced consciousness, which is often called "great loneliness" by the world; Others are because of their humble, cowardly and decadent personality; Others are because of their aloof personality. Li Bai's loneliness is roughly close to the latter. His loneliness, although there are also psychological loneliness with different ideology from his contemporaries, such as the bitter fruit of "I went too far and lost my partner" chewed by the forerunner Lu Xun; Of course, it's not that the weak lack self-confidence, escape, frustrated failure and negative self-abandonment. The generation of Li Bai's loneliness, to a great extent, stems from his arrogant and arrogant personality itself. This character leads him to be divorced from society in spirit and behavior, which leads to a lonely bitter wine. Li Bai's loneliness consciousness is essentially based on the psychological mechanism of self-affirmation. This kind of loneliness has brought his poems a unique and unconventional character strength, which makes us feel the loftiness of the poet's aloof character strength. "This sense of sublimity does not come from the situation we see, but from the power we experience." "Into the Wine" is a famous sentence of Li Bai. Has always been known for its momentum. The poet's "eternal sorrow" is the loneliness and depression of "sober people in the old days and forgotten sages", that is, the poet's political exile and his great ambition are not understood. The great emotional impact in the poem "How the water of the Yellow River moves out of the sky, into the ocean and never returns" comes from the poet "God-given talent, let it be used!" My self-confidence and conceit and my noble and disdainful personality. It is this fierce collision between personality strength and social reality that belittles talent and personality that produces the emotional impact of this poem. Therefore, reading this poem, we will feel an open, grand and strong aesthetic experience. This aesthetic experience, I think, is a noble experience brought by the poet's arrogant personality strength. This sense of sublimity is embodied in Fu Liangyin, Xiangyang Song and Twelve Nights of Answering the King. Some of Li Bai's short poems also have the lofty feeling brought by loneliness to his works. Sitting alone in Jingting Mountain was written by Li Bai Tianbao when he roamed Xuancheng 12: "The birds are high, and the lonely clouds go to leisure alone." Meet each other tirelessly, only Jingting Mountain. "When I first read this poem, I felt' nothing in my heart'" (Zhong Xing's Comments on Sixteen Volumes of Tang Poetry). However, in the deep smell, the birds flew away and the lonely clouds floated away. On the vast land, only Jingting Mountain and the poet stay together silently and appreciate each other. This situation has its own loneliness and its own arrogant personality strength. If "many birds fly high, and the lonely clouds go to leisure alone" reflects the sadness of the poet being abandoned by the world, then "I can never get tired of seeing it, only Jingting Mountain" is "too white to play with the world, willing to stay alone in the world, and seek a confidant in a heartless thing" (Yu Biyun's "A Brief Introduction to Poetry"). It shows the poet's spiritual self-exile. In the deep image of the poem, there are the lofty realm of the poet and the twin peaks of the pavilion standing side by side between heaven and earth, and the spiritual strength of loneliness and transcendence is hidden in elegance, which can be said to be the uniqueness of Li Bai's poetry.
Secondly, Li Bai's loneliness brought deep sadness to his poems.
Li Bai is a romantic poet with heroic character. He is lonely because of the contradiction between ideal and reality, strong self-awareness and keen life experience, but he can get psychological compensation from narcissism. Seeking spiritual liberation from binge drinking, singing, traveling in the mountains and playing with water, and visiting the immortal pills makes some of Li Bai's poems have the characteristics of sadness but not depression, sadness but incomparable heroism and swiftness. It should be said that this is one of the reasons why Li Bai's poems are bold and elegant. This phenomenon can easily give people the illusion that Li Bai's poems are only full of youth and joy. Actually, it's not. Li Bai's works often have extremely deep sadness. There are many reasons for sadness, and loneliness is one of them. The poet's lack of talent and political indignation led to exile; Ups and downs, incomprehensible sadness; And the sadness of a person's lonely life, invading his works from time to time, bringing deep sorrow to his works. Poems such as Lonely Moon, Lonely Fragrance in Spring, Ode to Dongwu and Coming into Wine all have this kind of sadness. Why did Li Bai's masterpiece Shu Dao Nan come into being? What is the theme of the poem? Throughout the ages, there have been many solutions, such as litigation. The author thinks that this article is really a work of the poet who thinks that his friends have entered Sichuan, and may not really have any political skills. However, since Li Bai went out of Shu around the 12th year of Kaiyuan, he pretended to be a vassal, extended a helping hand and pursued his fame and fortune. He was frustrated by "learning from the south and learning from the north" ("Shang 'an satrap Li Changshi"). In his works of this period, it is difficult to find a bosom friend and a solitary sword. In the 14th year of Kaiyuan, Li Bai wrote a poem "The Book of Huainan, A Message from Illness to Zhao Zhengjun" in Yangzhou: "Wu Hui is a floating cloud, floating like a passer-by. Time flies if you don't do what you want to do. Good planning and Russia abandoning donations, illness is a cotton drama. The guqin hides an empty box and the long sword hangs on an empty wall "expresses the poet's sadness that he has accomplished nothing, failed to meet talents and wasted his years." "So, it can't be ruled out that when Li Bai wrote" Difficult Travel "in Shu, he intentionally or unintentionally injected the hardships and sadness of the lonely journey into the poem. In fact, the words "sigh", "but see", "smell" and "make people listen to this" in the poem are all conscious reminders to lonely travelers. The poem not only describes the loneliness, grandeur and peril of Shu Dao, but also depicts a lonely traveler trudging through the desolate danger. There is a feeling of isolation and helplessness that runs through the lines of the poem with the theme of "Shu Dao is difficult, and it is difficult to go to the sky". And this lonely traveler is not so much a friend of Li Bai as Li Bai himself. The sadness of wandering alone between Shu and Dao in the dreamland is a tragic portrayal of the poet's persistent achievement in real life, but he failed to meet his talents and suffered repeated setbacks.
To sum up, although Li Bai is a poet, he is not always elegant. In his mind, there is often a sense of loneliness that cannot be dismissed. This sense of loneliness directly influenced his poems and brought him a sense of loftiness and sadness. It should also be pointed out that the style of Li Bai's poems is bold and unconstrained. However, the sense of loftiness and sadness brought by loneliness makes quite a few of his works have the style characteristics of seeing loneliness in luxury and sadness in luxury, which can not be ignored when studying Li Bai's poetry style.