Ancient poems include Wan Li in Chang 'an, Li Bai's farewell to Meng Haoran's trip to Yangzhou from the Yellow Crane Tower, Three Difficult Travels, Bie Zi from Nanling to Beijing, Ge Yanxing from Gao Shi, Bie Liu Xiao Shu, Ten Poems of Song Dynasty, and Wang Changling's Answer to Help the Wind Master.
Positive evaluation
The portrayal of the poet in this film tends to be secular and realistic. These are people who really existed in history. Their character should not be based on stereotypes, but should be based on poetry and historical facts.
This film is full of strong feelings of home and country. Every poet has a different personality and an ill-fated fate, but behind it is a deep responsibility to the country, the world and the people. The friendship between these talented people has also become more brilliant because of poetry, and more emotional than Jin Jian because of the turmoil of the times.
In Gao Shi and Li Bai's success or failure, advance and retreat, trade-offs, gains and losses, the audience saw the shadow of real life, thus thinking about life, fate and other topics. The creator is not limited to the poet's own joys and sorrows, but lays out the whole historical development process by telling the poet's life experience.
Gao Shi and Li Bai, like two melodies with different voices, play a polyphonic melody in which personal destiny and national destiny are intertwined and interactive, and personal ideals and feelings of home and country are at the same frequency.
With "tang style, Magnificence, Poetry and Exquisiteness" as the key words, the film combines the most advanced digital film technology with the freehand brushwork of Chinese painting through careful textual research and bold imagination, transforming these famous Tang poems into unprecedented color feasts, visual effects and lens language, and achieving amazing artistic effects.
The theme selection and story writing of the film have broken through the inherent limitations in the field of animated films. The film shows the audience that animated films can not only point to the future, myth, fantasy, science fiction or reality, but also point to the true and hard-core feelings of home and country and history and culture. This kind of innovation means spending a lot of time and energy to study history, conceive plots, shape characters and polish scripts.
Ensure that the presentation of major historical events, as small as the hairpin on Ge Ji's head, should conform to the historical truth. The film creates a real three-dimensional historical imagination space for the audience and tells a sincere and touching story of historical figures. From this perspective, movies broaden the boundaries of animated films.