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Flowers and trees all know that spring is back, and they all want to keep the pace of spring and compete with each other.
Even beautiful flowers and elm money are unwilling to be lonely, dancing with the wind and turning into flying snow.
Secondly,
Who will take back the spring scenery? Red and green flowers and plants are half open and half withered.
After a gust of wind, the elm pods on the treetops can only float around in the air of this garden with catkins.
works appreciation
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Here, it seems that it only personifies the beauty of late spring. In fact, it also implies that people should seize the opportunity to make progress and create valuable things. However, it is worth mentioning that, despite the lack of vegetation "talent", Populus davidiana is not so ignorant, but adds a landscape to late spring. Although it is not beautiful, it has made great efforts, and this spirit is commendable.
This is a poem describing the scenery in late spring. At first glance, it is just a common sight of a hundred flowers blooming, but further, it is not difficult to find that this poem is ingenious and unique. The poet doesn't write about the flowers falling and dying in late spring, but he writes about the plants staying in spring, presenting a colorful and moving scene: flowers and trees find that spring will come back, each according to his ability, colorful and flowery. Even Yang Shuhua and elm pods, which were originally full of color and flavor, were not to be outdone, and turned into snowflakes dancing with the wind, joining the ranks of staying in spring. The poem is nuanced, revealing secrets that predecessors have never obtained, opposing the feeling of ordinary poets dying in late spring, imitating the splendid situation of flowers and plants, and showing the elegance of late spring. A few strokes will give people an eyeful of scenery and a refreshing impression.
Speaking of it, it is quite interesting to renovate this poem in an ordinary way, and it also lies in the magical use of personification in the poem, combining people with flowers. Vegetation is a heartless thing, but it can know, understand and fight, and there are differences between talent and wisdom. Fantastic imagination is really rare in poetry. The last two sentences are particularly chewy, and readers can boldly imagine according to their own life experiences, which makes people think endlessly and have endless aftertaste.
After careful consideration, this collection of poems combines scenery with reason. We can understand the philosophy of life through the description of scenery: the poet describes the "known" scenery through "vegetation" and cherishes the beauty of spring, reflecting his own cherish of the beautiful scenery of spring. Facing the scene of late spring, the poet turned the common feeling of cherishing spring into subjective participation, and his mood was optimistic and innovative. You see, "Huayang Fishing Pod" does not hide from others because of "lack of talent", nor is it afraid of the ridicule of "teaching others to teach axes", which adds a lot of color to "late spring". This enlightens people that it is not terrible for a person to "have no talent and ideas". The important thing is to cherish time and seize it. "Spring" is not worthy of such a conscientious person.
Qian Zhonglian's Shi Ji is a poem written by Yuanhe in the eleventh year. Quote Zhu Yizun's Korean Poetry Criticism: "What do you mean? However, this is the case. " Indeed, in terms of describing the scenery in late spring, this poem can be described as sentimental, interesting and unconventional. The title of the poem is also "Traveling South in Late Spring", which can be seen that it was written in the suburbs during a spring outing. Poets use anthropomorphic techniques, not to mention that people cherish spring, even grass trees know that spring is coming soon, so a hundred flowers blossom and each has its own beauty. Yang Shuhua and elm pods are unpretentious, flying like snow all over the sky. People say that plants are heartless, while poems tend to say that they know, or "fight" or "solve", which is vivid and interesting. This is the interesting thing about this poem.
However, the word "no talent" is quite strange and has caused a lot of speculation. Or advise everyone to study hard and not be as vain as Huayang; Or people are incompetent and can't write good articles; Or irony; Or praise Huayang, although not beautiful, but interesting and courageous. When examining poetry carefully, poets should appreciate Huayang. Thinking without talent should be a humorous pen that pretends to be frustrated.
The moral of this poem is different, and different life experiences and moods will have different understandings.
Secondly,
This is a poem about the scenery in late spring. The works use anthropomorphic rhetoric to tell us that spring will come back soon by describing flowers and trees, so they try their best to keep it. Even Huayang and Yugui, who have no beauty at all, are not to be outdone, as if snowflakes danced with the wind and joined the ranks of staying in spring, expressing the poet's thoughts and feelings of cherishing spring and reminding people to seize opportunities and seize opportunities to create a better future.
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Two Poems in Late Spring —— Han Yu
original text
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Flowers and trees know that spring is about to pass, and they want to keep the pace of spring and pay more attention. (Grass Tree Works: Vegetation)
Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky.
Secondly,
Whoever receives the spring scenery will return it, and the slow green demon will not live.
Ulmus pumila can only walk leisurely along the catkins to the empty garden.
Keyword annotation
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Come back: everything will pass.
Huayang: refers to catkins.
Elm pod: also known as elm money. Before the elm leaves, it first grows pods between branches. Pods are small and shaped like money. The pods are white and fall with the wind.
Talent: talent and ability.
Jay: I know.
Secondly,
Slow green demon red: refers to red, green and beautiful flowers and plants.
Ulmus pumila: Also called Ulmus pumila, it is the seed of Ulmus pumila. Because it looks like hemp money strung together in ancient times, it is named Qian 'er.
Catkin: that is, the seeds of willow, with white fluff on them, dancing with the wind, like catkin, so it is called catkin.
Casual: common, casual. Go: the disease has a tendency to go. In this case, it means being blown away by the wind.
Brief introduction of the author
Han Yu (768 ~ 824), a writer, philosopher and thinker in the Tang Dynasty, was born in Heyang (now mengzhou city, Jiaozuo, Henan) and was of the Han nationality. Originally from Changli, Hebei Province, he was known as Han Changli in the world. In his later years, he served as assistant minister of the official department, also known as the Korean official department. Posthumous title "Wen", also known as Han Wengong. He and Liu Zongyuan were both advocates of the ancient prose movement in the Tang Dynasty, who advocated learning the prose language of the pre-Qin and Han dynasties, breaking parallel prose and expanding the expressive function of classical Chinese. In the Song Dynasty, Su Shi called him "the decline of eight generations of literature", and in the Ming Dynasty, he was regarded as the head of the eight masters in Tang and Song Dynasties, and was also called "Liu Han" with Liu Zongyuan. Known as "a great man of literate Sect" and "a hundred schools of literature", all his works are included in Mr. Changli's anthology. Han Yu is the founder of China's "orthodoxy" concept and a symbolic figure who respects Confucianism and opposes Buddhism.