1, the scene in front of us is real, and the imaginary scene is empty.
Take Yulin Ling as an example: the cicada wails, the pavilion is late, and the shower begins to rest. All the doors are full of emotions. I miss that place and the blue boat urges me to send it. I held my hand and cried for years, but I was speechless. These poems are all about the real situation, and they are all "empty". Thinking of returning to the south this time, this journey is another road. Thousands of miles away, it is misty, and the night sky is a vast night fog.
These three sentences are half empty and half real. Where did you wake up tonight? Yang Liuan, morning breeze and waning moon. These three sentences are all imaginary scenes, written in vain.
2, the truth of the scene is real, the scene of the dead, the world of ghosts and gods and dreams are empty.
Take Nian Nujiao's "Red Cliff Nostalgia" as an example: the rocks pass through the air, the waves beat on the shore and rolled up thousands of piles of snow. This is what Su Shi saw when he visited the Chibi Collection outside Huanggang, which is also a "reality". A white figure with a feather fan came face to face, and while talking and laughing, the enemy warships burned to ashes. These three sentences reproduce the historical picture of burning Chibi, which is obviously not the real scene in front of us, so it is empty writing.
3. The image is real and the abstraction is virtual; Finite is real, infinite is empty.
Take Youmei as an example: a river flows eastward. This sentence, write melancholy. Sadness is very abstract, but Li Yu turned it into a "spring water", surging and overwhelming, turning abstraction into image and turning virtual into reality.
Another example is "it's not cost-effective to visit a garden": if the garden can't be closed in spring, an apricot will come out of the wall. These two words, with less wins more, show infinite spring with limited red apricots. This is to turn reality into reality.
4, the side is solid, and the front is empty.
With Ma Zhiyuan's "Tianjingsha? Qiu Si: Bridges and flowing water. This sentence reflects people's lonely and desolate mood with a warm scene.
5, the role of the combination of virtual and real.
The combination of reality and fiction can greatly enrich the images in poetry, open up the artistic conception in poetry, provide readers with a broad aesthetic space and enrich people's aesthetic taste. Sometimes it can form a strong contrast, and sometimes it can form a rendered contrast, thus highlighting the center of poetry.
Set-off can be divided into positive set-off and negative set-off, also called set-off. Use similar or negative things to make the main things more prominent, so as to achieve a strong expression effect to express a special artistic conception or unique emotion.
6. Positive contrast is to set off with the same thing.
For example, Li Bai's "To Wang Lun": Li Bai was about to leave by boat when he suddenly heard singing on the shore. Even if the Peach Blossom Pond is deep, it is not as deep as Wang Lun's sending away my love. Three or four sentences vividly set off Wang Lun's sincere and innocent feelings for the poet.
7, contrast, is to use the opposite thing to set off.
For example, Wang Wei's Bird Watching Creek: people are idle and osmanthus flowers fall, and the night is quiet and spring is empty. When the moon comes out, the birds are startled, and the sound enters the spring stream.
The touching scenery of flowers falling on the moon and birds singing is written in the poem, which not only makes the poem look full of vitality, but also highlights the silence of the spring stream through sports.